• Antwerp’s greatest museum reopens at last
• Who is UNESCO really for?
• Introducing the Apollo 40 Under 40 Asia Pacific
Plus: the remarkable career of Marianne Werefkin; the making of John Singer Sargent’s notorious Madame X; the occult modernism of Rudolf Steiner; and reviews of the artists who saw in stereo, a history of tomb raiding in Egypt and the memoir of Ibrahim El-Salahi
ROBERT LADUKE: “IMAGINED MEMORIES”
SEPTEMBER 23 – OCTOBER 6, 2022
MEYER GALLERY – SANTA FE, NEW MEXICO
art3f breaks the mold of traditional contemporary art fairs by giving these cultural events a human and friendly touch. Without code, without prejudice and without complexes, art3f is a clever mix between the art of the heart, the affordable art and the most beautiful artistic representation of the moment. So many reasons to discover art with your family.
Hilma af Klint dreamt of a spiral-shaped building to house her most important works. According to her notebooks, she wanted it to be built on an island in Sweden but the idea never materialized, and the temple remained an imaginary creation – until now.
More than a century later, af Klint’s vision has been translated into an immersive VR experience. It takes you on a cosmic journey from the Milky Way, through spirals in nature and into a few of the artist’s most important paintings, some of them even coming alive.
Hilma af Klint sometimes referred to her temple as a church for a new era and at other times called it a museum. The exact meaning remains open to interpretation. At the same time, her paintings were clearly intended to lead the viewer to levels of awareness beyond that of everyday life. Was it really a physical building she had in mind? Or was it a spiritual site – something existing in another dimension?
Perhaps her temple, simultaneously spiritual and physical, could not be realised because she did not have access to the right medium. She had no knowledge about the technological possibilities that were to come, and the idea remained on paper. Today things are different. Hilma af Klint’s temple, inspired by the teachings of Christian Rosenkreutz, has arrived with the help of VR. You are invited to enter another world.
Hilma af Klint The Temple was conceived by Daniel Birnbaum and Kurt Almqvist and directed by Marika Stolpe. The experience was produced by Acute Art and published by Stolpe Publishing. Creative Director – Rodrigo Marques. Music – Andrew Sheriff.
Watch video below for more on Hilma af Klint:
Among the great innovators of contemporary painting, with a lifelong commitment to drawing and printmaking, Pat Steir first came to prominence in the late 1970s and early 1980s for her iconographic canvases and immersive wall drawings.
Pat Steir, Dragon Tooth Waterfall, 1990 © Pat Steir
Pat Steir, Middle Lhamo Waterfall, 1992 © Pat Steir
By the late 1980s, her inventive approach to painting—the rigorous pouring technique seen in her Waterfall works, in which she harnessed the forces of gravity and gesture to achieve works of astonishing lyricism—attracted substantial critical acclaim. Informed by a deep engagement with art history and Eastern philosophy, and a passion for artistic advocacy in the both the visual and literary realms, Steir’s storied five-decade career continues to reach new heights through an intrepid commitment to material exploration and experimentation.
| FeaturesReal Light and Real Angles: A Conversation with Larry Bell Between Two Knowns: A Conversation with Nathaniel Rackowe Cracks in the System: A Conversation with Agustina Woodgate Gregor Schneider: A Sense of Distance Thinking Through Place: A Conversation with Anina Major |
Nathaniel Rackowe’s large-scale, futuristic works are fundamentally influenced by modern urban architecture. Spanning sculpture, installation, and public art, his practice is concerned with abstracting the metropolis into units of form. Scaffolding poles, cement blocks, corrugated sheets, Perspex, glass, and fluorescent tubing are the building blocks of his sculptural vocabulary. The British artist has created cuboids of light that seem to hover eerily in the air (“Spin” series, 2006–ongoing), upturned sheds that appear frozen in mid-explosion (“Black Shed Expanded” series, 2008–ongoing), and flanks of moving mechanical doors edged with fluorescent lights that close in claustrophobically on visitors (Sixty Eight Doors, 2005). It’s no surprise that he is an admirer of science fiction writers such as Philip K. Dick and Iain M. Banks and films like Brazil (1985) and Blade Runner (1982).
A cornerstone of New York’s cultural landscape since its founding in 1994, The Armory Show brings the world’s leading international contemporary and modern art galleries to New York each year.
The fair plays a leading role in the city’s position as an important cultural capital through elevated presentations, thoughtful programming, curatorial leadership, meaningful institutional partnerships, and engaging public art activations.
This week: is art censorship on the rise? The Art Newspaper’s chief contributing editor, Gareth Harris, joins Ben Luke to discuss his new book, Censored Art Today.
We look at the different ways in which freedom of expression is being curbed across the globe and at the debates around contested history and cancel culture. This episode’s Work of the Week is Diane Arbus’s Puerto Rican woman with a beauty mark, N.Y.C., 1965, one of the 90 images that feature in Diane Arbus: Photographs, 1956-1971, which opens at the Montreal Museum of Fine Arts, Canada, on 15 September. Sophie Hackett, the exhibition’s curator, discusses Arbus’s remarkable eye and technical brilliance.
As the Guggenheim Bilbao celebrates its 25th anniversary, Thomas Krens, the director and chief artistic officer of the Solomon R. Guggenheim Foundation from 1988 to 2008, reflects on the genesis and development of a museum that had a dramatic impact on contemporary art and museums’ role in the cultural regeneration of cities across the world.
August 2–October 30, 2022, GETTY CENTER
American artist Cy Twombly’s engagement with the art and poetry of ancient Greece and Rome played a central role in his creative process. This exhibition explores Twombly’s lifelong fascination with the ancient Mediterranean world through evocative groupings of his paintings, drawings, prints, and sculpture made from the mid-20th to the early 21st century, tracing an imaginative journey of encounters with and responses to ancient texts and artifacts. The presentation includes Greek and Roman antiquities from the artist’s personal collection, on public display for the first time.
Organized by the J. Paul Getty Museum, Los Angeles, and the Museum of Fine Arts, Boston
Supported by an indemnity from the Federal Council on the Arts and the Humanities
Major support from Jo Carole and Ronald S. Lauder
Generously sponsored by
• Jil Sander refashions the English garden in Hamburg
• Annette Messager on the art of making the strange familiar
• A dazzling Medici table-top in focus
• On Jeju Island, the Hawaii of South Korea
Plus: the restored Galleria Nazionale dell’Umbria, Inigo Jones’s Banqueting House, Joseph Wright of Derby’s brush with the divine, and reviews of Cézanne in Chicago, Milton Avery in London and a history of fancy dress
Boomers Daily 
