Collection Loïc Malle (6 April 2022 | Paris) – Sotheby’s presents a collection which reads like an anthology of contemporary art, particularly artworks that deal with the act of experience. The experiences expressed through the collection are as diverse as the artists that it encompasses, which includes Marcel Duchamp, Yves Klein, Robert Smithson and Sol LeWitt.
Tag Archives: Artwork
Art History: Van Gogh’s ‘Irises’ (Getty Museum)
Behind this iconic painting by Vincent van Gogh is the artist’s inspiring story about healing, as he struggled with the challenges of a psychiatric disorder. Learn more about this period in his life in which he produced some of his most famed work.
Getty has joined forces with Smarthistory to bring you an in-depth look at select works within our collection, whether you’re looking to learn more at home or want to make art more accessible in your classroom. This six-part video series illuminates art history concepts through fun, unscripted conversations between art historians, curators, archaeologists, and artists, committed to a fresh take on the history of visual arts.
View the Getty Conversations series: https://youtube.com/playlist?list=PLi…
Learn more about “Irises” in Getty’s collection online: https://www.getty.edu/art/collection/…
Sketch Views: ‘Junkyard Truck’ By Paul Heaston
Watercolor Artists: Liam O’Farrell’s ‘London Views’
I like to get in front of my subjects “en plein air” if I can. Even in my allotment pictures (which are partly from imagination) the core elements are taken from real allotments. Working on site you get so much more from what you are trying to capture, I also get to chat to passersby who feed into my work with their rich stories and conversation. For me working purely in the studio would be like painting through a letter box.
In regards to perspective, the early part of my career was drawing and airbrushing full 3D cutaways of fighters and ships for the MoD so I know a fair bit about getting perspective right if I need to.
Accurate perspective however is all well and good, although in creative terms it can only deliver so much. I tend to adjust and push things about until it feels right. If that means geometric perspective is abandoned then that’s fine. It’s all about the overall impression.
Reviews: ‘The Week In Art’
We talk to Max Hollein, director of the Metropolitan Museum of Art, about the new plans for the museum’s wing of modern and contemporary art, including the appointment of the architect Frida Escobedo in place of David Chipperfield.
As The Art Newspaper is about to publish its annual museum attendance survey, showing that visitors are beginning slowly to return to museums after the height of the pandemic, we ask Hollein how the vision for the museum has changed following the events of the past two years. Plus, Aimee Dawson talks to the curator Sam Bardaouil about the exhibition Beirut and the Golden Sixties: A Manifesto of Fragility at the Gropius Bau in Berlin. And in this episode’s Work of the Week, as the Menil Collection in Houston, Texas, opens a major Meret Oppenheim survey, the show’s curator Natalie Dupecher discusses Oppenheim’s Surrealist object Ma gouvernante – My Nurse – Mein Kindermädchen (1936): a pair of white heels on a silver platter, trussed like a chicken.
The Art Newspaper’s visitor attendance survey is in the April print edition, and online next week at theartnewspaper.com, or on our app for iOS and Android, which you can get from the App Store or Google Play.
Beirut and the Golden Sixties: A Manifesto of Fragility, Gropius Bau, Berlin, until 12 June.
Meret Oppenheim: My Exhibition, Menil Collection, Houston, until 18 September; Museum of Modern Art, New York, 30 October-4 March 2023
Views: Jennifer Packer – ‘The Eye Is Not Satisfied With Seeing’ (Whitney)
Join Jane Panetta, the Nancy and Fred Poses Curator and Director of the Collection, as she discusses key works from Jennifer Packer’s exhibition of paintings and drawings.
Jennifer Packer is an American painter living and working in New York City. In 2020, she won the Hermitage Greenfield Prize and the Rome Prize. Packer won the Rome Prize at the American Academy in Rome 2020-2021.
Jennifer Packer: The Eye Is Not Satisfied With Seeing was initiated by Serpentine and curated by Melissa Blanchflower, Curator, Exhibitions and Public Art with Natalia Grabowska, Assistant Curator. The presentation at the Whitney is organized by Rujeko Hockley, Arnhold Associate Curator, and Jane Panetta, Nancy and Fred Poses Curator and Director of the Collection, with Ambika Trasi, Curatorial Assistant.
Profiles: French Painter Francis Picabia (1879-1953)
Sotheby’s explores two Picabia masterpieces: ‘Pavonia’, a cinematic example from his ‘Transparencies’ series, and ‘Nu de Dos’, a striking and controversial female nude.
Francis Picabia, (born January 22, 1879, Paris, France—died November 30, 1953, Paris), French painter, illustrator, designer, writer, and editor, who was successively involved with the art movements Cubism, Dada, and Surrealism.
Picabia was the son of a Cuban diplomat father and a French mother. After studying at the École des Arts Décoratifs (1895–97), he painted for nearly six years in an Impressionist mode akin to that of Alfred Sisley. In 1909 he adopted a Cubist style, and, along with Marcel Duchamp, he helped found in 1911 the Section d’Or, a group of Cubist artists. Picabia went on to combine the Cubist style with its more lyrical variation known as Orphism in such paintings as I See Again in Memory My Dear Udnie (1913–14) and Edtaonisl (1913). In these early paintings he portrayed assemblages of closely fitted, metallic-looking abstract shapes. As Picabia moved away from Cubism to Orphism, his colours and shapes became softer.
Artists: The Watercolor Drawings Of John Yun
Top Artists: Watercolors Of Michael Broshar (2022)
Art Views: Watercolors By Thomas W. Schaller (2021)
“In many ways, why we paint is more important than what or how we paint. What we create is more than just something we do, it expresses who we are. My work is a study in contrasts: light and dark, vertical and horizontal, warm and cool, the real and the imagined, and elements of the past, present, and future. I design with conflicting elements – allowing them to find balance and resolution on the surface of the paper in surprising and expressive ways, trying never to paint just what I look at, but rather how it is I see; how I react to the world I see around me and within. The results are reflections of my attempt at becoming more fully present in the process.“
Thomas W. Schaller is an award-winning artist, architect, and author based in Los Angeles. As a renowned architectural artist, he received a Graham Foundation Grant and was a two-time recipient of the Hugh Ferriss Memorial Prize. He has authored three books; the best-selling, and AIA award winner, Architecture in Watercolor (VNR – McGraw Hill) The Art of Architectural Drawing (J.Wiley and Sons), and Thomas W. Schaller, Architect of Light : Watercolor Paintings by a Master – a retrospective of his recent artwork released by North Light Books / F+W Media and now Penguin / Random House, NYC in 2018.
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