Twenty years after the one organised by the Centre Pompidou in 2003, this exhibition offers a fresh look at the artist’s work, drawing on more recent thematic exhibitions that have highlighted certain little-known aspects of his career (Antibes in 2014, Le Havre in 2014, Aix-en-Provence in 2018).
Three exhibitions in the Engadin Valley explore how the Swiss mountains have inspired some of the painter’s most playful work
The festive bird has often been served up by artists and writers including J.M.W. Turner and Charles Dickens
Trade was conducted on an unprecedented scale, banks were established, and coinage proliferated like never before. The widespread use of money in everyday life transformed every aspect of European society, including its values and culture. Bringing together some of the most acclaimed manuscripts in the Morgan’s collection and other exceptional objects including a renaissance purse, a brass alms box, and a hoard of coins, this exhibition will explore the fate of the avaricious, attitudes towards the poor, contentious lending practices, and money management.
The famous Hours of Catherine of Cleves, the Hours of Henry VIII, and the Prayer Book of Queen Claude de France will be presented from a decidedly new angle, combining economic and art history to consider the early history of capitalism and the crisis in values that it sparked. These will feature alongside lesser known treasures, including an Italian account book in its original binding and a stunning leaf from a register of creditors made in Bologna, Italy, in 1394–95. As people today reflect on fluctuating markets, disparities in wealth, personal values, and morality, the themes addressed in this exhibition are as relevant as ever.
The Week In Art Podcast (December 8, 2023): This week: the final big art market event of the year, Art Basel in Miami Beach. The Art Newspaper’s associate digital editor, Alexander Morrison, talks to our acting art market editor, Tim Schneider, in Miami about the fair, as tensions rise ahead of the pivotal 2024 US election.
In Athens, the National Museum of Contemporary Art, or EMST, is next week opening a months-long programme which will end up with the entire museum filled with women artists. We talk to EMST’s director, Katerina Gregos, about the programme, called What if Women Ruled the World? And this episode’s Work of the Week is two objects: the 15th-century Florentine artist Francesco Pesellino’s panels telling the story of David and Goliath, made for a luxurious cassone or chest for the Medici family.
The panels belong to the National Gallery in London and have just been restored for a new exhibition there, Pesellino: A Renaissance Master Revealed. We talk to Jill Dunkerton, who did the restoration, about these extraordinary paintings.
Art Basel in Miami Beach, Miami Beach Convention Center, until Sunday, 10 December.
What if Women Ruled the World? begins at EMST, Athens, on 14 December.Pesellino: A Renaissance Master Revealed, National Gallery, London, until 10 March 2024.
Graphic design Patte&Besset, stamp “Fêtes du cinquantenaire de la tour Eiffel”, 1939, creation by Henri Cheffer (c) adagp Paris ; Stamp “Gustave Eiffel 1832 – 1923” creation by Marie-Noëlle Goffin.
The Golden Age is a metaphorical concept shared across cultures through time and space, whether applied to utopian futures or idealized histories.
Often invoked as an imaginary, past time of prosperity, The Golden Age also epitomizes hope for the future, lighting the path towards our highest aspirations. As the curatorial theme for the 18th edition of Design Miami, The Golden Age: Looking to the Future will celebrate a tomorrow of our own creation.
In a time when human beings are challenged in unprecedented ways, The Golden Age could become a source of inspiration to imagine and shape a brighter future for human beings and our planet.
October 8, 2023–January 15, 2024
Special correspondent Jared Bowen of GBH Boston reports for our arts and culture series, CANVAS.
Among the art-gallery going public, is anyone still unaware that there have always been women artists, even before the 19th century? Perhaps a few still think that women first picked up their paintbrushes around the time they started campaigning for the vote. Certainly, the further back you go, the more surprising it may seem – given the limitations placed on women – that some were nonetheless able to build successful artistic careers. But beginning in earnest with the National Gallery’s blockbuster Artemisia Gentileschi exhibition of 2019, a flurry of shows has put the names of various Renaissance women in lights. Just this year, we have had ‘Lavinia Fontana: Trailblazer, Rule Breaker’ at the National Gallery of Ireland, ‘Mary Beale: Experimental Secrets’ at Dulwich Picture Gallery, ‘Artemisia Gentileschi: coraggio e passione’ at the Palazzo Ducale in Genoa, and ‘Sofonisba Anguissola: Portraitist of the Renaissance’ at the Rijksmuseum Twenthe in Enschede, to name only a few.
October 27, 2023 through January 28, 2024
Combining highlights from the Morgan’s collection with carefully selected loans, this exhibition will provide a comprehensive look at the Tiepolos’ work as draftsmen, focusing on the role of drawing in their creative process and the distinct physical and stylistic properties of their graphic work. At the core of the collection and exhibition are substantial groups of Giambattista’s drawings that relate to major ceiling fresco projects of the 1740s and 1750s.
A fresh look at the style, function, and material properties of these working drawings has yielded new insights into their purposes. Most significantly, the exhibition presents for the first time extremely rare pen studies for Tiepolo’s magnum opus, the ceiling fresco above the staircase of the Würzburg Residenz of 1752, and a group of bold sketches newly connected with his ceiling fresco of 1754 at the Venetian church of Santa Maria della Pietà.
Other sections of the exhibition highlight the introduction of Domenico to the family workshop, the exchanges between father and son, and the great series drawings by both: Giambattista’s fantastic heads and figures seen di sotto in su, and Domenico’s drawings of animals, biblical scenes, and contemporary life.
The exhibition will end with a wall including striking examples from Domenico’s late Punchinello series. October 27, 2023 through January 28, 2024
Boomers Daily 