The Guardian Weekly (February 22, 2024) – The new issue features ‘Ukraine’s Lonely Road’ – After two years, is there a way out of Putin’s war?…
Shaun Walker reports on this week’s big story, the fall of the strategic town of Avdiivka to Russian troops has come at a grim time for Ukraine’s president, Volodymyr Zelenskiy. While the army is struggling to hold ground, war fatigue is setting in among parts of the population and disagreements among the leadership have been spilling into the open.
At the same time, the death of the jailed Russian critic Alexei Navalny last week – widely seen as another political assassination – appears to emphasise the strengthening hand of Vladimir Putin, who is expected to secure another six-year term as Russia’s president in tightly controlled elections next month. Amid a familiar wave of international outrage, our Russia affairs reporter Pjotr Sauer asks what Putin might do next.
Coupled with the possibility of a Donald Trump victory in the US elections later this year, it all makes for a deeply worrying outlook for Ukraine, reflected in the Kyiv-based illustrator Sergiy Maidukov’s haunting cover artwork for the magazine this week.
“This war is the hardest test of my life, similar to an endless ultramarathon,” writes Sergiy. “It is good to try to not think about the finish when running long distance. This is important knowledge to endure.”
Russian aggression and American wavering reveal just how ill-equipped the continent is
Russia is becoming more dangerous, America is less reliable and Europe remains unprepared. The problem is simply put, but the scale of its solution is hard to comprehend. The security arrangements based on nato that emerged from the second world war—and have prevented a third—are so much part of Europe’s fabric that remaking them will be an immense task. European leaders urgently need to jettison their post-Soviet complacency. That means raising defence spending to a level not seen in decades, restoring Europe’s neglected military traditions, restructuring its arms industries and preparing for a possible war. The work has barely begun.
Country Life Magazine – February 21, 2024: The ‘The Fine Arts Issue’ – Artists who say it with flowers and the AI debate; Wig law, daffodils and how does your hedgerow grow?….
Artificial art
With the technology powering artificial intelligence advancing so rapidly, what can artists do to protect their original work?
Blooming marvellous
Michael Prodger examines how flowers have inspired artists for centuries, from the ancient Egyptians up to the present day
On a wig and a prayer
The periwigs that were a 17th-century status symbol are still a mainstay of our legal system, as Agnes Stamp discovers
Hedge of eternity
They have long been used to contain cattle or define boundaries, but hedges can be beautiful, too, argues Charles Quest-Ritson
Trumpet majors
Alan Titchmarsh takes a wander with Wordsworth as he dreams of spring daffodils ‘fluttering and dancing in the breeze’
Norman Foster’s favourite painting
The architect falls under the spell of a gritty, but humorous work
All in a day’s work
Jamie Blackett is ready to man the barricades to scupper plans for an unwanted national park
Brothers in art
John Goodall applauds the restoration of Leighton House in London, which formed the hub of a 19th-century celebrity circle
Man of the world
Mary Miers follows the globe-trotting Sir John Lavery from Ireland to Africa and beyond
Follow your art
An inspiring oil painting was at the centre of a heist with a happy ending, reveals Carla Passino
Where be dragons?
A protective force in China and Wales, but a symbol of greed and evil in England: Lucien de Guise delves into dragon lore
The good stuff
Hetty Lintell celebrates the best of the Art Deco era with earrings old and new, but always modern
Is this London’s most exquisite hotel room?
The astonishing King’s Lodge suite at The Connaught is fit for a monarch, finds Rosie Paterson
Interiors
Amelia Thorpe shares the very best of London Design Week
A seed of an idea
Tilly Ware meets the wild-seed pioneer ‘nurturing the future’
A tower of thorns
Ben Lerwill finds the salt of the earth on the coast of Scotland
Kitchen garden cook
Melanie Johnson on rhubarb
Love and marriage
A real-life couple are in harmony on stage, finds Michael Billington
Times Literary Supplement (February 21, 2024): The latest issue features ‘The Unknown Leader’ – Fintan O’Toole looks for clues in a biography of Keir Starmer; Zelensky on the ropes; Ukraine’s rock star poet; Habermas and social media and The novel of the Year?….
The New Yorker (February 19, 2024): The new issue‘s cover featuresMarcellus Hall’s “Winter Wonders” – The artist depicts an array of invigorating, comforting, and delightful cold-weather activities.
Representative Matt Gaetz arrived at the White House in the last days of 2020, amid a gathering national crisis. President Donald Trump had lost his bid for reëlection the previous month, and his allies were exploring strategies to keep him in office. Though only thirty-eight years old, Gaetz, the scion of a political family in Florida’s Panhandle, had become one of the Republican Party’s most prominent and divisive figures. His dark hair styled in a kind of bouffant, his lips often curled in a wry smile, Gaetz bore a resemblance to Elvis Presley, or, in the description of a Florida friend, “either Beavis or Butt-head.” He was quick-witted and sometimes very funny, and he loved to taunt his enemies, who were numerous, especially in his own party. “He’s the most unpopular member of Congress, with the possible exception of Marjorie Taylor Greene, and he doesn’t care,” a fellow-congressman told me.
THE NEW YORK TIMES BOOK REVIEW (February 16, 2024): The latest issue features ‘Philip Gefter’s sizzling, “unapologetically obsessive” new book, “Cocktails With George and Martha: Movies, Marriage and the Making of ‘Who’s Afraid of Virginia Woolf?’” Our critic Alexandra Jacobs calls it “a shot glass filled with one work that, alongside contemporaneous books like Richard Yates’s novel ‘Revolutionary Road’ and Betty Friedan’s polemic ‘The Feminine Mystique,’ showed how the ‘cartoon versions of marriage’ long served up by American popular culture always came with a secret side of bitters.”
With Burton and Taylor as stars and a writer and director feuding, adapting the scabrous play wasn’t easy. “Cocktails With George and Martha” pours out the details.
‘Neighbors’ Opens the Door to a Literary Career Cut Short
A story collection from Diane Oliver, who died at 22, locates the strength in Black families surviving their separate but equal surroundings.
NEW HUMANIST MAGAZINE – SPRING 2024 ISSUE: The new issue features Emma Park on how the culture wars are damaging the sciences, theoretical physicist Tasneem Zehra Husain on why the imagination is key to decoding the universe, and Alom Shaha on what can be gained by thinking like a scientist…
Beyond the two cultures
Amid a polarised debate, science and art seem further apart than ever. Emma Park, editor of The Freethinker, explores what humanism has to teach us about the apparent conflict between these ways of thinking and how to bridge the divide.
“While humanities scholars are often (not without justification) accused of being Luddites, those on the science and technology side could also benefit from the knowledge that the humanities have accumulated over the centuries … [And] no intellectual activity worth the name can flourish in a politically repressive environment: freedom of expression and enquiry should be an issue to unite artists, scholars and scientists.”
The poetry of science
Metaphors are key to unlocking the secrets of the universe – scientists should do more to harness their power, writes acclaimed physicist Tasneem Zehra Husain.
“Metaphors aren’t only a means of description, they can also lead to revelations. Centuries ago, Newton was able to calculate the gravitational attraction between two objects … [but] would ‘feign no hypothesis’ as to why it was so. He had the equation, but he did not understand gravitation … With Einstein, we finally have a metaphor. When we picture space-time as a dynamic ‘fabric’ … we begin to understand what gravity means.”
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