A selection of three essential articles read aloud from the latest issue of The Economist. This week, how chatbots will influence the lucrative business of internet search, the parable of Adani (11:25) and why France is arguing about work, and the right to be lazy (19:50).
A new book digs into the communication giant’s troubled history as investors await a turnaround under CEO Robert Bakish and nonexecutive Chair Shari Redstone.
“Unscripted,” an account by the Times journalists James B. Stewart and Rachel Abrams of the media titan Sumner Redstone’s final years, is a chronicle of corporate greed, manipulation, misogyny and sexual impropriety on a spectacular scale.
February 10, 2023: In this special episode, we are in Amsterdam for one of the shows of the year: Vermeer at the Rijksmuseum.
As an unprecedented 28 of the 37 surviving Vermeer paintings are gathered in the Dutch capital, Ben Luke talks to several people involved in the project: Gregor Weber, one of the exhibition’s curators, tells us about his new biography that reveals the depth of influence of the Jesuits and Catholicism on the artist.
In the exhibition itself, we talk to Pieter Roelofs, Weber’s co-curator; Ige Verslype, a conservator who led an extensive research project on Vermeer paintings in the Rijksmuseum, Mauritshuis and Frick collections; and Taco Dibbits, the Rijksmuseum’s director. Plus, we bump into the artist Alvaro Barrington in the exhibition and he tells us what he makes of Vermeer as an artist working today.
In this episode’s Work of the Week, we explore a debate around the attribution of a painting: Betsy Wieseman, Curator and Head of the Department of Northern European Paintings at the National Gallery of Art (NGA) in Washington DC, discusses Girl with a Flute (around 1669-75). Wieseman and her NGA colleagues now regard the painting as a work by Vermeer’s studio, even though it appears in the Rijksmuseum show as an authentic work by the master.Vermeer, Rijksmuseum, Amsterdam, until 4 June. Gregor Weber, Johannes Vermeer: Faith, Light, Reflection, Rijksmuseum, €25 (pb)
In theory, it’s possible to live well while using energy at a rate of just 2000 watts – a quarter of the average for people in the US. Our environment reporter took on the challenge. Here’s what he discovered
Psychologists are forging a new understanding of paranoia, which is helping to explain why more of us are prone to the condition in today’s uncertain world