Alex Roediger, MoMA’s senior information coordinator, looks at Helen Frankenthaler’s “Jacob’s Ladder” (1957) with a painter’s eye, and finds that “more paint” isn’t always the key to making a dramatic statement—even in Abstract Expressionism.
Join Chief Curator Scott Rothkopf as he shares some of his favorite works from Jasper Johns: Mind/Mirror, the most comprehensive retrospective ever devoted to Johns’s art. Jasper Johns: Mind/Mirror is organized by the Whitney Museum of American Art and the Philadelphia Museum of Art. The exhibition runs through February 13, 2022.
In 1967, Warhol established a print-publishing business, Factory Additions, through which he published a series of screenprint portfolios on his signature subjects. Marilyn Monroe was the first one. He used the same publicity still of the actress that he had previously used for dozens of paintings. Each image here was printed from five screens: one that carried the photographic image and four for different areas of color, sometimes printed off-register. About repetitions Warhol said, “The more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel.”