Category Archives: Arts & Literature

Books: New York Review Of Books- February 9, 2023

February 9, 2023 issue cover

The New York Review of Books – February 9, 2023:


Beyond the Pale

After the Russian Revolution, Jews had to navigate a new identity: aspiring muscular worker and New Soviet Man.

How the Soviet Jew Was Made by Sasha Senderovich


Going to Extremes

For Matisse art was a perpetual emergency, a matter of testing boundaries, breaking through.

Matisse: The Red Studio – an exhibition at the Museum of Modern Art, New York City, May 1–September 10, 2022; and SMK–National Gallery of Denmark, Copenhagen, October 13, 2022–February 26, 2023

Matisse in the 1930s – an exhibition at the Philadelphia Museum of Art, October 20, 2022–January 29, 2023; the Musée de l’Orangerie, Paris, March 1–May 29, 2023; and the Musée Matisse Nice, June 23–September 24, 2023


Reckoning with Silence

Dionne Brand’s poetry has the weight and sonority of prophetic utterance without a hint of melodrama.

Nomenclature: New and Collected Poems by Dionne Brand


Arias of Despair

What can opera elicit from The Hours that the page and the screen cannot?

The Hours – an opera by Kevin Puts, with a libretto by Greg Pierce, at the Metropolitan Opera, New York City, November 22–December 15, 2022


Books: TLS/Times Literary Supplement – Jan 20, 2023

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Times Literary Supplement @TheTLS (January 20, 2023) features an extract from Lawfare by Geoffrey Robertson KC (published tomorrow by TLS Books); @NoreenMasud and Jade French on H. D.; Michael Hofmann on Shirley Hazzard; Gwendoline Riley on Michael Bracewell; Jenny Uglow on Anthony Gross – and more.

Preview: The New Yorker Magazine – Jan 23, 2023

A truck seen through fog drives down a city street.

The New Yorker – January 16, 2023:

Can 3-D Printing Help Solve the Housing Crisis?

A row of houses being printed by a large machine.

Standard construction can be slow, costly, and inefficient. Machines might do it better.

A Reporter at Large

The Getty Family’s Trust Issues

A family tree with with colorful coins as leaves, sprouting out of a base of tax forms.

Heirs to an iconic fortune sought out a wealth manager who would assuage their progressive consciences. Now their dispute is exposing dynastic secrets.

Has Academia Ruined Literary Criticism?

tiny books all stacked up to create a scholarly looking building

Literature departments seem to provide a haven for studying books, but they may have painted themselves into a corner.

Books: The New York Times Book Review – Jan 15, 2023

Illustration by Ibrahim Rayintakath

The New York Times Book Review (January 15, 2023):

‘Terrorist’ — to Whom?

V.V. Ganeshananthan’s novel “Brotherless Night” reveals the moral nuances of violence, ever belied by black-and-white terminology.

The Highland Heroine Who Helped Rescue a Prince

Since her daring mission in 1746, Flora Macdonald has lived on in myth. A new biography by Flora Fraser attempts to sort fact from fiction.

Where Adventurous, Curious Women Rule

In three new historical novels, female protagonists defy odds and push limits.

Books: London Review Of Books – January 19, 2023

Contents · Vol. 45 No. 2 · 19 January 2023 · LRB

London Review of Books (LRB) – January 19, 2023:

Puzzled Puss

Buster Keaton by James Curtis

Buster Keaton: A Filmmaker’s Life by James Curtis.

From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago.

READ AN EXCERPT

Look Inside

I want to be queen

The Drunken Boat: Selected Writings by Arthur Rimbaud, translated by Mark Polizzotti

Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith.

‘Everyone is terribly kind’


The Newspaper Axis: Six Press Barons Who Enabled Hitler 
by Kathryn Olmsted

Last Call at the Hotel Imperial: The Reporters Who Took on a World at War by Deborah Cohen

Arts/Books: Times Literary Supplement – Jan 13, 2023

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Times Literary Supplement (January 13, 2023):

Three in this marriage

Why Vincent van Gogh’s sister-in-law was responsible for his worldwide fame

A real papist plot

How did Henry VIII’s love letters to Anne Boleyn get to the Vatican?

Et in Arcadia ego

The eccentric members of the Hypocrites set

Museum & Gallery Review: ‘Art In America Guide 2023’

Art In America (January 2023) – Published annually, the Art in America Guide to Museums, Galleries, and Artists is the most comprehensive national printed directory of galleries, artists, dealers, consultants, museums, and nonprofit spaces available. With detailed information on almost 3,000 art venues and businesses in the United States, the Guide is an essential resource for the art world.

The A.i.A. Guide was first published in 1982, making the current issue our 40th annual edition of this much-loved art world publication.

The A.i.A. Guide’s digital counterpart, launched in May 2017, provides listings searchable by city, state, category, and artist’s name; recommendations for shows to see from Art in America editors, as well as from respected curators, art writers, and artists; and highlights from Art in America’s print issues. Find out what’s on view near you. Discover important new artists and venues. And see why Art in America has been the world’s premier art magazine for over 100 years.

Please contact Kristie Nilsson, Art in America Guide Manager, for more information: knilsson@artnews.com | (212) 398-1690 x62104

Top Art Exhibition Tours: ‘Matisse In The 1930s’ (2023)

Philadelphia Museum of Art – Curator Matthew Affron and the artists walked through “Matisse in the 1930s,” discussing which works would inspire their murals.

Matisse in the 1930s features a collection of the legendary artist’s work during a decade of artistic exploration—from experimentation, to failure, to renewal—with Philadelphia as a backdrop.

By 1930, Henri Matisse had achieved significant international renown, yet he found himself in a deep creative slump. The turning point came with a commission to decorate the main gallery of the Barnes Foundation in Philadelphia. The resulting monumental mural, The Dance (1930–33), turned Matisse’s artistic practice around.

Preview: The New Yorker Magazine- January 16, 2023

A portrait of Dr. Martin Luther King Jr. smiling with his four children.

The New Yorker – January 16, 2023 issue:

How Should We Think About Our Different Styles of Thinking?

A person writing their thoughts on paper.

Some people say their thought takes place in images, some in words. But our mental processes are more mysterious than we realize.

The Crisis of Missing Migrants

A shadow of a boat looms over the scene of a pathology lab.

What has become of the tens of thousands of people who have disappeared on their way to Europe?

Can UPS Still Deliver a Middle-Class Life?

Antoine Andrews pushes a collection of packages on wheels, in Bay Ridge.

The company offers steady jobs and is enjoying record profits. So why is a strike looming?

Previews: Photograph Magazine – Jan/Feb 2023

Cover: ©Uta Barth, Thinking about…“In the Light and Shadow of Morandi” (detail), 2018. Courtesy Getty Museum

Photograph Magazine – January-February 2023:

A Career-Spanning Survey of Uta Barth’s Rigorous, Seductive Photographs

The German-born photographer’s precise work, on view at the Getty Center, explores what it’s like to see and perceive our surroundings.

Mary Ellen Bartley

The photographs in Mary Ellen Bartley’s series Morandi’s Books – meditative still life compositions in muted colors transformed by collage elements – are gently disorienting despite their formal precision. 

Cover of Twenty-five Years Ago, by Joan Lyons (Visual Studies Workshop Press, 1998)