Explore Japan’s capital city through the vibrant arts it has generated over 400 years as you enjoy a virtual behind-the-scenes tour of the Ashmolean’s 2021 Tokyo: Art & Photography exhibition with curators Lena Fritsch and Clare Pollard. The film also features a conversation with visual artist Enrico Isamu Oyama, who was commissioned to create a work for the exhibition. Tokyo is one of the world’s most creative, dynamic and thrilling cities. This major exhibition features a wide variety of artworks created in a metropolis that has constantly reinvented itself. Highlights include historic folding screens and iconic woodblock prints, video works, pop art, and contemporary photographs by Moriyama Daido and Ninagawa Mika. With new commissions by contemporary artists, loans from Japan and treasures from the Ashmolean’s own collections, the show provides a fascinating insight into the development of Tokyo into one of the world’s most important cultural hotspots. Tokyo: Art & Photography is open at the Ashmolean Museum until 3 January 2022 http://www.ashmolean.org/tokyo
Category Archives: Art
Art Exhibits: ‘Portrait Of Northern Ireland’, Belfast
Museum Tours: Centre Pompidou & The Pinault Collection In Paris (4K)
Visiting Paris Museums: The Centre Pompidou & Bourse de Commerce I’m bringing you with me to see two incredible museums in Paris – The Centre Pompidou & Bourse de Commerce. The Centre Pompidou has one of the best contemporary art collections, and the Bourse de Commerce has an exciting group of artists on view right now including (but not limited to) Urs Fischer, Claire Tabouret, Florian Krewer, and more.
Art History: Auguste Renoir’s ‘Jeune Fille’
In this video, join Thomas Boyd-Bowman in an exploration of Pierre-Auguste Renoir’s Jeune fille à la corbeille de fleurs, a highlight of Sotheby’s Modern Art Evening Auction in November. Painted at one of the finest moments in Renoir’s career, Jeune fille à la corbeille de fleurs radiates with color and embodies the masterful portraiture for which he is best remembered. It was first acquired by the legendary art dealer Paul Durand-Ruel and later purchased by Dr. Albert Barnes of the esteemed Barnes Foundation, only to be returned to Durand-Ruel a few years later. With this extraordinary provenance, this painting exemplifies the triumph of impressionism from the perspective of artist, dealer and collector.
Top New Artists: Boston-Based Roboticist, Painter And Designer Joe Taveras
Galerie Michael Presents JOE TAVERAS
Joe Taveras is a Boston-based roboticist, designer, and artist who has spent the majority of his career selling robots around the world. A creative from the outset, his art initially consisted of eclectic musical compositions. It wasn’t until the arrival of the pandemic (March 2020) that he migrated to a new medium: painting. Having had no formal training, he used his time in quarantine to engage in rapid experimentation with an array of styles and mediums in order to truthfully convey his vision. He consistently aims to push the boundaries of innovation with his art, exploring new techniques that reflect his inner and outer environment, questioning our collective future, social norms, and our interminable integration with technology.
His paintings are in private collections in New York, Los Angeles, Miami, the Middle East, Sweden, Spain, Norway, Ghana, Vietnam, China, Canada, and more.
International Art: Apollo Magazine – November 2021
FEATURES | Andrew Russeth on the imperial splendours of the National Palace Museum of Korea; Tacita Dean interviewed by Robert Barry; Susan Moore views one of the world’s finest collections of 17th-century Chinese porcelain; Claudia Tobin on the aesthetic investigations of the writer Vernon Lee in Florence
| REVIEWS | Nancy Princenthal on Jasper Johns in Philadelphia and New York; Michael Prodger on Frans Hals’s male portraits; Douglas Murphy on Sophie Taeuber-Arp at Tate Modern; Nicola Jennings on the Spanish baroque sculptor Luisa Roldán; Charles Nicholl cracks open a book about medieval manuscripts; Andrew James Hamilton on the efforts to find a lost Maya sculpture; Thomas Marks on watching the drama of a restaurant in real time |
| MARKET | A preview of the second part of Asian Art in London, and the latest art market columns from Susan Moore, Emma Crichton-Miller and Samuel Reilly |
| PLUS | Bernadine Bröcker Wieder and Douglas McCarthy ask if museums should be dabbling in NFTs; Rosamund Bartlett on Dostoevsky’s taste in Old Masters; Samuel Reilly visits David Livingstone’s birthplace; Will Wiles defends architectural photographers from their critics; Kirsten Tambling on Louis Wain, the man who drew cats; and Robert O’Byrne on the most expensive project in the history of art-book publishing |
Art Views: Claude Monet’s “The Basin At Argenteuil”
Painted along the banks of the Seine, Le bassin d’Argenteuil captures the rise of the middle class and the founding tenants of Impressionism Painted in 1874, Le bassin d’Argenteuil provides a glimpse into the ‘golden’ era of Impressionism. During this time, Claude Monet and his fellow Impressionists, including Pierre-Auguste Renoir, Edouard Manet and Alfred Sisley, codified their ideas while painting along the banks of the Seine. Expressing the dynamism of nature and the modernity of the Third Republic, Le bassin d’Argenteuil combines light and leisure to evoke the excitement of a new visual language. The painting, which brings together the artist most synonymous with Impressionism and the town identified with its origins, will be sold at Christie’s on 11 November as part of The Cox Collection: The Story of Impressionism. Learn More: https://www.christies.com/features/cl…
Views: Munch Museum Opens In Oslo, Norway
‘The Scream,’ arguably the most iconic image in art, is the centerpiece of a new museum dedicated to its creator Edvard Munch in Oslo.
Munch Museum is an art museum in Oslo, Norway dedicated to the life and works of the Norwegian artist Edvard Munch. As of the summer of 2021, 28000 pieces of art are being moved from the museum at Tøyen, to the museum at Bjørvika, Oslo.
Art: ‘Jacob’s Ladder’ By Abstract Expressionist Helen Frankenthaler
Alex Roediger, MoMA’s senior information coordinator, looks at Helen Frankenthaler’s “Jacob’s Ladder” (1957) with a painter’s eye, and finds that “more paint” isn’t always the key to making a dramatic statement—even in Abstract Expressionism.
Boomers Daily 