Category Archives: Classics

Italian Cars: “1952 Siata Daina Farina Cabriolet”

1952 Siata Daina Farina Cabriolet Classic DriverThe Siata Daina is an Italian car produced by Siata from 1950-1958. The Daina was available as a coupé or a convertible and had custom bodies by Stabilimenti Farina, Bertone and other coach builders.

From 1950 to 1958 there were approximately 50 Daina Series cars produced. However, only a few of the Series were produced after 1953. About 20 Daina Sport (coupes) are thought to have been built, only six are known to exist today. A cabriolet version called the Gran Sport comprised most of the Daina Series cars. The Gran Sport had a steel body with an aluminum hood designed by Stabilimenti Farina (3 all aluminum bodied Gran Sports 1952 Siata Daina Farina Cabriolet trunk Classic Driverwere made as well) but when they closed in 1953, Bertone took over production with a coupe model of their own design called the “Sport”.

The most well known Dainas were the Gran Sport (convertible) versions used in racing, with many calling it the “little Ferrari”. The car was built to take part in the International Grand Prix and the Mille Miglia. The Daina’s most notable finish was at the 12 Hours of Sebring in 1952 when Dick Irish and Bob Fergus piloted a 1,500 cc Daina Gran Sport to first in class and third overall.

Read more at Wikipedia

Rare Classic Cars: “1953 Fiat 8V Supersonic” By Ghia

1953 Fiat 8V Supersonic by Ghia Interior RM Sotheby'sThe Fiat 8V (or “Otto Vu”) is a V8-engined sports car produced by the Italian car manufacturer Fiat from 1952 to 1954. The car was introduced at the 1952 Geneva Motor Show. The Fiat 8V got its name because at the time of its making, Fiat believed Ford had a copyright on “V8”. With 114 made, the 8V wasn’t a commercial success, but did well in racing. Apart from the differential the car did not share any parts with the other Fiats (but many parts were made by Siata and they used them for their cars). The 8V was developed by Dante Giacosa and the stylist Luigi Rapi. The engine was a V8 originally designed for a luxury sedan, but that project was stopped.

Ghia Supersonic

Ghia designed and produced a limited run of cars named ‘Supersonic’, with special ‘jet age’ bodywork. Ghia had recently been sold by Boano to Luigi Segre, and a one-off Alfa Romeo 1900 had been built for a wealthy entrant in the 1953 Mille Miglia race. The car was displayed at the Turin show same year and the reaction inspired Segre to plan a limited production of cars based on the Otto Vu, aimed at the American market. Only eight were completed, after mechanical issues ended the project. Several of the cars were purchased by Americans; some were heavily customized and received engine transplants. An original un-restored car sold at a Scottsdale, Arizona Gooding and Company auction in January 2011 with a gavel price of US$1.55 million ($1.7M including buyer’s premium). Ghia would later use its basic body shape on Jaguar XK-120–based vehicles as well as Aston Martin. Design of ‘Supersonic’ is credited to Giovanni Savonuzzi.

From Wikipedia

Literature: “Prometheus Unbound” By Percy Bysshe Shelley First Published 200 Years Ago In 1820

Prometheus Unbound Percy Bysshe Shelley 1820Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical Prometheia, a trilogy of plays attributed to Aeschylus. Shelley’s play concerns Prometheus’ release from captivity, but unlike Aeschylus’ version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released.

Excerpt:

As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;

prometheus-unbound-percy-bysshe-shelley.jpg

Political – Prometheus, then, is also Shelley’s answer to the mistakes of the French Revolution and its cycle of replacing one tyrant with another. Shelley wished to show how a revolution could be conceived which would avoid doing just that, and in the end of this play, there is no power in charge at all; it is an anarchist’s paradise.

Shelley finishes his “Preface” to the play with an evocation of his intentions as a poet:

My purpose has hitherto been simply to familiarize the highly refined imagination of the more select classes of poetical readers with beautiful idealisms of moral excellence; aware that, until the mind can love, and admire, and trust, and hope, and endure, reasoned principles of moral conduct are seeds cast upon the highway of life which the unconscious passenger tramples into dust, although they would bear the harvest of his happiness.

From Wikipedia

Classics: “1971 Plymouth Barrauda Convertible”

1971 Plymouth Barracuda Interior Classic DriverThe Plymouth Barracuda is a two-door pony car manufactured by Plymouth from 1964 to 1974.

The third generation, offered from 1970 to 1974, was no longer based on the A-body, but on the Chrysler E-body. The completely new design was similar to the Dodge Challenger and available in hardtop and convertible body styles. The Barracuda was discontinued after the 1974 model year.

Classic Driver logoThe redesign for the 1970 Barracuda removed all its previous commonality with the Valiant. The original fastback design was deleted from the line and the Barracuda now consisted of coupe and convertible models. The all-new model, styled by John E. Herlitz, was built on a shorter, wider version of Chrysler’s existing B platform, called the E-body. Sharing this platform was the newly launched Dodge Challenger; however no exterior sheet metal interchanged between the two cars, and the Challenger, at 110 inches (2,794 mm), had a wheelbase that was 2 inches (51 mm) longer than the Barracuda.

The E-body Barracuda was now “able to shake the stigma of ‘economy car’.”

From Wikipedia

Classic American Cars: “1957 Ford Thunderbird”

1957 Ford Thunderbird Interior Classic DriverFord Thunderbird (colloquially called the T-Bird) is a nameplate that was used by Ford from model years 1955 to 1997 and 2002 to 2005 over eleven model generations. Introduced as a two-seat convertible, the Thunderbird was produced in a number of body configurations through its production life, including four-seat hardtop coupe, four-seat convertible, five-seat convertible and hardtop, four-door pillared hardtop sedan, six-passenger hardtop coupe, and five passenger pillared coupe, with the final generation produced as a two-seat convertible.

The Ford Thunderbird began life in February 1953 in direct response to Chevrolet’s new sports car, the Corvette, which was publicly unveiled in prototype form just a month before. Under rapid development, the Thunderbird went from idea to prototype in about a year, being unveiled to the public at the Detroit Auto Show on February 20, 1954. It was a two-seat design available with a detachable glass-fibre hard top and a folding fabric top.

Classic Driver logoThe Thunderbird was revised for 1957 with a reshaped front bumper, a larger grille and tailfins, and larger tail lamps. The instrument panel was heavily re-styled with round gauges in a single pod, and the rear of the car was lengthened, allowing the spare tire to be positioned back in the trunk. The 312 cu in (5.1 L) V8 became the Thunderbird’s standard engine, and now produced 245 horsepower (183 kW). Other, even more powerful versions of the 312 cu in (5.1 L) V8 were available including one with two four-barrel Holley carburetors and another with a Paxton supercharger delivering 300 horsepower (220 kW). Though Ford was pleased to see sales of the Thunderbird rise to a record-breaking 21,380 units for 1957, company executives felt the car could do even better, leading to a substantial redesign of the car for 1958.

From Wikipedia

Classic Cars: RM Sotheby’s “Paris 2020” New Catalog

RM Sotheby’s is set to start its European calendar in spectacular fashion with a return to Paris on 5 February at the highly popular Place Vauban during the world-famous Rétromobile show week. With thousands of automotive enthusiasts from all over the world in the heart of Paris, we are thrilled to offer an exciting roster of 75 automobiles led by a spectacular and historic Jaguar D-Type.

1946 Delahaye 135 Cabriolet RM Sotheby's Paris 2020 auction

1954 Mercedes-Benz 300 SL Gullwing RM Sotheby's Paris 2020 auction

1937 SS 100 Jaguar 3.5 - Liter Roadster RM Sotheby's Paris 2020 auction
1937 SS 100 Jaguar 3.5 – Liter Roadster RM Sotheby’s Paris 2020 auction

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Vintage: “1955 Cadillac Eldorado Convertible” (Classic Driver)

From Wikipedia:

1955 Cadillac Eldorado Interior Classic DriverThe Cadillac Eldorado is a premium luxury car that was manufactured and marketed by Cadillac from 1952 to 2002 over twelve generations. Competitors and similar vehicles included the Continental Mark series, Buick Riviera, Oldsmobile Toronado and Chrysler’s Imperial Coupe.

The Eldorado was at or near the top of the Cadillac line. The original 1953 Eldorado convertible and the Eldorado Brougham models of 1957–1960 had distinct bodyshells and were the most expensive models that Cadillac offered those years. The Eldorado was never less than second in price after the Cadillac Series 75 limousine until 1966. From 1967 on, the Eldorado was built in high volumes on a unique two door personal luxury car platform.

Classic Driver logoFor 1955, the Eldorado’s body gained its own rear end styling with high, slender, pointed tailfins. These contrasted with the rather thick, bulbous fins which were common at the time and were an example of the Eldorado once again pointing the way forward. The Eldorado sport convertible featured extras such as wide chrome body belt moldings and twin round taillights halfway up the fenders. Sales nearly doubled to 3,950.

Website

 

1950’s English Sports Cars: “1956 Austin-Healey BN2”

From Wikipedia:

1956 Austin-Healey BN 2 100 BN2 Le Mans ‘ M’ Interior Classic DriverThe Austin-Healey 100 is a sports car that was built by Austin-Healey from 1953 until 1956.

Based on Austin A90 Atlantic mechanicals, it was developed by Donald Healey to be produced in-house by his small Healey car company in Warwick. 

Healey built a single Healey Hundred for the 1952 London Motor Show, and the design impressed Leonard Lord, managing director of Austin, who was looking for a replacement for the unsuccessful A90. Body styling was by Gerry Coker, the chassis was designed by Barry Bilbie with longitudinal members and cross bracing producing a comparatively stiff structure upon which to mount the body, innovatively welding the front bulkhead to the frame for additional strength. In order to keep the overall vehicle height low the rear axle was underslung, the chassis frame passing under the rear axle assembly.

Classic Driver logoLord struck a deal with Healey to build it in quantity; bodies made by Jensen Motors were given Austin mechanical components at Austin’s Longbridge factory. The car was renamed the Austin-Healey 100.

The “100” was named by Healey for the car’s ability to reach 100 mph (160 km/h); its successor, the better known Austin-Healey 3000, was named for the 3000 cc displacement of its engine.

Apart from the first twenty cars, production Austin-Healey 100s were finished at Austin’s Longbridge plant alongside the A90 and based on fully trimmed and painted body/chassis units produced by Jensen in West Bromwich—in an arrangement the two companies previously had explored with the Austin A40 Sports. 14,634 Austin-Healey 100s were produced.

The 100 was the first of three models later called the Big Healeys to distinguish them from the much smaller Austin-Healey Sprite. The Big Healeys are often referred to by their three-character model designators rather than by their models, as the model names do not reflect the mechanical differences and similarities well.

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Classic Cars: 1954 Ford Crestline “Skyliner” Featured A Glass Roof

From a Classic Driver online listing:

1954 Ford Crestline Skyliner Classic DriverIn 1954, Ford added a new niche model to the top-of-the-line Crestline series : the Skyliner. The car had a glass roof section over the front seats, made of blue-green tinted acrylic and letting a diffused yet filtered light through. Ford claimed that 60% of the sunrays were filtered out.

The Skyliner offered a very light interior, with a soft green glow : the perfect car for the drive-in cinema, and a a great view of the future’s past, developed in an era obsessed with Jet Age design features. The Skyliner was only in production for one year, and in total 13.144 examples were sold.

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2020: Major Books, Films And Music From 1924 Enter U.S. Public Domain

From Duke Law “Center For The Study of the Public Domain”:

Center for the Study of the Public Domain Duke LawOn January 1, 2020, works from 1924 will enter the US public domain, where they will be free for all to use and build upon, without permission or fee. These works include George Gershwin’s Rhapsody in Blue, silent films by Buster Keaton and Harold Lloyd, and books such as Thomas Mann’s The Magic Mountain, E. M. Forster’s A Passage to India, and A. A. Milne’s When We Were Very Young. These works were supposed to go into the public domain in 2000, after being copyrighted for 75 years. But before this could happen, Congress hit a 20-year pause button and extended their copyright term to 95 years.

Films

  • Buster Keaton’s Sherlock, Jr. and The Navigator
  • Harold Lloyd’s Girl Shy and Hot Water
  • The first film adaptation of Peter Pan
  • The Sea Hawk
  • Secrets
  • He Who Gets Slapped
  • Dante’s Inferno

Books

  • A Passage To India E.M. Forster 1924Thomas Mann, The Magic Mountain
  • E.M. Forster, A Passage to India
  • Ford Madox Ford, Some Do Not… (the first volume of his “Parade’s End” tetralogy)
  • Eugene O’Neill, Desire Under the Elms
  • Edith Wharton, Old New York (four novellas)
  • Yevgeny Zamyatin, We (the English translation by Gregory Zilboorg)
  • A.A. Milne, When We Were Very Young
  • Hugh Lofting, Doctor Dolittle’s Circus
  • Edgar Rice Burroughs, Tarzan and the Ant Men
  • Agatha Christie, The Man in the Brown Suit
  • Lord Dunsany (Edward Plunkett), The King of Elfland’s Daughter

Music

  • Rhapsody in Blue, George Gershwin
  • Fascinating Rhythm and Oh, Lady Be Good, music George Gershwin, lyrics Ira Gershwin
  • Lazy, Irving Berlin
  • Jealous Hearted Blues, Cora “Lovie” Austin (composer, pianist, bandleader) (recorded by Ma Rainey)
  • Santa Claus Blues, Charley Straight and Gus Kahn (recorded by Louis Armstrong)
  • Nobody’s Sweetheart, music Billy Meyers and Elmer Schoebel, lyrics Gus Kahn and Ernie Erdman

(Only the musical compositions referred to above are entering the public domain. Subsequent arrangements, orchestrations, or recordings of those compositions, such as Yuja Wang’s performance of Rhapsody in Blue, might still be copyrighted. You are free to copy, perform, record, or adapt Gershwin’s composition, but may need permission to use a specific recording of it.)