Category Archives: Exhibitions

Art Reviews: Gagosian Quarterly – Fall 2023

Gagosian Quarterly Fall 2024 | Gagosian Quarterly
Detail from Andy Warhol’s Mao (1972)

Gagosian Quarterly (Fall 2024) The new issue features Jessica Beck discussing Andy Warhol’s Mao series, contextualizing Warhol’s return to painting in the early 1970s and his attraction to subjects of notoriety. We dig into the archives to honor the inimitable Richard Serra, who had over forty exhibitions at Gagosian since his first in 1983. Elsewhere in the issue, Salomé Gómez-Upegui examines the work of artists confronting the climate crisis, and Péjú Oshin speaks with Jayden Ali about his expansive view of architecture.

In Conversation – Christopher Makos and Jessica Beck

Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

The Art History of Presidential Campaign Posters

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

International Art: Apollo Magazine – September 2024

Apollo Magazine (September 2, 2024): The new September 2024 issue features

• Bringing Pompeii back to life

• The surreal films of Jan Švankmajer

• The cat ladies of contemporary art

• Carlo Scarpa’s cult designs

Plus: 

Apollo celebrates 40 artists, patrons, thinkers and business-people blurring the line between art and craft; the Italian museum memorialising an unsolved plane crashreviews of Paula Modersohn-Becker in New YorkElisabeth Frink’s menagerieand Eileen Agar’s memoir of an unconventional life – and Jonathan Lethem remembers meeting a feather-brained friend in Maine

International Art: Apollo Magazine – July/Aug 2024

Apollo Magazine (June 2, 2024): The new July/August 2024 issue features

• On the road with Ed Ruscha

• An interview with Jeremy Frey

• How to build a 21st-century museum

• France chases the Olympic dream

Plus: Hildegard Bechtler on the art of stage design, very fancy Victorian ice creams, the art market braces for stormy weather, a Madonna pregnant with meaning and a preview of Parcours des Mondes; reviews of Kafka in Oxford, the gardeners of the Bloomsbury Group, and the silversmith who struck gold for Tiffany & Co.

Reviews: ‘The Week In Art’

The Week In Art Podcast (June 14, 2024): This week: it’s arguably the best loved of the major art fairs among collectors and dealers, but what have we learned about the art market at this year’s Art Basel, in its original Swiss home?

The Art Newspaper’s acting art market editor, Tim Schneider, tells us about the big sales in Switzerland amid the wider market picture. The journalist Lynn Barber has a new book out, called A Little Art Education, in which she reflects on her encounters with artists from Salvador Dalí to Tracey Emin. We talk to her about the highs and lows of several decades of artist interviews.

And this episode’s Work of the Week is Woman Leaning on a Portfolio (1799) by Guillaume Lethière. Lethiére was born in Guadeloupe in the Caribbean to a plantation-owner father and an enslaved mother, but eventually became one of the most notable painters of his period in France and beyond. We talk to Esther Bell and Olivier Meslay, the curators of a major survey of Lethière’s work opening this week at the Clark Art Institute in Williamstown, Massachusetts, US, and travelling later in the year to the Louvre in Paris.

Art Basel, Basel, Switzerland, until Sunday, 16 June.

A Little Art Education by Lynn Barber, Cheerio, £15 (hb).

Reviews: ‘The Week In Art’

The Week In Art Podcast (June 7, 2024): This week: we explore the Art Institute of Chicago’s exhibition dedicated to what Georgia O’Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career.

Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London’s contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie’s auction later this month. We talk to the chair of Studio Voltaire’s trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK’s most dynamic non-profits.

And this episode’s Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth’s 2022 series Francisco de Goya, Still Life with Ribs and Lamb’s Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth’s painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.

Georgia O’Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.

The date of XXX, as the sale of works to benefit Studio Voltaire at Christie’s is called, is yet to be confirmed. Check the organisations’ websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.

Martha Jungwirth, Guggenheim Bilbao, until 22 September.

International Art: Apollo Magazine – June 2024 Issue

June 2024 | Apollo Magazine

Apollo Magazine (June 2, 2024): The new June 2024 issue features ‘The awesome art of Caspar David Friedrich’; Should museums charge entry fees? and Picnicking with the Impressionists…

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 31, 2024): The publication in April of Stanford University’s Artificial Intelligence Index Annual Report has provided the art world with much food for thought.

We look at the implications for artists and institutions with Louis Jebb, the managing editor of The Art Newspaper and our technology specialist. As the Centre Pompidou in Paris is taken over on all its floors by what it calls the “ninth art”—graphic novels and comics—we talk to Joel Meadows, the editor-in-chief of Tripwire magazine and a comics aficionado, about the rise of this subculture in museums and the market. And this episode’s Work of the Week is Edgar Degas’ Miss La La at the Cirque Fernando (1879), which depicts a Black circus performer, Anna Albertine Olga Brown, who was briefly known as Miss La La.

She and the painting are the subject of a new exhibition at the National Gallery in London opening next week. We talk to Anne Robbins, the curator of paintings at the Musée d’Orsay in Paris, and external curator of the exhibition, and Sterre Overmars, the curatorial fellow for post-1800 paintings at the National Gallery, about the painting.

Comics on Every Floor, Centre Pompidou, Paris, until 4 November.

Discover Degas & Miss La La, National Gallery, London, 6 June-1 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 24, 2024): As the Louvre’s director admits that the Paris museum wants to move its most famous painting away from the crowded gallery in which it is currently displayed, we ask the Leonardo specialist Martin Kemp: does the museum have a Mona Lisa problem?

We also talk about the painting’s continuing allure and the ongoing efforts to explain its mysteries. In London, remarkably, Judy Chicago has just opened her first major multidisciplinary survey in a British public gallery, at the Serpentine North. We talk to her about the show. And this episode’s Work of the Week is Christian Schad’s Self-Portrait with Model (1927). The painting features in Splendour and Misery: New Objectivity in Germany at the Leopold Museum in Vienna. Hans-Peter Wipplinger, the director of the museum and co-curator of the show, tells us more.

Judy Chicago: Revelations, Serpentine North, London, until 1 September.

Splendour and Misery: New Objectivity in Germany, Leopold Museum, Vienna, until 29 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 10, 2024): We talk to The Art Newspaper’s reporter Sarvy Geranpayeh about her conversations with six Palestinian artists about their daily lives amid Israel’s ongoing military offensive in Gaza.

Frank Stella, one of the key artists in the history of American abstraction, has died, aged 87. We speak to Bonnie Clearwater, the director and chief curator of the NSU Art Museum in Fort Lauderdale, Florida, who worked with Stella on two landmark shows. And as Spring finally arrives in London, this episode’s Work of the Week is, fittingly, Vanessa Bell’s View into a Garden (1926). It features in an exhibition opening next week at the Garden Museum in London, called Gardening Bohemia: Bloomsbury Women Outdoors. Emma House, the curator at the museum, tells me more.

Glory of the World: Color Field Painting (1950s to 1983), NSU Art Museum Fort Lauderdale, US, until 25 August. Frank Stella: Recent Sculpture, Deitch Projects, New York, until 24 May.

Gardening Bohemia: Bloomsbury Women Outdoors, Garden Museum, London, 15 May-29 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 3, 2024): After years of decreasing public funding, the lingering effects of the Covid pandemic and enduring questions around the ethics of corporate sponsorship, UK museums are facing unprecedented financial pressures.

Some commentators are suggesting that the time has come to abandon the policy of free admission to museums that is viewed by many as key to the cultural fabric of the UK. Among those arguing for charging is the critic and broadcaster Ben Lewis, who joins Ben Luke to discuss the issue.

This week, the British Museum opened the exhibition Michelangelo: the Last Decades. It focuses on the period after 1534, when Michelangelo left his native Florence for Rome, never to return, and embarked on many of his most ambitious projects. We take a tour of the show with its curator, Sarah Vowles.

And this episode’s Work of the Week is Maria Blanchard’s Girl at Her First Communion (1914). The painting features in a new exhibition at the Museo Picasso in Málaga. Its curator, José Lebrero Stals, tells us more about this underappreciated Spanish artist, who was at the heart of the Parisian avant garde in the 1910s and 20s.

Michelangelo: the Last Decades, British Museum, until 28 July.