Filmed, Edited and Directed by: Milton Kam
NELLA MIA CITTÀ (In my city) is my visual ode to Venice. The film observes the lagoon city and its residents during the relative scarcity of tourists in its streets. From the lustre of its famous spots to the anonymity of its quiet alleys, Venice feels as if ‘the future did not come,’ to borrow a line from the poem, which the film is based on.
Nella mia città is written by Anna Toscano and was taken from her book Doso la polvere, Milan, La Vita Felice, 2012
With music by Federico Toffano (cello), Liesl Odenweller (soprano), and Ivano Zanenghi (lute).
IN MY CITY by Anna Toscano
The future does not exist
the future does not come
in my city:
however long my step is
however much you have the favor of the wind
the number 2 does not go more than 22 km per hour.
How to get beyond the past
how not to look back
(at this speed)
with your neck always at three quarters:
time stops in piazzale Roma
so we live entangled
in the stories of peoples.
We stand, happy,
in a rearview mirror.

In the latest episode in their series of Close Readings, Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods.
‘We are fond of tracing the resemblance between Poetry and Painting,’ wrote William Wordsworth
When, in 1840 or so, a well-meaning houseguest called Margaret Gillies made a drawing of the 70-year old Mrs Wordsworth, everyone agreed that it was an excellent likeness; but her kind act was rewarded with a testy and somewhat ungracious sonnet from the sitter’s husband. He preferred to visualise Mary in her salad days: ‘’tis a fruitless task to paint for me, / Who, yielding not to changes Time has made, / By the habitual light of memory see / Eyes unbedimmed, see bloom that cannot fade, / And smiles that from their birth-place ne’er shall flee / Into the land where ghosts and phantoms be’.