The Globalist (April 25, 2024): We discuss the state of relations between the world’s two most powerful countries as US secretary of state Antony Blinken visits China.
Plus: the current humanitarian situation in Gaza, the UN warns that the crisis in Haiti is “catastrophic” and Spanish-language music sweeps global charts.
Country Life Magazine (April 24, 2024): The latest issue features…
As the National Gallery counts down to its 200th anniversary, Carla Passino delves into the fascinating stories behind 10 paintings in the collection
The chairman of the National Gallery board of trustees picks an exquisite, skilful work that resonates with deeper meaning
In the second of two articles, John Goodall investigates the 20th-century evolution of Stansted Park in West Sussex
Hetty Lintell reveals the secret to staying fresh faced and fashion artist David Downton shares a few of his favourite things
Octavia Pollock hails the talented Stevenson clan, who saved countless lives at sea thanks to their prolific lighthouse building
Giles Kime on how decorative frames can give a room an extra edge and Arabella Youens on the creation of a family kitchen
Time has not been kind to way-side crosses, once beacons of the British landscape. Lucien de Guise follows a trail of destruction
Amelia Thorpe selects the best structures for growing climbers
Melanie Johnson gets creative with fresh, cooling spearmint
Lakeland fells form a dramatic backdrop to the captivating Arts-and-Crafts garden at High Moss in Cumbria, finds Non Morris
Crushing one is said to absolve you of all your sins, but the Devil’s coach horse beetle is also the gardener’s friend, says Ian Morton
A booming bittern and a colossal crane make it a memorable return to the Norfolk Broads for John Lewis-Stempel
It may be named after the Virgin Mary, but, warns Ian Morton, there is a hint of the profane about lady’s mantle
John Wright reveals how the pretty, but unpalatable ground ivy found its true calling as an ingredient in the brewing of ale
Times Literary Supplement (April 24, 2024): The latest issue features ‘The Mormon Conquest’ – Seth Perry on a people of the book; Is ‘green growth’ a mirage; Virginia Woolf’s rural retreat; China’s Shakespeare…
The Globalist (April 24, 2024): As Nato’s secretary general, Jens Stoltenberg, and the UK prime minister, Rishi Sunak, visit Warsaw, we examine the role that Poland plays in the diplomatic field.
Then: Donald Trump’s criminal trial; Taiwan wants to remove statues of Chinese dictator Chiang Kai-shek; and an exploration of the future of ticket resale with the managing director of Viagogo. Plus: aviation news and a lost Klimt painting is auctioned.
The Globalist (April 23, 2024): Paul Rogers of OpenDemocracy explains why global defence expenditure is at its highest level since records began.
Elsewhere, Monocle’s Istanbul correspondent, Hannah Lucinda Smith, tells us about Recep Tayyip Erdogan’s visit to Iraq, the Maldives shifts its allegiance from India to China and we ask why the US is withdrawing troops from Niger. Plus: art and culture news.
The Globalist (April 22, 2024): Monocle’s Middle East correspondent Leila Molana-Allen discusses the latest on tensions in the region.
Also in the programme: Ukrainian MP Ivanna Klympush-Tsintsadze on the relationship between Washington and Kyiv following the US House of Representatives’ vote on military aid for Ukraine. Plus: a flip through the papers, Balkans news and an interview with Romanian artist Serban Savu.
The New Statesman – April 21, 2024:
They bet that direct attacks would not lead to a disastrous escalation. The Middle East is now on the…By Jeremy Bowen
The drone and missile strike conveyed as much weakness as it did strength.By Lawrence Freedman
Why was the prescription of puberty blockers to distressed children allowed to continue for so long?By Hannah Barnes
Monocle on Sunday, April 21, 2024: Emma Nelson, Simon Brooke and Lynne O’Donnell on the weekend’s biggest talking points.
We also speak to Monocle’s editorial director, Tyler Brûlé, in Marbella, Monocle’s New Delhi correspondent, Lyndee Prickitt, for the latest on the India elections and Monocle’s Bangkok correspondent for the news in Thailand.
Monocle on Saturday (April 20, 2024): Isabel Hilton, founder of China Dialogue, joins Georgina Godwin to talk about German chancellor Olaf Scholz’s visit to China, A24’s ‘Civil War’ (warning: spoilers ahead) and Anne Hidalgo’s vision of a greener Paris under threat.
The co-founder of independent publisher Charco Press, Samuel McDowell, also joins the show to discuss translated Latin American fiction. Plus: we hear from Turkish designer Gülsün Karamustafa, who is representing her country at this year’s Venice Biennale, and Monocle’s design editor, Nic Monisse, speaks to Nicola Coropulis, CEO of renowned design company Poltrona Frau, at Salone del Mobile.
The Week In Art Podcast (April 19, 2024): We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice.
The Art Newspaper’s contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations.
And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world’s great centres for art. So for this episode’s Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian’s painting.
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