Tag Archives: Artwork

Exhibitions: “Outstanding! THE RELIEF FROM RODIN TO PICASSO” At Städel Museum

Städel Museum Frankfurt (May 23, 2023) – Rodin, Matisse, Gauguin, Picasso, Jean Arp, Yves Klein… They all created outstanding art in the truest sense of the word—reliefs. This summer, the Städel Museum is presenting a major exhibition on the relief from 1800 to the 1960s.

OUTSTANDING!

THE RELIEF FROM RODIN TO PICASSO


5/24–9/17/2023

“This summer, our visitors will have the opportunity to encounter an exciting artistic medium—the relief: an art form between painting and sculpture that literally breaks through the confines of the frame and bursts the boundaries of our sense of sight! We are devoting a major exhibition to this sometimes underacknowledged medium.”

Is it painting or sculpture, surface or space? Hardly any artistic medium challenges our sense of sight like the relief. And that is what has always made it so appealing for the most famous artists. From 24 May to 17 September 2023, the exhibition will present prominent works spanning some 160 years by Bertel Thorvaldsen, Jules Dalou, Auguste Rodin, Medardo Rosso, Paul Gauguin, Henri Matisse, Pablo Picasso, Alexander Archipenko, Jean Arp, Kurt Schwitters, Sophie Taeuber-Arp, Yves Klein, Louise Nevelson, Lee Bontecou and others.

Arts: Meissen Porcelain – ‘A Fox with a Chicken’

Getty Museum (May 17, 2023) – Imagine a menagerie of over 500 life-sized porcelain animals long gallery in a palace in Dresden. A Fox with a Chicken was a part of this new creation commissioned by Augustus II “The Strong” in the 18th century to share his love for Japanese porcelain with others.

A Fox with a Chicken

Meissen Porcelain Manufactory (German, active 1710 – present), Model by Johann Gottlieb Kirchner (German, 1706 – 1768)

Johann Gottlieb Kirchner produced the model for this life-size porcelain sculpture of a fox-looking a little guiltily around the chicken it is about to devour-as part of an extraordinary commission from Augustus the Strong, elector of Saxony and king of Poland, who envisioned a life-size porcelain menagerie for his Japanese Palace in Dresden. The Meissen Porcelain Manufactory had been operating for only twenty years when Augustus commissioned this series of porcelain animals to be rendered “in their natural sizes and colors.” The production of porcelain models of this size had never been attempted before in Europe.

Native American Art: Tour Of ‘Raven And The Box Of Daylight’ Exhibition (2023)

CBS Sunday Morning – Preston Singletary, a member of the Tlingit tribe of Alaska and the Pacific Northwest, uses a very untraditional medium when fashioning indigenous art: glass.

He talks with correspondent Lilia Luciano about his traveling exhibition, “Raven and the Box of Daylight” (now at the Museum of the American Indian in Washington, D.C.), which tells a Native American folktale about the origins of the world entirely through glass.

Preston Singletary: Raven and the Box of Daylight

The story Raven and the Box of Daylight, which tells how Raven transformed the world and brought light to the people by releasing the stars, moon, and sun, holds great significance to the Tlingit people of the North Pacific Coast. A new body of work by artist Preston Singletary immerses readers in Tlingit traditions by telling this story through his monumental glass works and installations. Primarily known for his celebration of Tlingit art and design, Singletary explores new ways of working with glass inspired by Tlingit design principles. This book includes texts that place Singletary’s work within the histories of both glass art and Native arts traditions—especially the art of spoken-word storytelling. Also included are a biography and an interview with the artist. Co-authored by Miranda Belarde-Lewis and John Drury.

International Art: Apollo Magazine – December 2022

Apollo Magazine – December 2022 issue:

  • A very proud Mary in Florence
  • The fantasies of Henry Fuseli
  • Art in the time of the AIDS crisis
  • Can contemporary art be funny?

Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear

The fetishistic side of Henry Fuseli

You enter a troubling parallel universe in Henry Fuseli’s drawings of women: a place of exaggeration and highly sexualised imagery, where his subjects engage in role-play and the theatrical and erotic and idiosyncratic collide. It’s an inventive, private realm: not one of the drawings in the Courtauld’s fascinating exhibition was displayed in public during the artist’s life. 

The Frenchman who wanted to photograph the world

In the early 20th century, Albert Kahn dispatched photographers to more than 50 countries – and the magical results can be found in the Paris museum that bears his name

Artists: Georgy Kurasov’s ‘Vibrant Geometrics’

Abstract Figurative Paintings by Georgy Kurasov

He distorts human figures by breaking them up into geometric shapes and planes.

Abstract Figurative Paintings by Georgy Kurasov

These abstract compositions are united by the Cubist style and vibrant color palette.

Georgy Kurasov was born in 1958 in the USSR, in what was then Leningrad. He still lives and works in the same place, but now the country is Russia and the city is called St Petersburg. Without any effort on his part whatsoever, Georgy seems to have emigrated from one surreal country to another.

Read a review of the artist here

Website

Surrealist Art: Max Ernst’s ‘Attirement Of The Bride’

Attirement of the Bride is an example of Max Ernst’s veristic or illusionistic Surrealism, in which a traditional technique is applied to an incongruous or unsettling subject. The theatrical, evocative scene has roots in late nineteenth-century Symbolist painting, especially that of Gustave Moreau. It also echoes the settings and motifs of sixteenth-century German art. The willowy, swollen-bellied figure types recall those of Lucas Cranach the Elder in particular. The architectural backdrop with its strong contrast of light and shadow and its inconsistent perspective shows the additional influence of Giorgio de Chirico, whose work had overwhelmed Ernst when he first saw it in 1919.

Museum Exhibits: Tour Of The Whitney Biennial 2022

The Whitney Biennial has surveyed the landscape of American art, reflecting and shaping the cultural conversation, since 1932. The eightieth edition of the landmark exhibition is co-curated by David Breslin, DeMartini Family Curator and Director of Curatorial Initiatives, and Adrienne Edwards, Engell Speyer Family Curator and Director of Curatorial Affairs. Titled Quiet as It’s Kept, the 2022 Biennial features an intergenerational and interdisciplinary group of sixty-three artists and collectives whose dynamic works reflect the challenges, complexities, and possibilities of the American experience today.

To learn more about the exhibition visit https://whitney.org/exhibitions/2022-…

Previews: Art In America Magazine – May 2022 Issue

‘Art In America’ May 2022 – Each May, Art in America brings our readers a sampling of “new talent,” with a special focus on artists whose practice makes them stand out in a sea of competitors vying for attention. “Practice” is very much the operative word here: at a time when many artists are becoming known more for their social-media presence than for their creative endeavors, and when careers are bolstered more by the market than by critical attention, the editors, critics, and curators who contributed to our selection this year remained centered on what matters. As you’ll discover in these pages, the artists showcased are all contributing in some resonant way to the ongoing dialogue around art, aesthetics, and the culture at large, from Alexander Si, who turns an anthropological lens on the culture of whiteness; to Suneil Sanzgiri, whose films engage with anticolonialism; to Laurie Kang, who treats photography as a form of installation art (and who has contributed a compelling print to this issue); to the other notable talents featured. With this issue, we continue a tradition developed over more than a century of this magazine: writing art history as it is being made.

Art: ‘True To Nature-Open Air Painting’ (Fitzwilliam)

True to Nature: Open-air Painting in Europe 1780-1870 Explore the inventive ways artists in the 18th and 19th centuries recorded fleeting moments in nature, capturing the effects of light, drama, and atmosphere first-hand in the open air.

Views: ‘Niagara, 1857’ By Frederic Edwin Church