A film by: Maceo Frost, Henning Sandström & Freddie Meadows
Produced by Freddie Meadows, Sand Film & Nuet film in collaboration with New-Land. Director of Photography: Henning Sandström
Live to Sea – A saga that follows Freddie Meadows on his tireless quest along the rugged edges of Sweden, in search of the region’s greatest waves; one of the final frontiers within surfing.
“This journey has been long and beautiful. A journey that I feel in many ways has just begun; the majority of which remains undocumented due to the mystical nature and spontaneity of the Baltic Sea. It was early autumn of 2019, I was anchored behind an island when the name Live to Sea came to mind. It was the perfect description of what I do, of what all of us surfers do in some way. Live to Sea is for anyone and everyone who feels connected to the ocean, sea or any waters. For me this film is a tribute to the missions and moments that went unseen. Most importantly it is a tribute to the magic of nature and the sea. “
“The Language Of The Trees” is a Cinematic Poem Documentary Short Film Directed by Bradley Tangonan.
Directed by: Bradley Tangonan
Creative Director DEBORAH ROYER
Exectuive Producer STINE CHRONE MOISEN
Director of Photography JAMES L BROWN
Original Score by JORDAIN WALLACE
Sound Design & Mix TORIN GELLER & HAYLEY LIVINGSTON / ONE THOUSAND BIRDS
Featuring EDWARD MILLER & RILEY SHAW
Set in the imposing landscape of the Kimberley in Western Australia, this short documentary follows the story of an aboriginal farmer named Edward.
Raised among elders who taught him how to thrive “out bush,” Edward navigates between the rhythmic routine of a small sandalwood farm and the vast and abundant wilderness just beyond its border.
This journey of silence and presence in nature awakens the senses, teaches us how to connect with trees and the land, and invites us to listen to the natural world around us.
Executive Producer: Adam Penny
Cinematography: Stephen Ashwell
Producer: Miriam van Ernst
In 2005, Connected Pictures made a ten-part documentary for the BBC about chef Oliver Rowe, setting up a restaurant in Kings Cross and sourcing all his food from within London. The series was a global success, showing around the world for many years after. Since then, the seasonal and local food landscape has exploded.
However, Oliver’s journey hasn’t been quite as smooth in 2018 he wrote a book called ‘A Food for All Seasons’ about his relationship with food.
Together with director Stephen Ashwell ,we made a film to talk about his journey to today and about the important role food has played throughout his life.
A couple years ago I made a black and white time-lapse film just for fun, and now here we are with the third installment in the series. It’s a way to play around in the winter months with something new and different, get creative and also help pass the time until spring returns!
I wasn’t sure what I wanted to do with this one, and couldn’t even find the perfect song for it, until the duo Bullet & Cass emailed me about wanting to use my footage for their upcoming debut single. I get a lot of those kinds of emails, so I didn’t think much of it…until I clicked on the preview links for their two tracks…and wow, I was blown away by how much I loved “The Way You Do.” A few seconds into the song, I was immediately laying down tracks to it in my head. I listened all the way to the end and knew I had found my song. We did a straight up trade…footage for the track, and the editing began in earnest.
After I finished editing back in November, I needed a title. It took me weeks. The song has a sort of folksy haunting old west vibe to it (at least to me) and I needed the perfect name to go along with it. I finally pulled up a list of old west terms and when I stumbled across Reverent…I knew it was the one. Not only did it sound and feel right, but it actually is how I feel standing out there a lot. These storms are powerful and deadly, and sometimes you are just staring out at them with this deep respect and admiration for what you are witnesses. Or perhaps, in my case, for the one who created it.
I hope you enjoy this film as much as I do. All footage in it is from 2019, with some unseen monsoon clips in there as well. Definitely felt like it was taking a risk on the song choice itself, especially as lyrics aren’t my normal deal. But I love it, love it, love it and I hope you do too! And if you do, please visit the links up top and buy the single and check out their website!
“The Mushroom Hunters” is a Cinematic Poem Short Film With Original Poem Written By Neil Gaiman, Directed By Caroline Rudge.
Artwork, Animation, Direction and Storyboard by: Caroline Rudge
Production, Storyboard and Additional Mushrooms: Alexandra Casswell Becker
Editing and Special Effects: Dann Casswell
The Mushroom Hunters Original Poem by: Neil Gaiman
Read by: Amanda Palmer
Bass, Percussion, Vibraphone, Piano and Original Score by: Jherek Bischoff
Cello: Aniela Marie Perry
Violin: Paris Hurley
Viola: Marta Sofia Honer
Recorded, Mixed and Mastered by Jherek Bischoff at Sweethaven
THE MUSHROOM HUNTERS by Neil Gaiman
Science, as you know, my little one, is the study of the nature and behaviour of the universe. It’s based on observation, on experiment, and measurement, and the formulation of laws to describe the facts revealed.
In the old times, they say, the men came already fitted with brains designed to follow flesh-beasts at a run, to hurdle blindly into the unknown, and then to find their way back home when lost with a slain antelope to carry between them. Or, on bad hunting days, nothing.
The women, who did not need to run down prey, had brains that spotted landmarks and made paths between them left at the thorn bush and across the scree and look down in the bole of the half-fallen tree, because sometimes there are mushrooms.
Before the flint club, or flint butcher’s tools, The first tool of all was a sling for the baby to keep our hands free and something to put the berries and the mushrooms in, the roots and the good leaves, the seeds and the crawlers. Then a flint pestle to smash, to crush, to grind or break.
And sometimes men chased the beasts into the deep woods, and never came back.
Some mushrooms will kill you, while some will show you gods and some will feed the hunger in our bellies. Identify. Others will kill us if we eat them raw, and kill us again if we cook them once, but if we boil them up in spring water, and pour the water away, and then boil them once more, and pour the water away, only then can we eat them safely. Observe.
Observe childbirth, measure the swell of bellies and the shape of breasts, and through experience discover how to bring babies safely into the world.
Observe everything.
And the mushroom hunters walk the ways they walk and watch the world, and see what they observe. And some of them would thrive and lick their lips, While others clutched their stomachs and expired. So laws are made and handed down on what is safe. Formulate.
The tools we make to build our lives: our clothes, our food, our path home… all these things we base on observation, on experiment, on measurement, on truth.
And science, you remember, is the study of the nature and behaviour of the universe, based on observation, experiment, and measurement, and the formulation of laws to describe these facts.
The race continues. An early scientist drew beasts upon the walls of caves to show her children, now all fat on mushrooms and on berries, what would be safe to hunt.
The men go running on after beasts.
The scientists walk more slowly, over to the brow of the hill and down to the water’s edge and past the place where the red clay runs. They are carrying their babies in the slings they made, freeing their hands to pick the mushrooms.
This poem was written by Neil Gaiman and read by Amanda Palmer for Maria Popova’s “The Universe In Verse” event in 2017 (you can read about that here: https://www.brainpickings.org/2017/04…).
The brilliant team at creative connection in the UK hand-drew this animated video to accompany the poem, and the music was composed and recorded by jherek bischoff. read about the making of this whole film on patreon: https://www.patreon.com/posts/31517040
For decades, Disney has been the de facto master of the animated animal orchestra — as seen in classics like Fantasia, The Little Mermaid, and The Lion King. However, this week’s Staff Pick Premiere, “Maestro,” from animation collective Illogic, sets out to change the tune. The film features a photo-realistic rendition of forest animals belting out songs from a Vincenzo Bellini war opera. And it’s remarkable.
Best known for their 2018 Oscar-nominated short “Garden Party,” which features impressive amphibian animation, Illogic expands their animal exploration with “Maestro” to include birds, squirrels, hedgehogs, and deer. As in their previous work, the collective continues to explore the question of what animals do when humans aren’t watching, and the animations continue to be surprising.
Underwater Director of Photography:MAURICIO HANDLER-RUIZ
An endangered, South American Marine Otter mother and her two pups act as a vehicle into a poetic exploration of the threshold between comfort and action. Through blending traditional blue-chip cinematography with a philosophical narration the smallest marine mammal in the world is used as a mentor to teach humans about trusting their internal compass and confronting difficult questions. From showing a caring mother, to a playful sibling bond, to the kelp forests that nourish their entire ecosystem, this film aims to build empathy for animals as complex beings with more depth than we give them credit for.