Monocle 24 “The Stack” speaks with creative director Jim Moore about his latest book ‘Hunks and Heroes: Jim Moore – Four Decades of Fashion at GQ’.
GQ is revered globally as the ultimate style guide for modern men, and Hunks and Heroes is an epic journey into the world of men’s style as told and edited by Jim Moore.
He began his career at GQ as an intern in 1979 and has since played a pivotal role in reshaping men’s fashion during his nearly forty-year tenure at the magazine. From discovering new designers, distilling the latest men’s trends, and extolling fashion advice and critiques in his popular online video series GQ Rules, to Channing Tatum wearing a “JIM F&%#ING MOORE” T-shirt, Moore’s influence and impact on men’s style is unequivocal.
In these pages, Moore takes us through forty years of men’s fashion: featuring the most iconic GQ fashion looks, the magazine’s unforgettable covers and editorial shoots, essential styling tips like how to dress up denim or style a khaki suit, insights on developing your own personal style, and stories showcasing Moore’s knack at reworking the look of everyday men the magazine literally pulled off the street. This volume features 250 of Moore’s iconic men’s fashion photographs produced with internationally renowned image makers like Peggy Sirota, Craig McDean, and Inez & Vinoodh, and includes seminal GQ images of cultural icons such as celebrities, athletes, and politicians. This is the must-have style bible for all readers interested in men’s fashion, style, culture, and celebrity.




Monocle 24’s “The Stack” speaks to Kristina O’Neill, editor in chief of ‘WSJ’, the lifestyle magazine of the ‘Wall Street Journal’, on the title’s expansion and plans for 2020.
As you will see from my portfolio, travel plays a huge part in my image-making. I visited nine countries in 2017 alone, and close to twenty since my journey into architectural photography began. I have always been fascinated by different cultures, foods, textures and colours. It is this love for travel, combined with my deep passion for photography, that keeps me motivated and dedicated to putting in the long lonely hours of research and logistical planning to then get out with the camera time and time again.




In February, 1925, Rea Irvin, The New Yorker’s first art editor, designed the cover of the magazine’s inaugural issue. That cover’s central character, a dandy peering at a butterfly through a monocle, would come to be known as Eustace Tilley, and he has graced the cover of the magazine nearly every February in the ninety-five years since. This is all a matter of historical record—but Barry Blitt, in this year’s Anniversary Issue, tells a different origin story. We recently talked to Blitt about drawing a familiar face.


With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital’s most exciting period.