
London Review of Books (LRB) – September 20 , 2024: The latest issue features T.J. Clark on Fanon’s Contradictions; Linda Kinstler at the 6 January trials; Sally Rooney’s Couples and Kubrick Does It Himself….

London Review of Books (LRB) – September 20 , 2024: The latest issue features T.J. Clark on Fanon’s Contradictions; Linda Kinstler at the 6 January trials; Sally Rooney’s Couples and Kubrick Does It Himself….

The New Yorker (September 16, 2024): The latest issue features Christoph Niemann’s “Smoke and Mirrors” – The latest trends are often derived from unexpected places…
Part of the intrigue has been which movement would run out of steam first: Trump’s MAGA, through its failures, or Obama’s liberalism, through its successes. By Benjamin Wallace-Wells
Contemporary cycling is all about spandex and personal bests. The bicycle designer Grant Petersen has amassed an ardent following by urging people to get comfortable bikes, and go easy. By Anna Wiener
More than beauty, more than color, the artist reveals the doubts that bind us. By Jackson Arn

Gagosian Quarterly (Fall 2024) – The new issue features Jessica Beck discussing Andy Warhol’s Mao series, contextualizing Warhol’s return to painting in the early 1970s and his attraction to subjects of notoriety. We dig into the archives to honor the inimitable Richard Serra, who had over forty exhibitions at Gagosian since his first in 1983. Elsewhere in the issue, Salomé Gómez-Upegui examines the work of artists confronting the climate crisis, and Péjú Oshin speaks with Jayden Ali about his expansive view of architecture.

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

The New Yorker (September 9, 2024): The latest issue features Mark Ulriksen’s “Childless Cat Lady Inexplicably Enjoying Life” – The artist celebrates the subjects of J. D. Vance’s disparaging comments.
The podcast investigates the events in Haditha, Iraq, and compiles a database to show the inherent problem of the military judging its own members. By Willing Davidson
Scientists have shattered our self-image as principled beings, motivated by moral truths. Some wonder whether our ideals can survive the blow to our vanity. By Manvir Singh
For years, Russia has been using the Norwegian town of Kirkenes, which borders its nuclear stronghold, as a laboratory, testing intelligence operations there before replicating them across Europe. By Ben Taub

Apollo Magazine (September 2, 2024): The new September 2024 issue features
Plus:
Apollo celebrates 40 artists, patrons, thinkers and business-people blurring the line between art and craft; the Italian museum memorialising an unsolved plane crash; reviews of Paula Modersohn-Becker in New York, Elisabeth Frink’s menagerie, and Eileen Agar’s memoir of an unconventional life – and Jonathan Lethem remembers meeting a feather-brained friend in Maine

The New Yorker (August 26, 2024): The latest issue features R. Kikuo Johnson’s “A Mother’s Work” – A glimpse into the lives of New York’s caretakers.
It’s hard to empirically determine whether they drive voters to the polls. But they might have less measurable effects.
Susan Katz Keating, the editor and publisher of Soldier of Fortune, discusses how she’s changing the publication and assesses the threat of political violence.
The A.I. revolution is coming to a pharmacy near you.
By Dhruv Khullar

The New Yorker (August 26, 2024): The latest issue features Pascal Campion’s “The Last Rays of Summer” – Biking into the first signs of fall. By Françoise MoulyArt by Pascal Campion

At the Democratic National Convention, the sense of relief was as overwhelming as the general euphoria—but the campaign against Donald Trump has only just begun. By Jonathan Blitzer
How declining enrollment is threatening the future of American public education. By Alec MacGillis
After the President’s debate with Trump, Democratic politicians felt paralyzed. At the D.N.C., they felt giddy relief. How did they do it?

The New Yorker (August 19, 2024): The latest issue features Barry Blitt’s “Roller Coaster” – The highs and lows of the campaigns for America’s highest office.
How Vice-President Harris’s public persona has evolved, from tough prosecutor to frozen interviewee to joyful candidate. By Vinson Cunningham
His campaign is careening, his poll numbers are slipping, and, after something of a summer lull, he is due for several confrontations in court.
As the oceans ebb and surge, staggering ingenuity has gone into inventing the measure. By Brooke Jarvis

The New Yorker (August 12, 2024): The latest issue features Charles Addams’s “Ascent” – A fresh printing of an age-old gag.
Do jokes express our otherwise taboo wishes? Or does everyone just need a pie in the face? By Emma Allen
The semi-serious science of why we laugh. By Tad Friend
Chaplin’s epochal fame has tended to obscure the influences and instincts that infused his art with childlike purity.
London Review of Books (LRB) – August 7 , 2024: The latest issue features ‘Henry James Hot-Air Balloon’ – “The Prefaces” by Henry James; Trivialized to Death – “Reading Genesis” by Marilynne Robinson; Different for Girls By Jean McNicol…
By James Butler
The first time the man heard God, he uprooted his entire life, though he was very old. Then God appeared to him in person, an event which would embarrass later thinkers. God made the man an impossible promise in the shape of a son. His wife was ninety, and she laughed. When the child arrived, it was hardly unreasonable to think it a miracle. They named the child after the laughter.
By Colin Burrow
In 1904 Henry James’s agent negotiated with the American publisher Charles Scribner’s Sons to produce a collected edition of his works. The New York Edition of the Novels and Tales of Henry James duly appeared in 1907-9. It presented revised texts of both James’s shorter and longer fiction, with freshly written prefaces to each volume. It didn’t include everything: ‘I want to quietly disown a few things by not thus supremely adopting them,’ as James put it. The ‘disowned’ works included some early gems such as The Europeans. The labour of ‘supremely adopting’ the stuff he still thought worthy was grinding. He worked on the new prefaces, which he described as ‘freely colloquial and even, perhaps, as I may say, confidential’ (though James’s notion of the ‘freely colloquial’ is perhaps not everyone’s) during the years 1905 to 1909. In some respects, the venture was not a success. ‘Vulgarly speaking,’ James said of the New York Edition, ‘it doesn’t sell.’
By Jean McNicol
A week before the start of the Paris Olympics, Shoko Miyata, the 19-year-old captain of the Japanese women’s gymnastics team, was forced to withdraw from the competition by her national association. She had been reported to the Japan Gymnastics Association for smoking and drinking (on separate occasions, once for each offence). The president of the JGA, Tadashi Fujita, announced that Miyata had been sent home, and bowed deeply.