From a New York Times online article:
But there is nothing quite like the mind-bending spectacle now on display at dusk in the hills of Paso Robles here, a popular wine destination. That is the witching hour when thousands of solar-powered glass orbs on stems, created by the artist Bruce Munro, enfold visitors in an earthbound aurora borealis of shifting hues.
Since it opened in May, “Field of Light at Sensorio” — the 60-year-old British artist’s largest such installation to date — has drawn thousands of tourists and become an Instagram phenomenon. The subtly changing patterns of this light safari, activated by a nebula of fiber-optic cables attached to hidden projectors, seem to inspire a cathedral-like awe among ticket-holders, who pay $19 to $30 for an evening stroll along 15 acres of illuminated walkways.
To read more: https://www.nytimes.com/2019/09/15/arts/design/field-of-light-sensorio.html
From an NPR online article:
There may be no easy fix for the loneliness epidemic plaguing the nation, but helping people cope with hearing loss could be one key to tackling this complex problem. Hearing loss affects 1 of every 5 people and is strongly linked to loneliness: Every decibel drop in perception in people under 70 increases the odds of becoming severely lonely by 7%, one Dutch study showed.
As hearing declines, loneliness can intensify — and set off a cascade of detrimental health effects. Now considered as hazardous as smoking 15 cigarettes a day, loneliness vastly raises the risks of depression, dementia and early death.
Yet the vast majority of people who suffer from hearing loss don’t know they have a problem — or don’t want to know. The changes happen gradually, and often earlier than expected.
To read more: https://www.npr.org/sections/health-shots/2019/09/12/760231279/untreated-hearing-loss-linked-to-loneliness-and-isolation-for-seniors?utm_source=npr_newsletter&utm_medium=email&utm_content=20190915&utm_campaign=health&utm_id=46633831&orgid=
From a Wall Street Journal article:
We asked Lord Fellowes about the servants and family members who made it to the movie. Here are edited excerpts:
“It’s a way of life that’s gone and I don’t think it’s a bad state that it’s gone. But realistically it must’ve been livable on a level by pretty well everyone involved or it wouldn’t have gone on for a thousand years.”
In what ways did you think it was essential for “Downtown Abbey” to be accurate?
I think if you try to get all the details right and you talk to enough people who remember that life—which there were when I was much younger—you can imbue it with a kind of reality that seems believable to people who maybe don’t know about that way of life and certainly may not approve of it, but when they watch it, they can see how it worked. They can understand how people lived like that. Whereas when you start to get all the details wrong, it doesn’t feel believable. It doesn’t feel truthful.
To read more: https://www.wsj.com/articles/writer-julian-fellowes-prepares-downton-abbey-for-the-big-screen-11568552402
From an IndieGoGo.com website:
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