Written and Directed By: BEN GOERTZEN
Producers: RENE ARANEDA CONTRERAS, MAURICIO HANDLER-RUIZ
Executive Producers: DENY STAGGS, RENE ARANEDA CONTRERAS, MAURICIO HANDLER-RUIZ
Director of Photography: BEN GOERTZEN
Underwater Director of Photography:MAURICIO HANDLER-RUIZ
An endangered, South American Marine Otter mother and her two pups act as a vehicle into a poetic exploration of the threshold between comfort and action. Through blending traditional blue-chip cinematography with a philosophical narration the smallest marine mammal in the world is used as a mentor to teach humans about trusting their internal compass and confronting difficult questions. From showing a caring mother, to a playful sibling bond, to the kelp forests that nourish their entire ecosystem, this film aims to build empathy for animals as complex beings with more depth than we give them credit for.
From a USC News online release:
The team found 85% of people first diagnosed with dementia were diagnosed by a non-dementia specialist physician, usually a primary care doctor, and an “unspecified dementia” diagnosis was common.
One year after diagnosis, less than a quarter of patients had seen a dementia specialist. After five years, the percent of patients had only increased to 36%.
In the first large study to examine the diagnosis of dementia in older Americans over time, researchers found the vast majority never meet with a dementia specialist and are instead overwhelmingly diagnosed and cared for by non-specialists.
The study, which also found the use of dementia specialty care was particularly low for Hispanic and Asian patients, was published Wednesday in Alzheimer’s & Dementia: The Journal of the Alzheimer’s Association.
To read more: https://news.usc.edu/160355/dementia-diagnosis-usc-study-specialty-care/
From a Princeton University Press release:
The fall of the Roman Empire has long been considered one of the greatest disasters in history. But in this groundbreaking book, Walter Scheidel argues that Rome’s dramatic collapse was actually the best thing that ever happened, clearing the path for Europe’s economic rise and the creation of the modern age. Ranging across the entire premodern world, Escape from Rome offers new answers to some of the biggest questions in history: Why did the Roman Empire appear? Why did nothing like it ever return to Europe? And, above all, why did Europeans come to dominate the world?
In an absorbing narrative that begins with ancient Rome but stretches far beyond it, from Byzantium to China and from Genghis Khan to Napoleon, Scheidel shows how the demise of Rome and the enduring failure of empire-building on European soil ensured competitive fragmentation between and within states. This rich diversity encouraged political, economic, scientific, and technological breakthroughs that allowed Europe to surge ahead while other parts of the world lagged behind, burdened as they were by traditional empires and predatory regimes that lived by conquest. It wasn’t until Europe “escaped” from Rome that it launched an economic transformation that changed the continent and ultimately the world.
To read more: https://press.princeton.edu/titles/13581.html
From a Curbed.com online review:
This year at Düsseldorf, the Erwin Hymer Group debuted the VisionVenture concept. Built on a Mercedes chassis, the VisionVenture is a forward-thinking camper that looks more like a high-end apartment than a striped-down adventure rig.
To accomplish this, the camper’s interior uses warm bamboo, gray felt, and leather, mixing woods with other materials to add interest. The living area is located in the rear with two white sofas and a center dining table that folds down below the passenger-side bench. The stand-out feature of the living room is the panoramic rear window and large side windows. Fold out the rear door, drop a lower gate and the van boasts its own rear deck—complete with slide-out electric grill.
It’s an impressive lounge area, and the kitchen goes even further with a flush cooktop, sink, refrigerator, and ample storage. The styling is fresh too, with modular, deck-like wall paneling that works to hang plants or cooking equipment as needed. Integrated next to the kitchen is a compact slate-colored staircase—reminiscent of tiny house design—that boasts storage, motion-activated lighting, and access to an inflatable pop-up sleeping area. The upstairs bed sleeps two and takes advantage of big views through the rear roll-up window.
To read more: https://www.curbed.com/2019/9/5/20851580/rv-camper-van-hymer-concept-visionventure
From a New Yorker online article:
On “Travel Man,” Ayoade is fun to look at (snappy suits, thick-framed glasses, expression of amused diffidence) and fun to listen to. (Of a monastery turned hotel in Naples, he says, “As well as modish guff, like a rooftop pool and a spa, it retains attractive old shiz, like staircases dug into the hillside.”) His persona is warmly amused, broadly skeptical, and gently astringent—i.e., British. He’s not a joiner. His intros conclude with him saying, in that episode’s particular city and with that episode’s particular guest, “We’re here, but should we have come?”
“Travel Man: 48 Hours in . . .” is a British series in which the comedian, writer, actor, and director Richard Ayoade spends forty-eight hours in a city, accompanied by various friends—“some of the most available and affordable names in light ent,” as he puts it—and tells us about what to do there. “Mini-breaks are a swirling nebula of nonsense!” he says at the top of “Copenhagen,” during a brisk montage of him in Venice, Copenhagen, Vienna, and Moscow. “How can anyone go somewhere new and be expected to enjoy themselves without a decade to decompress?” Exactly, I thought. This is the show for me.
To read more: https://www.newyorker.com/culture/on-television/travel-man-richard-ayoades-travel-show-for-people-who-hate-travel