THE NEW YORK TIMES MAGAZINE (February 23, 2024): The new issue features ‘Enemy of the People’ – Tom Sandoval turned last year’s season of ‘Vanderpump Rules’ into the best in reality TV’s history – and ruined his life in the process..
The Guardian Weekly (February 22, 2024) – The new issue features ‘Ukraine’s Lonely Road’ – After two years, is there a way out of Putin’s war?…
Shaun Walker reports on this week’s big story, the fall of the strategic town of Avdiivka to Russian troops has come at a grim time for Ukraine’s president, Volodymyr Zelenskiy. While the army is struggling to hold ground, war fatigue is setting in among parts of the population and disagreements among the leadership have been spilling into the open.
At the same time, the death of the jailed Russian critic Alexei Navalny last week – widely seen as another political assassination – appears to emphasise the strengthening hand of Vladimir Putin, who is expected to secure another six-year term as Russia’s president in tightly controlled elections next month. Amid a familiar wave of international outrage, our Russia affairs reporter Pjotr Sauer asks what Putin might do next.
Coupled with the possibility of a Donald Trump victory in the US elections later this year, it all makes for a deeply worrying outlook for Ukraine, reflected in the Kyiv-based illustrator Sergiy Maidukov’s haunting cover artwork for the magazine this week.
“This war is the hardest test of my life, similar to an endless ultramarathon,” writes Sergiy. “It is good to try to not think about the finish when running long distance. This is important knowledge to endure.”
THE NEW YORK TIMES MAGAZINE (February 17, 2024): The new issue features ‘Actors in the Wild’ – The best performers of the year, when they’re not on film….
The best performers of the year — when they’re not on film.
James Nachtwey, an eminent photojournalist known for his intimate depictions of the front lines in places like Iraq, Afghanistan and Ukraine, had never photographed a movie star before. So for this year’s Great Performers issue, we asked him to capture a dozen of the world’s best actors away from the red carpets and awards ceremonies that often define how we see them. “My work has focused almost exclusively on conflicts and critical social issues, the polar opposite of what might be thought of as celebrity photography,” Nachtwey says. But he was intrigued by the challenge: “Art takes talent, but it’s also hard work, and exploring what actors practice in their daily lives to strengthen their art would be fascinating.”
Tubi Is Reviving a Lost Joy: Watching Really, Really Bad Movies
Their films have gone viral for their awful production values. But their success says fascinating things about what comes after prestige TV.
By Niela Orr
There’s a 2008 movie that offers an odd preview of today’s entertainment. In Michel Gondry’s “Be Kind Rewind,” a bizarre accident demagnetizes the entire inventory of a video rental store, so a clerk and his eccentric friend decide to remake all the films themselves, from “The Lion King” to “Driving Miss Daisy” to “2001: A Space Odyssey.” Their versions are 20 minutes long (at most), shot on an old hand-held video camera and produced in a delightfully quirky, ad hoc way: handcrafted props and sets, buddies working as extras, costumes from the local dry cleaner.
NEW HUMANIST MAGAZINE – SPRING 2024 ISSUE: The new issue features Emma Park on how the culture wars are damaging the sciences, theoretical physicist Tasneem Zehra Husain on why the imagination is key to decoding the universe, and Alom Shaha on what can be gained by thinking like a scientist…
Beyond the two cultures
Amid a polarised debate, science and art seem further apart than ever. Emma Park, editor of The Freethinker, explores what humanism has to teach us about the apparent conflict between these ways of thinking and how to bridge the divide.
“While humanities scholars are often (not without justification) accused of being Luddites, those on the science and technology side could also benefit from the knowledge that the humanities have accumulated over the centuries … [And] no intellectual activity worth the name can flourish in a politically repressive environment: freedom of expression and enquiry should be an issue to unite artists, scholars and scientists.”
The poetry of science
Metaphors are key to unlocking the secrets of the universe – scientists should do more to harness their power, writes acclaimed physicist Tasneem Zehra Husain.
“Metaphors aren’t only a means of description, they can also lead to revelations. Centuries ago, Newton was able to calculate the gravitational attraction between two objects … [but] would ‘feign no hypothesis’ as to why it was so. He had the equation, but he did not understand gravitation … With Einstein, we finally have a metaphor. When we picture space-time as a dynamic ‘fabric’ … we begin to understand what gravity means.”
The Atlantic Magazine – February 13, 2024: The latest issue features ‘To stop a school shooter’ – the case of the contested Basquiats; uncancel Woodrow Wilson; and start-up cities. Plus Michael R. Jackson, the despots of Silicon Valley, Raina Telgemeier, the James Bond trap, “Africa & Byzantium,” Marilynne Robinson, and more.
Why would an armed officer stand by as a school shooting unfolds? By Jamie Thompson
It was the early afternoon of Valentine’s Day 2018, and the campus of Marjory Stoneman Douglas High School was full of kids exchanging stuffed animals and heart-shaped chocolates. Scot Peterson, a Broward County sheriff’s deputy, was in his office at the school, waiting to talk with a parent about a student’s fake ID. At 2:21 p.m., a report came over the school radio about a strange sound—firecrackers, possibly—coming from Building 12. Peterson stepped outside, moving briskly, talking into the radio on his shoulder. Then the fire alarm rang. Peterson, wearing a sheriff’s uniform with a Glock on his belt, started running.
THE NEW YORK TIMES MAGAZINE (February 9, 2024): The new issue features ‘The Untold Story Of How Trump’s Former Chief Of Staff Rose From Cash-Strapped Roots To Washington Prominence, Before Becoming Embroiled In The Prosecutions That May Determine The 2024 Election….
Members of Congress, and candidates for their seats, have been drawn into bitter political clashes over the Israeli-Palestinian conflict.
When George Santos, the indicted fabulist, was expelled from Congress in December, Nassau County Republicans scrambled to hunt up a new nominee. Santos was a catastrophe, but he had also flipped a New York Democratic stronghold, and party leaders wanted the best of him — the charisma, the conservatism and the history-making potential — with none of the debilitating drawbacks.
The New Atlantis Magazine (February 8, 2024) : The latest issue features ‘Did Exxon Make It Rain Today? – Overselling the story of climate change and natural disasters; Bears in the Villa – On whether Italians are ready for the return of wilderness; What Is Space For? – On Why gaze and why we should go…
Why headlines blaming extreme weather on climate change don’t hold up, the peril of catastrophism, and the case that we’re actually safer than ever before
The Guardian Weekly (February 8, 2024) – The new issue features ‘Final Straw’ – What’s eating Europe’s Farmers?; Joe Biden’s Middle East masterplan; Can anything stop the AI deepfakes? and The Pet Shop Boys are back in town…
If you live in France, Germany, Belgium, the Netherlands, Poland or Greece, you may well have already run into one of the numerous roadblocks or protests formed in recent weeks by furious farmers. If you’re in Spain and Italy, take cover – because they are coming to you soon, if not already.
In this week’s cover story, we explore what has proved to be the final straw for Europe’s farmers. A combination of rising costs, environmental rules and grievances over EU policies, coupled with more localised complaints, seem to be the factors driving the convoys of tractors. But far-right and anti-establishment parties, who could make major gains in forthcoming European parliament elections, have also picked up on the protests as part of their agenda against EU influence.
Paris correspondent Angelique Chrisafis and Europe correspondent Jon Henley delve into the protests (if not the piles of steaming dung being dumped on the continent’s roads, as illustrated wonderfully by Neil Jamieson on this week’s cover), and ask what can be done to placate them.
THE NEW YORK TIMES MAGAZINE (February 2, 2024): The new issue features ‘The Long Shadow of 1948’ – How the decisions that led to the founding of Israel left the region in a state of eternal conflict…
How the decisions that led to the founding of Israel left the region in a state of eternal conflict.
A discussion moderated by Emily Bazelon
One year matters more than any other for understanding the Israeli-Palestinian conflict. In 1948, Jews realized their wildly improbable dream of a state, and Palestinians experienced the mass flight and expulsion called the Nakba, or catastrophe. The events are burned into the collective memories of these two peoples — often in diametrically opposed ways — and continue to shape their trajectories.
There’s a scene in that modern classic of screwball existentialism, “Being John Malkovich,” from 1999, in which John Malkovich, playing a version of himself, enters a portal that others have been using to climb inside his mind. Suddenly, Malkovich is in a world populated solely by variations on himself: Malkovich as a flirtatious sexpot, a genteel waiter, a jazz chanteuse, a bemused child, everyone speaking only the word “Malkovich.” In a way, that scene is a microcosm of the actor’s decades-long, always-interesting career.
The Guardian Weekly (February 1, 2024) – The new issue features ‘Party Crasher’ – Is Trump more vulnerable than he seems?; Israel, the ICJ ruling and The West; Europe’s Big Bad Wolves and more….
It had all seemed like business as usual for Donald Trump in the aftermath of last week’s New Hampshire Republican primaries, where he scored a comfortable victory over his only remaining challenger, Nikki Haley. And yet … was there something in his subsequent outburst towards Haley that suggested all was not well in Trumpworld?
Barring the mother of all reversals, Trump will soon be confirmed as the Republican presidential nominee. But, as David Smith and Jonathan Freedland outline in this week’s big story, Trump remains a deeply polarising figure in American politics, not least within his own party.
And his petulant irritation at Haley over her refusal to concede the race was a visible reminder to American floating voters of the unhinged personality that lurks beneath the orange veneer, something his campaign team will be desperate to avoid more of.
“The shadow of Trump is long, and his return seems closer than ever,” explains illustrator Alberto Miranda on his cover art for this week’s Guardian Weekly. “He is a controversial figure with a dangerous side and, at the same time, has an utterly comical aspect. That’s why we wanted to portray his influence in the Republican party in an almost grotesque manner.”
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