By Colm Tóibín
Annotations to James Joyce’s ‘Ulysses’
by Sam Slote, Marc A. Mamigonian and John Turner.
Ulysses is haunted by the story of its own composition. As Joyce famously put it, ‘I’ve put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that’s the only way of ensuring one’s immortality.’ The annotators point out, however, that it is ‘very likely that Joyce never said this’.
‘Editor’s Picks’ Podcast (August 28, 2023) – Three essential articles read aloud from the The Economist. This week, why China’s economy won’t be fixed, America’s corporate giants are fighting back against disrupters (10:15) and the challenge of making wine in Palestine (21:50).
Vertigo is a 1958 American psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D’entre les morts (From Among the Dead) by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor. The film stars James Stewart as former police detective John “Scottie” Ferguson, who has retired because an incident in the line of duty has caused him to develop acrophobia (an extreme fear of heights) and vertigo, a false sense of rotational movement. Scottie is hired by an acquaintance, Gavin Elster, as a private investigator to follow Gavin’s wife, Madeleine (Kim Novak), who is behaving strangely.
The film was shot on location in the city of San Francisco, California, as well as in Mission San Juan Bautista, Big Basin Redwoods State Park, Cypress Point on 17-Mile Drive, and Paramount Studios in Hollywood. It is the first film to use the dolly zoom, an in-camera effect that distorts perspective to create disorientation, to convey Scottie’s acrophobia. As a result of its use in this film, the effect is often referred to as “the Vertigo effect”. In 1996, the film underwent a major restoration to create a new 70 mm print and DTS soundtrack.
With smuggled cell phones and a handful of accomplices, Arthur Lee Cofield, Jr., took money from large bank accounts and bought houses, cars, clothes, and gold.
Early in 2020, the architect Scott West got a call at his office, in Atlanta, from a prospective client who said that his name was Archie Lee. West designs luxurious houses in a spare, angular style one might call millionaire modern. Lee wanted one. That June, West found an appealing property in Buckhead—an upscale part of North Atlanta that attracts both old money and new—and told Lee it might be a good spot for them to build. Lee arranged for his wife to meet West there.
Gauff has the charisma and talent to be not just a champion but a star, and this summer she has played better than ever before.
Last weekend, at a tournament in the Cincinnati suburb of Mason, Coco Gauff beat Iga Świątek for the first time. It was one of those moments in tennis when the ground seemed to shift: Gauff had never taken a set from Świątek, the current world No. 1, in the seven previous times they’d met. It was the biggest win of Gauff’s young career—but it was in keeping with a high-summer revving of her already formidable game. In the hard-court tournaments held across North America which are essentially warmups for the U.S. Open, Gauff has been the imposing presence that the tennis world has been waiting for her to become—waiting avidly, for sure, but a little anxiously, too. As recently as early July, when she lost in the first round at Wimbledon, there was fretting that she wasn’t making quick enough progress.
The Globalist Podcast, Monday, August 28: A vibrant show from Monocle’s Zurich studio presented by Emma Nelson. We’ll discuss the latest from Ukraine, as well as China and the US’s latest trade talks.
Also, journalist Bruno Kaufmann examines Greenland’s geopolitical significance, we talk technology and the latest from the travel industry.
Some defendants have already sought to move the case to federal court, while others are seeking speedy or separate trials.
It could be hard for the Kremlin to find a way to neutralize the mercenary group after Yevgeny Prigozhin’s death while retaining its fighting power and geopolitical links.
An employee described a “culture of fear” at the National Association of Realtors, a powerful nonprofit that controls access to nearly every U.S. home listing.
Boomers Daily 