Times Literary Supplement (December 8, 2023): The latest issue features ‘In her shoes’ – Powell and Pressburger’s ballet classic; Seamus Heaney and the price of fame; Modern warfare; The Tory endgame and Walter Kempowski’s youth under Hitler, and more…
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In 2019, American journalist Will Grant embarked on a five-month, 2,000 mile journey on horseback from Missouri to California. His goal: to follow the historic route of the Pony Express, a legendary frontier mail system operating between April 1860 and October 1861, which used a series of horse-mounted riders and relay stations to deliver mail from one end to the other in just ten days. Although the express service went bankrupt after only 18 months, it remains an iconic symbol of America’s Old West.
The latest in the Unforgettable Journeys series by DK Eyewitness, a publisher of nonfiction books known for its visual travel guides, Unforgettable Journeys Europe highlights the notion that travel really is all about the “getting there.” This inspirational tome details 150 of Europe’s best slow adventures, such as kayaking through Lithuania and crossing the Arctic Circle by train.
An extremely well-researched story of three ancient trade routes that helped define a continent, Chris Aslan’s Unravelling the Silk Road “merges trauma with textiles to track the past and present experiences of the people of Central Asia,” writes author Clare Hunter. He explores the roles played by wool, a textile used by the region’s nomads for both yurts and clothing; silk, a commodity that was once more valuable than gold; and cotton, the cause of Russian and then Soviet colonization, since it provided cheap material for the global superpower.
From 1936 to 1967, the Green Book served as an annual travel guide for African Americans, helping them to identify welcoming hotels, restaurants, gas stations and other businesses across the United States during the Jim Crow era. Compiled by Black New York City postman Victor Hugo Green, this essential reference publication included places like Manhattan’s Hotel Theresa, once considered the “Waldorf of Harlem,” and the Moulin Rouge Hotel in Las Vegas, frequented by celebrities like Harry Belafonte and Ella Fitzgerald during its five-month stint in 1955.
THE NEW YORK TIMES BOOK REVIEW (December 3, 2023): This week features the Holiday Books issue that lands with a thump, a 56-page behemoth crammed with reviews, coffee-table book spreads, recommendations from our genre columnists, a children’s book gift guide and our 100 Notables list.
Each year, we pore over thousands of new books, seeking out the best novels, memoirs, biographies, poetry collections, stories and more. Here are the standouts, selected by the staff of The New York Times Book Review.
As Christmas came to be celebrated in the home, choosing the right volume was a way to show intimate understanding of the person opening the package.
As long as people have been buying gifts for the holidays, they have been buying books. Books offer infinite variety, are easily wrapped, can be personalized for the recipient and displayed as a signifier of one’s own identity. They are, in many respects, the quintessential Christmas — or Hanukkah or Kwanzaa or other December celebration — gift.
The promises and failures of the American twentieth century suffuse Ben Lerner’s new book of poems and Tom Piazza’s new novel.
The Lights by Ben Lerner
The Auburn Conference by Tom Piazza
Imagine a festive dinner near Topeka during the fall of 1879 to celebrate the twenty-fifth anniversary of the founding of the Kansas Territory, with Walt Whitman as a featured speaker. Partially paralyzed by a stroke and described as “reckless and vulgar” by The New York Times—Leaves of Grass was soon to be banned for indecency by the Boston district attorney—Whitman, who had just turned sixty, may well have wondered why he, instead of some respectable graybeard like Emerson, was invited. Was it because he had defended John Brown, the hero of free-soil Kansas? Or was it hoped that a visit might inspire something like his 1871 “Song of the Exposition,” in which Whitman admonished the Muse:
Migrate from Greece and Ionia,
Cross out please those immensely overpaid accounts,
That matter of Troy and Achilles’ wrath…
For know a better, fresher, busier sphere, a wide, untried domain awaits, demands you.
Nature documentary has of late become a haunted genre. Not so Prehistoric Planet, which revels in portraying that which is already dead and gone, no longer our responsibility.
Prehistoric Planet a BBC Studios series streaming on Apple TV+
Otherlands: A Journey Through Earth’s Extinct Worlds by Thomas Halliday
One early myth about the dinosaurs was that they would return. In 1830 Charles Lyell—earth scientist, Scot—gazed into the far future and posited as much in his Principles of Geology, arguing that since the planet’s climate was cyclical (or so he believed), vanished creatures could yet be revived, along with their habitats, when the right conditions came back around: “The huge iguanodon might reappear in the woods, and the ichthyosaur in the sea, while the pterodactyl might flit again through umbrageous groves of tree-ferns.” As to whether people would get to witness the spectacle of this resurrected bestiary—well, if Lyell was never drawn to that question, it was because the answer was not up for debate. His was an age in which the prospect of Earth bereft of human occupancy was too abominable, too sacrilegious, to contemplate.
Times Literary Supplement (December 1, 2023): The new issue features Godzilla returns! – Japan’s nuclear nightmare; Fear of flying at 50; Woolf and the Monuments woman; The lure of Vesuvius, Christmas Books and more…
“This book should leave us inspired, and a little angry, in a fruitful way,” writes Alain de Botton in his foreword to this hefty, decade-hopping survey of modern domestic architecture in Britain. Kicking off with an Arts and Crafts treasure in Surrey designed by Edwin Lutyens as a rural retreat for “ladies of small means,” the book’s 50 featured domiciles—lushly photographed by Richard Powers—are pointedly diverse in style and context but unified by their creative flair, ingenuity, and ability to induce acute house envy. Don’t say you weren’t warned. Matt Hickman
Molly Hunker and Kyle Miller assemble a veritable who’s who of up-and-coming architects, designers, educators, and fabricators in Building Practice. Short, thematic essays, followed by interviews with 32 contributors explore what it means to build a practice, as well as how to practice the skill of building. Far from a run-of-the-mill compilation of flashy projects, this reader on the profession’s next generation offers up valuable insight that many young practitioners would be wise to heed. Leopoldo Villardi
Even though Alvar Aalto remains one of the most studied subjects in architectural history, his grandson Heikki Aalto-Alanen brings readers something new and unexpected—a love story. This deeply personal account of Aino and Alvar’s life together, replete with sketches and photographs, is told through never-before-published letters that reveal Aino’s often overlooked role in the creative partnership. As Sigfried Giedion wrote in 1949, after her unexpected death: “Their true secret is perhaps that, as people, while they are the complete opposites, they are also equals.” LV
Mass timber is often seen as an ecologically responsible alternative to concrete and steel. But this is not a given, since building at scale with wood introduces a whole set of new challenges. This is why Lindsey Wikstrom’s book is so welcome. While advocating use of mass timber for its carbon-storing capabilities and potential to be nonextractive, she debunks misguided assumptions and probes ethical and environmental considerations. Designing the Forest provides a deep dive into the material’s complexities and its opportunities. Joann Gonchar, FAIA
When Jean-Louis Cohen unexpectedly died in August, Gwendolyn Wright wrote in record that the profession had lost “the most insightful, wide-ranging, lyrical, and prolific historian of modern architecture.” Published posthumously, Paris Moderne, 1914–1945 surveys French design culture, from the overlooked to the widely known. Bookended with photo-essays by Antonio Martinelli, this encyclopedic volume would feel at home in the library of any historian or Francophile. LV
From the scantily clad figures on its cover to a ribbon bookmark that doubles as an architectural scale, The Advanced School of Collective Feeling is every bit as playful as it is a book about play. This jog through the history of physical culture vis-à-vis modern architecture features a series of drawings (beautifully rendered in metallic ink over black paper) and an impressive assortment of archival imagery. Taking the book over the finish line: a collection of somersaulting, weight-lifting, and jeté-ing silhouettes that are bound to elicit more than a few smiles. LV
Green-building advocates agree that the construction industry is in dire need of an alternative to its typical “take-make-waste” model. But, so far, circular processes are extremely difficult for most architects to implement. Reuse in Construction is intended to help address this problem with an in-depth documentation of K.188, a building-expansion project in Winterthur, Switzerland, that relied almost exclusively on reused components. In addition to this case study, the book discusses the long history of circularity in architecture, as well as a range of practical concerns, including legal, economic, and energy-related issues. JG
The World Green Building Council estimates that the built environment is responsible for 40 percent of global carbon emissions—10 percent stemming directly from embodied carbon from new materials and construction. Reclaimed offers an alternative to the status quo, demonstrating how to reuse materials for contemporary residential design. Divided into four material categories—brick, timber, metal, and postconsumer waste (denim repurposed as insulation, or recycled-plastic countertops, for example)—this thoughtful guide catalogues 24 houses and apartments across the world. Matthew Marani
Intrepid New Yorker and record contributing editor David Sokol travels the East End of Long Island, exploring how the area’s roots in Modernism are shaping its contemporary residential architecture (apart from the manses for the rich and famous). Highlighting 18 houses, on both the South and North Forks, Sokol organizes this richly illustrated work into three sections: Stewarding the Past, Extending the Legacy, and Setting New Precedents. Infused with history, anecdotes, and interviews, this engaging ode to a design movement’s influence in time and place would be an asset to many libraries—and it’s a pleasure to read. Linda C. Lentz
A chartreuse cloth cover with blue and tangerine lettering make this eye-catching showcase of residential work difficult to miss on a bookstore shelf. Nine dwellings—deeply contemporary yet full of historical references—slowly unfold over 304 pages, accompanied by the personal stories behind their making. But, reflecting on the collaborative nature of practice, the storytellers are just as varied as the houses. Among them are clients and contractors, as well as former firm partners Tom Kligerman and Joel Barkley. “9 Houses, 9 Stories is intended as a salute to our work,” Ike writes in the introduction. “It also marks the official end to the 34-year run of Ike Kligerman Barkley.” Each of the three architects has now gone out on his own, and readers will need to patiently wait to see what’s next in store. LV
Take a front-row seat to the detailed chronicle of the making, remaking, “ruin,” and revival of New York’s “symbolic soul.” From Times Square’s Gilded Age inception as a highbrow arts destination to its working-class takeover as a carnivalesque playground, then its decline into a destination for pornography and prostitution and the 20-year sanitization campaign that followed, Columbia University professor emerita Lynne Sagalyn doesn’t confine herself to the broad strokes of financial deals or political machinations. She emphasizes the street-level humanity that has persisted at the “crossroads of the world,” throughout the fluctuations in its identity. Pansy Schulman
Accompanying the Norman Forster retrospective held at Paris’s Centre Pompidou earlier this year, this monograph is undoubtedly the heavyweight—literally, at 26 pounds—of architecture-book offerings in 2023. Neatly packaged in a 19″ by 15¼” by 5½” cardboard carton, this two-volume edition (one is titled “works” and the other “networks”) presents the Pritzker Prize–winning architect’s life, work, and personal interests in XXL format, with writings by Taschen regular Philip Jodidio and Foster himself. Not suitable for those who prefer to travel light! LV
The story of Permasteelisa began in Italy 50 years ago. That small window manufacturer grew to become the company behind the facades of some of the world’s most famous buildings, including Renzo Piano’s Shard in London and Frank Gehry’s Guggenheim in Bilbao. This book reveals how the work of these architectural giants is made possible in part by companies such as Permasteelisa, which draws on its constant research into technology and materials to offer solutions for constructing the most futuristic buildings. With texts by international urban planning scholars and data analysis and georeferencing methodologies developed at the Transnational Architecture and Urbanism Lab (TAU-Lab) of the Politecnico di Milano, the book shows how Permasteelisa’s know-how has allowed it to shape the faces of many contemporary cities such as New York, Paris, London, Berlin, Frankfurt, Milan, Hong Kong, and Sydney.
In his eighties, Claude Monet was spotted by a younger artist, “old but still very handsome”, wrapped in a sumptuous fur, sitting on top of a dyke “in a bitter west wind which ruffled his long white beard, mingling it with the foam of the waves”. This transporting biography by the Financial Times’s art critic Jackie Wullschläger paints the impressionist as a man for all seasons, out in the dawn and the dusk and the snow, obsessed, possessed, with capturing the fleeting effects of light, shade and water, calm as millpond or whipped up by a storm. Chocolate box? Jamais! Monet mounted the barricades of modern art, revolutionising the way the world could be seen and painted. A book for art-lovers — and for gardeners too. Art and literature, Monet proclaimed, were all humbug. “There’s nothing but the earth.” Laura Freeman
Who would have thought that the outstanding art book of the year would be written not by a curator or an art historian or even an artist — but by a museum guard? For ten years Patrick Bringley worked at the Metropolitan Museum in New York, directing visitors to the Islamic collections and watching out for angry protestors. It turned out to be a remarkably fruitful experience. Bringley weaves the story of a personal tragedy involving his sick brother with startling insights into museum life and — most impressively — into the great art in the Met’s collection. Waldemar Januszczak
If you have been living under a rock in 2023, you will not have noticed that this year was the 50th anniversary of the death of Picasso. The rest of us couldn’t avoid it. Countless exhibitions, events and books commemorated the occasion, but this was the most useful. Focusing on the art rather than the biography of the man, it’s a generous and sensitive text with brilliant illustrations. WJ
Pauline Boty was “the Wimbledon Bardot”, “an ice-cream of a girl” and by her own mocking, ironic reckoning, “a happy, dumb blonde”. She was so much more than that, as this fizzing biography shows. Meet Boty the Sixties It girl, pop artist, voice-of-a-generation broadcaster and “anti-ugly” campaigner against hideous postwar development. Marc Kristal gives you the crumbling studios of the Royal College of Art, the creative squalor of Notting Hill bedsitters and the thrill of finding your feet (in knee-high boots) in swinging London. Boty died appallingly young, but her life was no tragedy. It was full of mischief, provocation and promise. This book brings Boty to life, painting, protesting and dancing the miniskirted twist. LF
Venice isn’t just the most painted city in the world, it is probably the most written about too. Finding a fresh angle from which to view it is a challenge. Gayford’s answer is to understand the city and its history through the splendid and varied art it has inspired. Packed with potted histories and informed anecdotes, this is a tome to pack on a visit to La Serenissima. WJ
Alberto Giacometti used to claim that really he would have liked to carve and cast voluptuous women such as Marilyn Monroe. “The more I tried to make them broader, the narrower they got.” Giacometti’s beanpole people became icons of 20th-century art and Michael Peppiatt’s compelling portrait cuts to the core of the sculptor’s “strange life and his stranger fame”. Giacometti’s Paris studio is a character in its own right: a filthy lair filled with the most extraordinary figures and fragments, with a leaking roof, a tree growing up through the floor and a local fox given the run of the place. Appalling and fascinating. You’ll never look at a Giacometti the same way. LF
THE NEW YORK TIMES BOOK REVIEW (November 26, 2023): This week’s issue features Michael Cunningham’s “Day.”; the 2023 Notables list, “Kantika”, “The Nursery.” and “Western Lane” , because it’s a finalist for the Booker Prize, which will be announced on Sunday.
Michael Cunningham’s “Day” peeks into the lives of a family on one specific April date across three years as life changes because of Covid and other challenges.
By Caleb Crain
DAY, by Michael Cunningham
Michael Cunningham’s new novel, “Day,” visits a family on April 5 in 2019, 2020 and 2021 — before, during and after the onset of the Covid-19 pandemic, which shadows the book although the words “Covid” and “pandemic” never appear.
In Chetna Maroo’s debut novel, an adolescent girl mourns the death of her mother in the empty reverberations between points.
By Ivy Pochoda
WESTERN LANE, by Chetna Maroo
At the start of Chetna Maroo’s polished and disciplined debut, Gopi, an 11-year-old Jain girl who has just lost her mother, stands on a squash court outside London. She isn’t playing. Instead, she’s listening to the sound of the ball hitting the wall on the adjacent court, “a quick, low pistol-shot of a sound, with a close echo.” It is not so much the shot itself that Gopi is hearing, but that echo, the empty reverb, the lonely response as the ball’s impact gives the striker a split second to retreat to the T, the center of the court, and prepare to counteract her opponent’s responding shot.
Gillray was, shows Clayton, as much an artist as a caricaturist – his fertile wit and invention were equalled by his facility with an etching needle. His images reveal a man of learning, liberal with allusions in his prints to Shakespeare, Milton and the classics, who developed a style that combined the literary and the visual. His seven years at the Royal Academy, meanwhile, helped shape him into one of the most accomplished draughtsmen of the early 19th century.
Although Clayton takes Gillray from his early training as a letter engraver through his time as a travelling player and into his pomp and then the madness that blighted his later years, this is not a biography in the traditional sense. There are few documentary sources relating directly to Gillray, so Clayton skilfully reveals his man through examining the ‘business of satire’. He looks at Gillray’s often overlapping professional and personal relationships, at the intricacies of Georgian print culture, and the ebbs and flows of politics.
Times Literary Supplement (November 22, 2023): The new issue features Edward Thomas’s journey – The radical turn in English poetry; An AI emergency; Great American history; Magical thinking; Carry On Napoleon, and more…
Boomers Daily 