NPR’s Tamara Keith and Amy Walter of the Cook Political Report join Judy Woodruff to discuss the latest political news, including Democrats’ $3.5 trillion social spending bill and California Gov. Gavin Newsom’s recall election.
The Musée de l’Orangerie presents an exhibition bringing together the works of Chaïm Soutine (1893–1943), painter of the Paris School of Russian origin (now Belarus) and Willem de Kooning (1904-1997), abstract expressionist American of Dutch origin.
This exhibition will focus more specifically on exploring the impact of Soutine’s painting on the pictorial vision of the great American painter.
Soutine indeed marked the generation of post-war painters by the expressive force of his painting and his figure of “accursed artist”, grappling with the vicissitudes and excesses of Parisian bohemia. His work was particularly visible in the United States between the 1930s and 1950s, when the figurative artist of European tradition was re-read in the light of new artistic theories. The gestural painting and the pronounced impasto of Soutine’s canvases lead critics and curators to proclaim him a “prophet”, herald of American abstract expressionism.
It was precisely at the turn of the 1950s that Willem de Kooning began the pictorial work of Women, canvases in which a singular expressionism was built, between figuration and abstraction. The development of this new language corresponds to the moment when the painter summons the artistic universe of Chaïm Soutine and confronts it. De Kooning discovered his predecessor’s paintings in the 1930s, then at the retrospective which devoted the painter to the Museum of Modern Art in New York in 1950. He was then particularly marked by the presentation of Soutine’s paintings in the Foundation’s collections. Barnes of Philadelphia, where he visited with his wife Elaine in June 1952.
Grindelwald, a village in Switzerland’s Bernese Alps, is a popular gateway for the Jungfrau Region, with skiing in winter and hiking in summer. It’s also a base for mountain-climbing ascents up the iconic north face of Eiger Mountain. Gletscherschlucht, a glacial gorge just outside Grindelwald, features paths with interpretive signage, waterfalls and striated limestone walls.
A selection of three essential articles read aloud from the latest issue of The Economist. This week, America then and now: the bitter legacy of 9/11. Why nations that fail women fail, (9:42) and a forgotten revolution in pottery (17:58)
Peru is a country in South America that’s home to a section of Amazon rainforest and Machu Picchu, an ancient Incan city high in the Andes mountains. The region around Machu Picchu, including the Sacred Valley, Inca Trail and colonial city of Cusco, is rich in archaeological sites. On Peru’s arid Pacific coast is Lima, the capital, with a preserved colonial center and important collections of pre-Columbian art.
The Galápagos Islands is a volcanic archipelago in the Pacific Ocean. It’s considered one of the world’s foremost destinations for wildlife-viewing. A province of Ecuador, it lies about 1,000km off its coast. Its isolated terrain shelters a diversity of plant and animal species, many found nowhere else. Charles Darwin visited in 1835, and his observation of Galápagos’ species later inspired his theory of evolution.
President Joe Biden’s requirements for employers to insist on vaccinations are a bold move amid flatlining inoculation rates. But will they work?
For decades the world’s cities seemed invincible, but the pandemic has hastened and hardened a shift in urban demographics and economics. And an ancient Finnish burial site scrambles notions of gender roles in the distant past.
Ayutthaya is a city in Thailand, about 80 kilometers north of Bangkok. It was capital of the Kingdom of Siam, and a prosperous international trading port, from 1350 until razed by the Burmese in 1767. The ruins of the old city now form the Ayutthaya Historical Park, an archaeological site that contains palaces, Buddhist temples, monasteries and statues. The park is on an island between 3 rivers.