Tag Archives: Arts & Literature

The New York Times Book Review – January 28, 2024

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THE NEW YORK TIMES BOOK REVIEW (January 26, 2024): The latest issue features ‘Ukraine’s Leading Man’ – In “The Showman”, Simon Shuster makes the case that Volodymyr Zelensky’s past as an entertainer helps him on the world stage…

Volodymyr Zelensky’s Greatest Performance

A photograph of reporters in a conference hall gathered around a long desk, listening to Zelensky addressing them from a flat panel TV at the end of the desk. Some of them are wielding boom mics and large cameras. Others are typing at the desk.

In “The Showman,” the journalist Simon Shuster trails the entertainer-turned-wartime president as he rallies the world for support.

By David Kortava

THE SHOWMAN: Inside the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky, by Simon Shuster


Nine months into Russia’s full-scale invasion of Ukraine, in 2022, the Time magazine correspondent Simon Shuster caught a ride on a presidential train that few, if any, journalists had seen from the inside. In a private carriage, with the blinds drawn, Volodymyr Zelensky was fueling up on coffee during a trip to the frontline. He’d been reading about Winston Churchill, but with Shuster he’d sooner discuss another key World War II figure: Charlie Chaplin.

“He used the weapon of information during the Second World War to fight against fascism,” Zelensky said. “There were these people, these artists, who helped society. And their influence was often stronger than artillery.”

Mightier — and Meaner — Than the Sword

Emily Cockayne’s “Penning Poison,” a history of anonymous letters, reveals the ways we’ve been torturing one another, verbally, for centuries.

The Rise and Fall and Rise of San Francisco

Two books — “The Longest Minute,” by Matthew J. Davenport, and “Portal,” by John King — examine the City by the Bay’s resiliency from very different angles.

Previews: The New Yorker Magazine- January 29, 2024

A chicken takes a bath on a rainy day in the city.

The New Yorker (January 22, 2024): The new issue‘s cover features Roz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.

Rules for the Ruling Class

An illustration of a bird walking above other birds.

How to thrive in the power élite—while declaring it your enemy

By Evan Osnos

As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”

Sofia Coppola’s Path to Filming Gilded Adolescence

Sophia Coppola sits on a stool under a bright light.

There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”

By Rachel Syme

When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.

The New York Times Book Review – January 21, 2024

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THE NEW YORK TIMES BOOK REVIEW (January 19, 2024): The latest issue features the excitement over advance copy reviews of a January novel, Kaveh Akbar’s “Martyr!” …“You’ve got to read this,” one editor said. “One of the most electric novels I’ve read in a long while,” another said. This kind of thing — everyone thrilled by the same book — is unusual at the TBR, and explains why “Martyr!,” about a grieving young man’s search for meaning, graces our cover this week.

A Death-Haunted First Novel Incandescent With Life

This colorful illustration features a large red bird and a horse’s head and neck, both adorned with Farsi letters, as well as a skyward-bound airplane and a black-hooded figure with many faces holding a torch in one hand and a sword in the other. These details are laid over a backdrop of blue-green mountains and yellow sky.

In “Martyr!,” the poet Kaveh Akbar turns a grieving young man’s search for meaning into a piercing family saga.

Martyr!, by Kaveh Akbar

Reviewed by By Junot Díaz


Cyrus Shams, the aching protagonist at the heart of Kaveh Akbar’s incandescent first novel, is a veritable Rushdiean multitude: an Iranian-born American, a “bad” immigrant, a recovering addict, a straight-passing queer, an almost-30 poet who rarely writes, an orphan, a runner of open mics, an indefatigable logophile, a fiery wit, a self-pitying malcontent. But above all else Cyrus is sad; profoundly, inconsolably, suicidally sad.

Here are the books discussed in this week’s episode:

  • “Knife,” by Salman Rushdie
  • “James,” by Percival Everett
  • “The Book of Love,” by Kelly Link
  • “Martyr,” by Kaveh Akbar
  • “The Demon of Unrest,” by Erik Larson
  • “The Hunter,” by Tana French
  • “Wandering Stars,” by Tommy Orange
  • “Anita de Monte Laughs Last,” by Xochitl Gonzalez
  • “Splinters,” by Leslie Jamison
  • “Neighbors and Other Stories,” by Diane Oliver
  • “Funny Story,” by Emily Henry
  • “Table for Two,” by Amor Towles
  • “Grief Is for People,” by Sloane Crosley
  • “One Way Back: A Memoir,” by Christine Blasey Ford
  • “The House of Hidden Meanings: A Memoir,” by RuPaul

The New Criterion – February 2024 Preview

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The New Criterion – The February 2024 issue features:

The importance of Homer  by Joshua T. Katz
Galaxy brains  by Gary Saul Morson
The Thames: river of destinies  by Jeremy Black
“Breakfast Special”: a new story  by Woody Allen

New poems  by Nicholas Friedman, Jessica Hornik & Michael Spence

London Review Of Books – January 25, 2024 Preview

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London Review of Books (LRB) – January 17, 2024: The latest issue features ‘Living With Keats’ – A Brief Life in Nine Poems and One Epitaph; Congress vs Harvard; The West’s Fight to Reverse the Russian Revolution, and more…

Hooted from the Stage

Keats: A Brief Life in Nine Poems and One Epitaph: 9780525655831: Miller,  Lucasta: Books - Amazon.com

Keats: A Brief Life in Nine Poems and One Epitaph 
by Lucasta Miller.

Keats’s Odes: A Lover’s Discourse 
by Anahid Nersessian.

By Susan Eilenberg

Looking​ back to September 1820, when things had gone badly wrong but not yet so grotesquely as to be visibly beyond repair, we can see how few and how poor Keats’s options were. Surely it was better that (in the absence of other volunteers) the young artist Joseph Severn agreed to travel with the dying poet to Rome that autumn than that he had refused.

Bertie Wooster in Murmansk

A Nasty Little War: The West’s Fight to Reverse the Russian Revolution 
by Anna Reid.

By Sheila Fitzpatrick

Previews: Country Life Magazine-January 17, 2024

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Country Life Magazine – January 17, 2024: The latest issue features ‘Floral Fireworks’ – The National Collection of Dahlias; The Bridges of Britain; and the Arts-and-Crafts masterpieces of Madresfield Court, Worcestershire…

Floral fireworks

Kirsty Fergusson visits the new home of the 1,700-strong National Collection of Dahlias and reveals which blooms to order now for late-summer colour

The Bridges of Britain

Our greatest bridges span the ages and have the power to inspire both awe and admiration, as Jack Watkins discovers

Cold cures

The beautiful and practical cast-iron Victorian cloche is making a comeback. Tiffany Daneff investigates the revival of the miniature glass house

Twist and shout

Tiffany Daneff visits Morton Hall Gardens in Worcestershire to discover the secret of its owner’s intriguing new clematis-training technique

Why, why, why weigela?

New forms of this easy-to-grow garden shrub have repeating flowers in wonderful colours — no wonder they are hot sellers, suggests Charles Quest-Ritson

Exhibitions: ‘New Terrains- Native American Art’ (2024)

Phillips (January 16, 2024) – Curators Tony Abeyta and James Trotta-Bono explore highlights from New Terrains: Contemporary Native American Art, which they curated alongside Bruce Hartman.

The exhibition provides context for the evolution of contemporary Native art, including the influence of modernism, post-war, and pop art.

New Terrains: Contemporary Native American Art New York Exhibition 5–23 January

Join the pair as they reveal works by Jaune Quick-to-See Smith, Fritz Scholder (Luiseño), Edgar Heap of Birds (Cheyenne and Arapaho Nation), and more.

Previews: The New Yorker Magazine- January 22, 2024

Sun shines through tree branches on a city street in winter.

The New Yorker – January 22, 2024 issue: The new issue‘s cover features Pascal Campion’s “Winter Sun” – The artist depicts the beams of sunlight that flicker during the coldest months of the year.

The Price of Netanyahu’s Ambition

A painted portrait of Netanyahu.

Amid war with Hamas, a hostage crisis, the devastation of Gaza, and Israel’s splintering identity, the Prime Minister seems unable to distinguish between his own interests and his country’s.

By David Remnick

To be vigilant—to live without illusions about the ever-present threat of annihilation—was a primary value at No. 4 Haportzim Street, once the Jerusalem address of the Netanyahu family. This wariness had ancient roots. In the Passover Haggadah, the passage beginning “Vehi Sheamda” reminds everyone at the Seder table that in each generation an enemy “rises up to destroy” the Jewish people. “But the Holy One, Blessed be He, delivers us from their hands,” the Haggadah continues. Benzion Netanyahu, the family patriarch and a historian of the Spanish Inquisition, was a secular man. For deliverance, he looked not to faith but to the renunciation of naïveté and the strength of arms. This creed became his middle son’s inheritance, the core of his self-conception as the uniquely unillusioned defender of the State of Israel.

A Drug-Decriminalization Fight Erupts in Oregon

The open back doors of the Stabbin Wagon van displays plastic pockets full of inventory.

An ambitious law set forth a more humane way to address addiction. Then came the backlash.

By E. Tammy Kim

In the early months of the pandemic, joggers on the Bear Creek Greenway, in southern Oregon, began to notice tents cropping up by the path. The Greenway, which connects towns and parks along a tributary of the Rogue River, was beloved for its wetlands and for stands of oaks that attracted migrating birds. Now, as jobs disappeared and services for the poor shut down, it was increasingly a last-ditch place to live. Tents accumulated in messy clusters, where people sometimes smoked fentanyl, and “the Greenway” became a byword for homelessness and drug use. On a popular local Facebook page, one typical comment read, “Though I feel sorry for some of the people in that situation, most of them are just pigs.” In Medford, the largest city along the trail, police demolished encampments and ticketed people for sleeping rough.

Art Museum Exhibitions: ‘Nicolas de Staël’ In Paris

ART VISION TV / C&B Films (January 13, 2024) – The Musée d’Art Moderne in Paris is devoting a major retrospective to Nicolas de Staël (1914-1955), a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He was a key figure on the post-war French art scene.

Twenty years after the one organised by the Centre Pompidou in 2003, this exhibition offers a fresh look at the artist’s work, drawing on more recent thematic exhibitions that have highlighted certain little-known aspects of his career (Antibes in 2014, Le Havre in 2014, Aix-en-Provence in 2018).

The New York Times Book Review – January 14, 2024

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THE NEW YORK TIMES BOOK REVIEW (January 12, 2024): The latest issue features ‘What Happens When Writers Embrace Artificial Intelligence as Their Muse? by A.O. Scott…

Literature Under the Spell of A.I.

This image shows the nine female muses of Greek myth as miniature figures in shades of blue against a pale blue background. The muses are holding hands and encircling an enlarged return key of the sort that appears on a laptop keyboard.

What happens when writers embrace artificial intelligence as their muse?

By A.O. Scott

The robots of literature and movies usually present either an existential danger or an erotic frisson. Those who don’t follow in the melancholy footsteps of Frankenstein’s misunderstood monster march in line with the murderous HAL 9000 from “2001: A Space Odyssey,” unless they echo the siren songs of sexualized androids like the ones played by Sean Young in “Blade Runner” and Alicia Vikander in “Ex Machina.”

We fantasize that A.I. programs will seduce us or wipe us out, enslave us or make us feel unsure of our own humanity. Trained by such narratives, whether we find them in “Terminator” movies or in novels by Nobel laureates, we brace ourselves for a future populated by all kinds of smart, possibly sentient machines that will disrupt our most cherished notions of what it means to be human.

A Clash of Civilizations Brought to Life

In this close-up, black-and-white portrait, Álvaro Enrigue’s hair is windblown and he is holding his jacket’s collar up, obscuring part of his face.

For Álvaro Enrigue, a novelist fascinated with historical detail, the first meeting of the Aztecs and Spanish conquistadors is the obsession of a lifetime. He brings it to life in “You Dreamed of Empires.”

By Benjamin P. Russell

The Aug. 13, 2021 edition of The New York Times failed to mention the 500th anniversary of the fall of Tenochtitlan, the erstwhile Aztec capital out of which Mexico City was born. Álvaro Enrigue noticed. Of course.

The 54-year-old Enrigue, who grew up in Mexico City, believes that early meeting between Europe and the Americas changed the trajectory of global commerce, urbanism, industry and much else besides. Modernity itself, he argues, was born in the moment the Aztec emperor Moctezuma and Hernan Cortés, the Spanish conquistador, first looked each other in the eye in 1519, a clash of empires that set in motion the city’s capture two years later.