“Referred to as the grandfather of all jazz festivals, this event draws thousands of people from all over the world to Newport, Rhode Island — a city famed for its spectacular coastal scenery and awe-inspiring architecture. The Newport Jazz Festival was founded in 1954 as the first annual jazz festival in America and has been host to numerous legendary performances by some of the world’s leading established and emerging artists.”
“Ephron and Reiner’s love language pushed the envelope in 1989 in a way that seems rather tame now: As I grew up and began to dabble in romantic partnerships myself, When Harry Met Sally… felt like the rare option I wanted to emulate and embody, and I studied it like a textbook. In many ways, it’s a manual for romantic partnership—a funny, entertaining film that’s closely attentive to the nuts and bolts of falling in love.”
My first memory of When Harry Met Sally… is that I wasn’t allowed to watch it. When I think about the film now, I see it as a romance—an inverted one, where love does not come until 12 years after first sight, but a love story nonetheless. But When Harry Met Sally…’s unwholesome raciness—the faked orgasm, the f-bombs, the woman who meows in the throes of passion—featured prominently in the film’s marketing campaign. So did the film’s central, provocative, deeply heteronormative question: Can men and women ever “just” be friends? And it needed an R rating to answer that question, too! The film glowed with forbidden allure.
With host Jane Clayson. There’s a whole new world to explore below the surface. Deep sea diver and author of “In Oceans Deep” Bill Streever joins us to tell deep sea tales of wonders, mysteries and dangers that lurk beneath the waves.
Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller, David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.
As part of its ongoing 50th anniversary celebration, Led Zeppelin has launched a new video series on its official YouTube channel looking at key highlights of the legendary band’s history.
The first episode of the Led Zeppelin History series begins in September 1968, when the band began recording its self-titled debut album at London’s Olympic Studios, starting with “Babe, I’m Gonna Leave You” and “You Shook Me.”
Using archival footage of the group in concert as a backdrop, and soundtracked by “Babe, I’m Gonna Leave You,” the video goes on to note that the album was self-financed, was recorded in just 30 hours, and cost 1,782 pounds — equivalent of around $2,300 in today’s money.
The clip also offers the following quotes from the band members about the making of Led Zeppelin I:
Jimmy Page: “The group had only been together for two-and-a-half weeks when we recorded it.”
Robert Plant: “We weren’t in a position at that time to be able to block whole studio time.”
John Paul Jones: “We did it in about 15 hours, with another 15 hours for mixing, so it was 30 hours in all.”
Page: “We deliberately aimed at putting down what we could reproduce live on stage.”
Andy Warhol: Portraits features over 120 paintings, prints, photographs, and films that depict the artist’s favorite genre: the portrait. This exhibition presents a snapshot of New York’s art and social scene from the 1960s through the 1980s through portraits of Warhol’s friends and patrons, movie stars and musicians, and celebrities of the day that range in style from the pristinely-idealized to the heartbreakingly-raw. Personalities who populated Warhol’s inner circle are represented; some widely recognized names include Joan Collins, Debbie Harry, Dennis Hopper, Mick Jagger, Robert Rauschenberg, and Andy Warhol himself. The presentation takes a multi-dimensional approach to the work, exploring the formal, conceptual, social, and political implications of portraiture, identity, and fame. Andy Warhol: Portraits invites the viewer into Warhol’s world, by examining the artist’s personal life, studio process, and use of a variety of mediums.
Alphonse Mucha, born in Bohemia, came to Paris in 1887. Over the next 8 years, he emerged from obscurity to become the most celebrated graphic designer of the Art Nouveau movement. His intricate designs and gorgeous subjects were so popular that he produced pattern books for fellow designers and students, and his publishers repurposed his advertisements for hundreds of other products.
“I predict you will be famous”
—Sarah Bernhardt
But his style and status all started when he met the legendary Sarah Bernhardt, the most famous actress of her day. Mucha’s first poster for her not only launched his graphic design career, but elevated her fame, as the public buzz for the image was completely unprecedented.
“Stunning new galleries and spaces for performance and events will transform the Museum. Along with these physical changes, we’ll be showing our collection in new and unprecedented ways to bring more voices and perspectives to our galleries. Every visit will be an opportunity to discover something new and to connect to art and ideas that spark curiosity, debate, and inspiration.”
From our founding in 1929 to the current reimagination of the Museum, MoMA has grown from a bold experiment to New York’s destination for modern and contemporary art. Working with architects Diller Scofidio + Renfro, in collaboration with Gensler, our continued evolution ensures that we always present the most innovative art and meet the changing needs of today’s audiences. To mark this exciting moment, you can explore our history on MoMA through Time, a website with over 100 groundbreaking, controversial, and wild stories from MoMA’s and MoMA PS1’s archives.
“With its wind-washed cottages and water towers, the town of Mendocino looks like it was built by a seafaring crowd rather than a tree-felling one, even though forestry was once big business here. After it faded by the 1950s, artists came in and now Mendocino pumps out pottery, paintings, glassware, jewelry and woodwork.”
NORTHERN California’s coastal stretches have long lured roadtrippers, even before John Steinbeck, his wife, Elaine, and their peripatetic poodle rumbled down the Pacific Coast in 1960. In “Travels With Charley,” Steinbeck famously enthused about ogling the “ambassadors from another time,” referring to the region’s ancient redwoods. Last summer, as wildfires raged uncomfortably close to those redwood forests, four-wheeled vacationers steered clear. By the year’s end, fires burned more than half a million acres in Northern California alone, but largely spared the coastal woods and villages. Now that the smoke is clear and driving-vacation season is shifting into high gear, we’ve designed a detailed three-night itinerary. You set out from San Francisco, snake through Mendocino County and then on to Humboldt County, with the landscape growing wilder with each mile.
“…from Elton John’s albumGoodbye Yellow Brick Road to the Coen brothers’ O Brother, Where Art Thou?, which owes as much to Oz as it does to Homer’s Odyssey. Joel Coen once said: “Every movie ever made is an attempt to remake The Wizard of Oz.” In his 1992 essay about Fleming’s film, Salman Rushdie describes it as his “very first literary influence”. It was one of Derek Jarman’s favourite movies, and among the first he ever saw. (This is the key to its influence: the fact that everyone watches it in childhood. It seeps into your unconscious and stays there.) And there are the spin-offs, sequels and prequels – The Wiz, Return to Oz, Oz the Great and Powerful, Wicked.”
Eighty years ago, in the summer of 1939, 16-year-old Judy Garland appeared on cinema screens as the orphan Dorothy Gale, dreaming of escape from bleak, monochrome Kansas. “Find yourself a place where you won’t get into any trouble,” her aunt beseeches, too busy for poor old Dorothy, who soon breaks into song: “Somewhere, over the rainbow, skies are blue / And the dreams that you dare to dream really do come true”. Her wish is soon granted by a tornado that carries her to the gaudy, Technicolor Land of Oz, instilling her as an icon for misfits, migrants, gay kids, dreamers – anyone who has ever wanted to run away.