Written and Directed By: BEN GOERTZEN
Producers: RENE ARANEDA CONTRERAS, MAURICIO HANDLER-RUIZ

Executive Producers: DENY STAGGS, RENE ARANEDA CONTRERAS, MAURICIO HANDLER-RUIZ
Director of Photography: BEN GOERTZEN

Underwater Director of Photography:MAURICIO HANDLER-RUIZ
An endangered, South American Marine Otter mother and her two pups act as a vehicle into a poetic exploration of the threshold between comfort and action. Through blending traditional blue-chip cinematography with a philosophical narration the smallest marine mammal in the world is used as a mentor to teach humans about trusting their internal compass and confronting difficult questions. From showing a caring mother, to a playful sibling bond, to the kelp forests that nourish their entire ecosystem, this film aims to build empathy for animals as complex beings with more depth than we give them credit for.
Website: http://www.aquaterrafilms.com/
The team found 85% of people first diagnosed with dementia were diagnosed by a non-dementia specialist physician, usually a primary care doctor, and an “unspecified dementia” diagnosis was common.
The fall of the Roman Empire has long been considered one of the greatest disasters in history. But in this groundbreaking book, Walter Scheidel argues that Rome’s dramatic collapse was actually the best thing that ever happened, clearing the path for Europe’s economic rise and the creation of the modern age. Ranging across the entire premodern world, Escape from Rome offers new answers to some of the biggest questions in history: Why did the Roman Empire appear? Why did nothing like it ever return to Europe? And, above all, why did Europeans come to dominate the world?
This year at Düsseldorf, the Erwin Hymer Group debuted the 
On “Travel Man,” Ayoade is fun to look at (snappy suits, thick-framed glasses, expression of amused diffidence) and fun to listen to. (Of a monastery turned hotel in Naples, he says, “As well as modish guff, like a rooftop pool and a spa, it retains attractive old shiz, like staircases dug into the hillside.”) His persona is warmly amused, broadly skeptical, and gently astringent—i.e., British. He’s not a joiner. His intros conclude with him saying, in that episode’s particular city and with that episode’s particular guest, “We’re here, but should we have come?”