As an early patron and friend of artists including Louise Bourgoeis, Ann Hamilton and Lee Krasner, Ginny Williams was revered for her pioneering support. “Ginny saw the Art World as this wonderful and diverse ecosystem, and she loved all parts of it” Sotheby’s Chariman Amy Cappallazzo fondly recalls, “she had a tremendously rich relationship with so many artists”.
An extract from the Christie’s Education online course, The Great Masters of European Art 1350–1850. Florence in the 1400s, a city of wealthy guilds and merchants, in particular the Medici family, who commissioned astonishing works of art to show off their success and cultivation.
Here we are introduced to one of the great artists the Medicis favoured: Sandro Botticelli, and his most famous works: ‘Primavera’ and ‘The Birth of Venus’.
Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), known as Sandro Botticelli, was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de’ Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a “golden age”. Botticelli’s posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
From MyModernMet (May 25, 2020):
“Buildings and constructions once created by people but now fallen into oblivion have an inspirational value for me,” Mill tells My Modern Met. “They are silent witnesses of history. These giants towering over densely populated cities preserve the memories from the moment of their creation until the last stone drops off their walls.”
Russian graphic designer and watercolor painter Eleanor Mill has a knack for capturing the spirit of place. Through her architectural watercolor sketches, she documents buildings with exacting detail. At the same time, Mill imbues her work with the color and light that gives each environment character. This allows viewers to come along with her as she places the memories of her travels down on paper.
“Imagine all the people” is a project by Turin-based artist and illustrator Pierpaolo Rovero that fantasizes about the way people around the word spend their time in quarantine. Depicting a diverse range of metropolitan panoramas, from New York and Paris, to Jerusalem, to Tokyo, Rovero imagines the citizens of each city indulging in the same activity while stuck at home, allowing viewers to catch glimpses through windows, balconies and skylights.
Painted in 1996, David Hockney’s “30 Sunflowers” is a bold and luscious still life of contemporary times. In this episode of Expert Voices, discover how Hockney was inspired to paint “30 Sunflowers” after a decade hiatus, and hear Hockney himself explain the influence of the Old Masters in this vivid work.
Titian (active 1506–1576) produced a masterful group of paintings for Philip II of Spain, celebrating the loves of gods, goddesses, and mortals. Depicting scenes from Ovid’s narrative poem Metamorphoses, Titian named them “poesie” and considered the works as visual equivalents of poetry.
This volume presents a detailed study of the complete series—Danaë, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, and The Rape of Europa, as well as The Death of Actaeon—lavishly illustrated with details of these emotionally charged paintings. The book explores Titian’s creative process and technique, in addition to his use of literary and visual sources and his correspondence with Philip II.
The artistic legacy of the series for later European painting is also examined in the works of artists such as Rubens, Velázquez, and Rembrandt. Offering the most comprehensive overview of these remarkable works, Titian: Love, Desire, Death is an indispensable resource for scholars and admirers of Renaissance painting.
Leonor Fini (1907–96) is one of the most important artists and personalities of the twentieth century. Her work came to prominence as part of the 1936 exhibition Fantastic Art, Dada and Surrealism at New York’s Museum of Modern Art, where her paintings were widely celebrated for their uniquely female approach to surrealism—although Fini never joined the surrealist movement.
Self-made and self-taught, she preferred to work on her own and was known for her fierce independence and provocative panache. A prolific painter, Fini also wrote, worked extensively in book illustration and printmaking, and designed for plays, ballets, operas, and film.
Presenting the definitive catalogue raisonné of Leonor Fini’s more than 1,100 oil paintings, this book brings together more than one thousand color illustrations and essays on her work by Fini experts Richard Overstreet and Neil Zukerman and a concise, up-to-date biography by British art historian Peter Webb.
Richard Overstreet is an American artist and photographer. In 1998, he founded the Leonor Fini Archives in Paris.
Neil Zukerman is the owner of the CFM Gallery in New York. He is an expert of Leonor Fini’s work and author of several books about her.
Peter Webb is an art historian and has published extensively on art and artists of the 20th century. He formerly taught at the Coventry College of Art, the Hornsey College of Art and the Middlesex University in London.
Leonor Fini (1907- 1996) was an Argentinian surrealist painter, designer, illustrator, and author, known for her depictions of powerful women.
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