Tag Archives: Literary Magazines

The New York Review Of Books – February 22, 2024

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The New York Review of Books (February 6, 2024) The latest issue features:

The Case for Disqualification

The Supreme Court must decide if it will honor the original meaning of the Fourteenth Amendment and bar Donald Trump from holding public office or trash the constitutional defense of democracy against insurrections.

In Search of the Rare and Strange

In Dürer’s Lost Masterpiece, Ulinka Rublack traces the global connections of the merchants who were the creative agents of the European art market in the sixteenth and early seventeenth centuries.

Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World by Ulinka Rublack

The Forest Eaters

In 2017, the Brazilian journalist Eliane Brum moved from São Paulo to a small city in the Amazon. Her new book vividly uncovers how the rainforest is illegally seized and destroyed.

Banzeiro Òkòtó: The Amazon as the Center of the World by Eliane Brum, translated from the Portuguese by Diane Whitty

Literary Review Of Canada – March 2024 Preview

Literary Review of Canada -March 2024: The latest issue features:

Something at WorkWade Rowland’s unsettling forecast

By David Marks Shribman 

The Storm of Progress: Climate Change, AI, and the Roots of Our Dangerous Ethical Myopia by Wade Rowland

State of the Arts – Max Wyman makes his case

By Marlo Alexandra Burks 

The Compassionate Imagination: How the Arts Are Central to a Functioning Democracy by Max Wyman

Previews: The New Yorker Magazine – Feb 12 & 19, 2024

Pixelated Eustace Tilley magazine cover that appears and disappears.

The New Yorker (February 5, 2024): The new issue‘s cover features Nicholas Konrad’s “Online Profile” – The magazine celebrates its ninety-ninth anniversary..

How Nikola Jokić Became the World’s Best Basketball Player

Nikola Jokić holding a basketball during a game.

He doesn’t run very fast or jump very high, and seems to prefer the company of horses. But he has mastered the game’s new geometry like nobody else.

By Louisa Thomas

The Art World Before and After Thelma Golden

Thelma Golden photographed by Lyle Ashton Harris.

When Golden was a young curator in the nineties, her shows, centering Black artists, were unprecedented. Today, those artists are the stars of the art market.

By Calvin Tomkins

Baruch Spinoza and the Art of Thinking in Dangerous Times

A portrait of Baruch Spinoza by Franz Wulfhagen, 1664.

The philosopher was a champion of political and intellectual freedom, but he had no interest in being a martyr. Instead, he shows us how prudence and boldness can go hand in hand.

By Adam Kirsch

Books: Literary Review Magazine – February 2024

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Literary Review – February 2, 2024: The latest issue features ‘We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience’;

Anatomist of Evil

By STUART JEFFRIES

We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience By Lyndsey Stonebridge

When Hannah Arendt looked at the man wearing an ill-fitting suit in the bulletproof dock inside a Jerusalem courtroom in 1961, she saw something different from everybody else. The prosecution, writes Lyndsey Stonebridge, ‘saw an ancient crime in modern garb, and portrayed Eichmann as the latest monster in the long history of anti-Semitism who had simply used novel methods to take hatred for Jews to a new level’. Arendt thought otherwise.

Sue Bridehead Revisited

By Norma Clarke

Hardy Women: Mother, Sisters, Wives, Muses By Paula Byrne

The title of Paula Byrne’s Hardy Women is a pun on Thomas Hardy’s name and a gesture to the enthusiasm that greeted Hardy’s fictional women. Bathsheba Everdene in Far from the Madding Crowd, Tess Durbeyfield in Tess of the d’Urbervilles and Sue Bridehead in Jude the Obscure were new kinds of women, and Hardy’s fame, which was immense and began with the publication of Far from the Madding Crowd, rested to a large extent on the heroines he created. One young reader wrote to him of Tess, ‘I wonder at your complete understanding of a woman’s soul.’ Hardy’s discontented wife Emma wondered at it too. She observed, ‘He understands only the women he invents – the others not at all.’

London Review Of Books – February 8, 2024 Preview

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London Review of Books (LRB) – February 1, 2024: The latest issue features Origins of the Gay Novel; Protest, what is it good for?; Poems of Enheduana; Caspar David Friedrich, Israel’s War and more….

A Circular Motion

By James Butler

If We Burn: The Mass Protest Decade and the Missing Revolution 
by Vincent Bevins.

The Populist Moment: The Left after the Great Recession 
by Anton Jäger and Arthur Borriello.

Wreckage of Ellipses

By Anna Della Subin

Enheduana: The Complete Poems of the World’s First Author 
by Sophus Helle.

Arts/Books: Times Literary Supplement – Feb 2, 2024

Times Literary Supplement (January 31 2024): The latest issue features ‘Back to Nature’ – The counterculture begins with Thoreau; Enlightenment dimmed; The secret state and the IRA; Homosexuality in early modern Europe and A family haunting….

Previews: The New Yorker Magazine- February 5, 2024

A family shares a meal to celebrate Lunar New Year.

The New Yorker (January 29, 2024): The new issue‘s cover features Sarula Bao’s “Lunar New Year” – The artist depicts the joys of gathering with loved ones, around a table of good food

The Rural Ski Slope Caught Up in an International Scam

When the scheme became public Vermonts governor said “We all feel betrayed.”

A federal program promised to bring foreign investment to remote parts of the country. It soon became rife with fraud.

By Sheelah Kolhatkar

As the general manager of the Jay Peak ski resort, Bill Stenger rose most days around 6 a.m. and arrived at the slopes before seven. He’d check in with his head snowmaker and the ski-patrol staff, visit the two hotels on the property, and chat with the maintenance workers, the lift operators, the food-and-beverage manager, and the ski-school instructors—a kind of management through constant motion. Stenger is seventy-five, with white hair, wire-rimmed reading glasses, and a sturdy physique that makes him look built for fuzzy sweaters. 

The Perverse Policies That Fuel Wildfires

We thought we could master nature, but we were playing with fire.

By Elizabeth Kolbert

Ukraine’s Democracy in Darkness

A photo-illustration of Zelensky and the Ukrainian parliament.

With elections postponed and no end to the war with Russia in sight, Volodymyr Zelensky and his political allies are becoming like the officials they once promised to root out: entrenched.

By Masha Gessen

Arts/Books: Times Literary Supplement – Jan 26, 2024

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Times Literary Supplement (January 24, 2024): The latest issue features ‘The Rich Are Always With Us’ – Ferdinand Mount on taming the plutocrats; Empire’s balance sheet; Who is Charles III?; Silvia Townsend Warner’s revival and ChatGPT goes to college…

Previews: The New Yorker Magazine- January 29, 2024

A chicken takes a bath on a rainy day in the city.

The New Yorker (January 22, 2024): The new issue‘s cover features Roz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.

Rules for the Ruling Class

An illustration of a bird walking above other birds.

How to thrive in the power élite—while declaring it your enemy

By Evan Osnos

As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”

Sofia Coppola’s Path to Filming Gilded Adolescence

Sophia Coppola sits on a stool under a bright light.

There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”

By Rachel Syme

When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.

The New York Review Of Books – February 8, 2024

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The New York Review of Books (January 18, 2024)The latest issue features Crime Fiction Addiction; Chantal Akerman’s Proust & Albertine; Toward and Ethics of Spycraft; Regarding the Pain of Avatars; Was Weimar Doomed to Fail? and The Truth About Tampons….

Ethical Espionage

What moral principles should guide our intelligence-gathering agencies?

By Tamsin Shaw

Spies: The Epic Intelligence War Between East and West by Calder Walton

Spying Through a Glass Darkly: The Ethics of Espionage and Counter-Intelligence by Cécile Fabre

On October 7, as Hamas fighters roared into southern Israel from Gaza, bringing terror and death to anyone they encountered—Israeli soldiers, Bedouins, young people dancing and getting high together, kibbutzniks scooping up small children into desperate arms—I was sleeping in a comfortable hotel room in Georgia. All around me in the sultry darkness of a beautiful resort, many of the US intelligence community’s finest minds were also slumbering. We awoke with the expectation that we would be addressed by CIA director William Burns at the opening of the Cipher Brief’s annual Threat Conference, a yearly gathering of national security professionals from the private and public sectors, plus a few academics and journalists.