Nature Magazine – January 31, 2024: The latest issue cover features ‘Significant Otters’ – How restored top predators helped slow down coastal damage; Hijacked neurons boost cancer’s ability to grow and spread; Mechanical process yields flexible fibers for wearable electronics…
Times Literary Supplement (January 31 2024): The latest issue features ‘Back to Nature’ – The counterculture begins with Thoreau; Enlightenment dimmed; The secret state and the IRA; Homosexuality in early modern Europe and A family haunting….
This week’s @TheTLS, featuring Ritchie Robertson on the end of the Enlightenment; Costica Bradatan on Thoreau; Adam Mars-Jones on All of Us Strangers; @tylercowen on the Clinton years; @georgie_cat_ on Werner Herzog; Sarah Foot on Bede – and more pic.twitter.com/bxcIN8OUFu
The New Yorker (January 29, 2024): The new issue‘s cover featuresSarula Bao’s “Lunar New Year” – The artist depicts the joys of gathering with loved ones, around a table of good food
As the general manager of the Jay Peak ski resort, Bill Stenger rose most days around 6 a.m. and arrived at the slopes before seven. He’d check in with his head snowmaker and the ski-patrol staff, visit the two hotels on the property, and chat with the maintenance workers, the lift operators, the food-and-beverage manager, and the ski-school instructors—a kind of management through constant motion. Stenger is seventy-five, with white hair, wire-rimmed reading glasses, and a sturdy physique that makes him look built for fuzzy sweaters.
The Perverse Policies That Fuel Wildfires
We thought we could master nature, but we were playing with fire.
With elections postponed and no end to the war with Russia in sight, Volodymyr Zelensky and his political allies are becoming like the officials they once promised to root out: entrenched.
THE NEW YORK TIMES BOOK REVIEW (January 26, 2024): The latest issue features ‘Ukraine’s Leading Man’ – In “The Showman”, Simon Shuster makes the case that Volodymyr Zelensky’s past as an entertainer helps him on the world stage…
In “The Showman,” the journalist Simon Shuster trails the entertainer-turned-wartime president as he rallies the world for support.
By David Kortava
THE SHOWMAN: Inside the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky, by Simon Shuster
Nine months into Russia’s full-scale invasion of Ukraine, in 2022, the Time magazine correspondent Simon Shuster caught a ride on a presidential train that few, if any, journalists had seen from the inside. In a private carriage, with the blinds drawn, Volodymyr Zelensky was fueling up on coffee during a trip to the frontline. He’d been reading about Winston Churchill, but with Shuster he’d sooner discuss another key World War II figure: Charlie Chaplin.
“He used the weapon of information during the Second World War to fight against fascism,” Zelensky said. “There were these people, these artists, who helped society. And their influence was often stronger than artillery.”
Mightier — and Meaner — Than the Sword
Emily Cockayne’s “Penning Poison,” a history of anonymous letters, reveals the ways we’ve been torturing one another, verbally, for centuries.
The Rise and Fall and Rise of San Francisco
Two books — “The Longest Minute,” by Matthew J. Davenport, and “Portal,” by John King — examine the City by the Bay’s resiliency from very different angles.
The Guardian Weekly (January 25, 2024) – The new issue features ‘True Colours’ – What the AFD really wants for Germany; The fading hopes for Middle East Peace; Trump’s victory and DeSantis’s doomed campaign…
Events in the Middle East continue to unfold at a bewildering pace, with pockets of conflict opening up across the region. Diplomatic editor Patrick Wintour rounds up a week of flashpoints and assesses increasingly slim hopes for controlling the situation. And Oliver Holmes provides a revealing profile of Yemen, one of the most unchanging and least visited countries in the Middle East.
The Weekly went to press before news of Donald Trump’s victory in the New Hampshire Republican primary on Tuesday night, but you can catch up with all the latest Guardian coverage and reaction here. In the magazine, David Smith delivers a postmortem on Ron DeSantis’s doomed campaign, while Jonathan Freedland argues that Trump’s march to the White House can still be stopped.
Our long-read features take somewhat divergent paths this week. First, Charlotte Edwardes meets Gary Lineker, the former England footballer turned TV presenter whose penchant for regularly airing his liberal worldviews has made him public enemy No 1 for Britain’s anti-woke brigade.
Then, Chananya Groner unearths a remarkable story of factionalism and messianic fervour within New York’s Hasidic Jewish community, stretching back 30 years, which led to secret tunnels recently being discovered beneath a Brooklyn synagogue.
And in Culture, Charlotte Higgins meets the classical musicians Dalia Stasevska and Joshua Bell, who are resurrecting a long-forgotten Ukrainian concerto as a gesture of defiance to Russia.
Finally, we’re on the lookout for your best photographs of the world around us. For a chance for your picture to feature in the magazine, send us your best shot, telling us where you were in the world when you took it and why the scene resonated with you at that particular time.
Times Literary Supplement (January 24, 2024): The latest issue features ‘The Rich Are Always With Us’ – Ferdinand Mount on taming the plutocrats; Empire’s balance sheet; Who is Charles III?; Silvia Townsend Warner’s revival and ChatGPT goes to college…
The New Yorker (January 22, 2024): The new issue‘s cover featuresRoz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.
As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”
There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”
When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
News, Views and Reviews For The Intellectually Curious
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