Directed by: Barbara Anastacio
Even though the image-maker’s large color works are held in galleries around the world, Vitali chooses not to display any photography in his home. Instead, the crumbling walls, sky blue vaulted ceilings, eroded slogans, frescoes and marble archways of the church provide as much narrative as any image.

An assortment of inflatable alligators, damp bodies and candy cane-colored umbrellas typify Italian photographer Massimo Vitali’s ongoing Beach Series, which he began in 1995. Born in Como, Italy in 1944 Vitali’s internationally recognized panoramas of busy ski resorts, clubs, pools and piazzas explore the multilayered stories present in communal leisure places.
“Vitali’s choice of home reflects his intrigue in the spaces that people chose to congregate in”
This Barbara Anastacio-directed episode takes us away from the crowds and into the tranquil Tuscan city of Lucca where Vitali lives with his wife and son. The photographer’s home is a fourteenth-century church, which—in one of it’s most recent incarnations—was used a boxing and fencing gym for young fascists during the Mussolini years.

To read more: https://www.nowness.com/series/my-place/massimo-vitali-barbara-anastacio
Enthusiasts and friends travelled from France, England, Belgium, the Netherlands, Switzerland, America and even Argentina to enjoy great food and wine (we were in the Champagne region, after all), even better locations and roads and a truly diverse selection of classic cars. Wilhelm Schmid – the ever-passionate CEO of A. Lange & Söhne, Journées d’Automne’s low-key title sponsor – drove his stunning Porsche 911S from Dresden together with his wife Yvonne. “For me, this event is the highlight of my personal motoring year,” he told me. “I wouldn’t miss it for the world.”
Journées d’Automne. It sounds a bit like the title of a romance novel by Rosamunde Pilcher, but it’s actually a wonderful classic car meeting that takes place every October just east of Paris. What began several years ago as an autumnal outing for a small number of car-minded friends has evolved into a large yet intimate get-together and an insider’s tip for celebrating the end of the events season in style.
“Agent Running in the Field” is narrated by Nat, a 47-year-old spy for British intelligence—known not as “the Circus” of yore but, more prosaically, as “the Office”.
The plans for the venue were previously
the recycling technology is the result of a partnership between coca-cola, the dutch startup ioniqa technologies and indorama ventures, one of
Amazingly, this high-end home was constructed for an unbelievable budget of only US$25,000, a testament to Saul’s perseverance with the DIY build and the couple’s clever sourcing of materials. That means this entire home was built for around the same amount of money that the couple would normally spend on one years rent living in San Diego.
beautiful, modern tiny house, and best of all, they have pulled off the entire build for a budget equivalent to just a years worth of rent in San Diego. In this weeks episode, we explore this stunning tiny house and meet its builders.
In a
Rediscovered in the late 19th century, celebrated by authors, acknowledged and embraced by the 20th century avant-garde, the artist has enjoyed the dual prestige of tradition and modernity, linking Titian to the Fauvists and Mannerism to Cubism, Expressionism, Vorticism and Abstraction up to the Action painting.
Whereas most Wright biographies build from one structure to the next, this one caroms from one digression to the next. Mr. Hendrickson spins miniature biographies of the people who commissioned Wright to build their homes and office buildings. An array of midcentury figures appears: e.g., Glenway Wescott, the novelist and poet who rubbed shoulders with Gertrude Stein in Paris and whose sister commissioned one of Wright’s homes; and Clarence Darrow, the renowned lawyer, who waded into the murk of Wright’s personal life when a disgruntled housekeeper attempted to use the Mann Act to have Wright arrested. We also meet the little-known residents of various structures. Seth Peterson, for instance, dreamed of living in a Wright home so powerfully that he camped out in the one he commissioned as it was being built. 