In this new series we profile some of the fearless record-breaking aviators who flew to dizzying heights and were pioneers in their field. We begin with the first woman to fly solo across the Atlantic, Amelia Earhart, who paved the way for women in aviation.
Tuesday, July 21, marks the centennial of the birth of violinist Isaac Stern. He was not only an acclaimed musician, but a devoted teacher who was a mentor to generations of musicians.
Isaac Stern, (born July 21, 1920, Kremenets, Ukraine, Russian Empire—died September 22, 2001, New York, New York, U.S.), Russian-born American musician who was considered one of the premier violinists of the 20th century. Active in organizations promoting the arts, he played a key role in saving New York City’s Carnegie Hall from demolition in 1960 and later became president of the corporation that administered the hall and its cultural programs; he held the post until his death. In 1964 he helped establish the National Endowment for the Arts. Stern was also noted for his encouragement of young musicians, and he aided the careers of Yo-Yo Ma and violinist Itzhak Perlman, among others. The recipient of numerous awards, Stern received the Kennedy Center Honors Award in 1984 and a Grammy for lifetime achievement in 1987.
TRANSCRIPT
Thomas Jones: Hello, and welcome to the London Review of Books podcast. My name is Thomas Jones, and today I’m talking to John Lanchester, who’s written a piece in the current issue of the LRB about Georges Simenon and his 75 Maigret novels, which Penguin have just finished reissuing in new translations. Hello, John.
John Lanchester: Hi Tom. Thanks for having me.
TJ: Thank you for joining me. And I thought we could begin where you begin your piece with Simenon’s ‘colossal output’, as you put it, and that nobody knows how many books he actually wrote, though it was probably more than four hundred, which is fewer than Barbara Cartland, but still puts the rest of us to shame.
JL: He didn’t half crack on, that’s true. Yes, he started as a young man in Liège, his home town in Belgium. And he got a job as a reporter on the local paper. I think he was not quite 16, which is properly strange. It’s like something out of a high concept kid’s TV show, you know, Georges Simenon – Boy Reporter, and very early on latched onto the idea of making money through writing.He began writing when he was 18, his first book came out when he was 19. He started writing every sort of potboiler, thrillers, romances, sort of semi-porn westerns, things like that, at an absolutely astounding rate of productivity. And his target was eighty pages a day, typewritten, and even on the assumption that the pages … I mean, a short page would be 150 words and it could well have been more, but it was 10,000 words a day, and he did that every single day. And then he’d write eighty pages, and then he’d go and be sick. Just from the physical and mental exertion and the strain. That was in the morning. And then he’d recover and do a bit of light reading and pottering about. And then the next day he did the same again, over and over and over for about seven years. And in that period, as you’ve mentioned, we don’t know exactly how many, because he forgot, and he had multiple pseudonyms. The main one being Georges Sim, which was how he was known when he began writing the Simenon novels. People thought that Simenon was a pseudonym because George Sim was so well known, but he seems to have written about 150 or more books in this seven-year burst. It makes you feel peculiar even to think about what that must have been like.
Underappreciated in her lifetime, the career of late Irish architect and designer Eileen Gray is the subject of a timely new exhibition at The Bard Graduate Center Gallery in New York. Jennifer Goff, curator of the Eileen Gray collection at the National Museum of Ireland, tells us more.
Eileen Gray (born Kathleen Eileen Moray Smith; 9 August 1878 – 31 October 1976) was an Irish architect and furniture designer and a pioneer of the Modern Movement in architecture. Over her career, she was associated with many notable European artists of her era, including Kathleen Scott, Adrienne Gorska, Le Corbusier, and Jean Badovici, with whom she was romantically involved. Her most famous work is the house known as E-1027 in Roquebrune-Cap-Martin, France.
From 1922/1923 to 1926 Gray created an informal architectural apprenticeship for herself as she never received any formal training as an architect. She studied theoretical and technical books, took drafting lessons, and arranged to have Adrienne Gorska take her along to building sites. She also traveled with Badovici to study key buildings and learned by reworking architectural designs.
E-1027 table by Eileen Gray
In 1926, she started work on a new holiday home near Monaco to share with Badovici. Because a foreigner in France couldn’t wholly own property, Gray bought the land and put it in Badovici’s name, making him her client on paper. Construction of the house took three years and Gray remained on site while Badovici visited occasionally.
Renewed interest in Gray’s work began in 1967 when historian Joseph Rykwert published an essay about her in the Italian design magazine Domus. After the publishing of the article many “students began to ring at her door” as eager to learn from the now famous designer.
At a Paris auction of 1972, Yves Saint Laurent bought ‘Le Destin’ and revived interest in Gray’s career.
The first retrospective exhibition of her work, titled ‘Eileen Gray: Pioneer of Design’, was held in London in 1972. A Dublin exhibition followed the next year. At the Dublin exhibit, the 95 year old Gray was given an honorary fellowship by the Royal Institute of the Architects of Ireland.
In 1973 Gray signed a contract to reproduce the Bibendum chair and many of her pieces for the first time. They remain in production.
Eileen Gray died on Halloween 1976. She is buried in the Père Lachaise cemetery in Paris, but because her family omitted to pay the licence fee her grave is not identifiable.
From Wikipedia
Like Beethoven, the poet Ruth Padel first came to love and understand music through playing the viola. Her great grandfather, a concert pianist, studied music in Leipzig with Beethoven’s friend and contemporary. Her latest collection Beethoven Variations (Chatto) is simultaneously a biography in verse of the great composer and a passionate and highly personal account of how one creative genius can feed, and feed on, another.
She was joined in an evening of readings and conversation about Beethoven, poetry and music by poets Raymond Antrobus and Anthony Anaxagorou, both of whom are currently engaged in creative projects working on and from the life and work of Beethoven.
Ruth Sophia Padel (born 8 May 1946) is a British poet, novelist and non-fiction author, in whose work “the journey is the stepping stone to lyrical reflections on the human condition”. She is known for her explorations through poetry of migration and refugees,science, and homelessness; for her involvement in wildlife conservation, Greece, and music; and for her belief that poetry “connects with every area of life” and “has a responsibility to look at the world”. She is Trustee for conservation charity New Networks for Nature, has served on the Board of the Zoological Society of London, and broadcasts for BBC Radio 3 and 4 on poetry, wildlife and music. In 2013 she joined King’s College London, where she is Professor of Poetry.
Bio from Wikipedia
Monocle 24’s “The Menu” talks to Lisbon’s rising culinary talent, João Sá, owner and chef of SÁLA.
It is called SÁLA and it bears the Chef surname because here he wants to receive us as if it were the dinning room of his own house. An intimate space, where the open kitchen invites you to know the chef’s suggestions. Here the flavors will go on to the rhythm of the seasons. In a room that will seat 34 diners with a cleaned and luminous portuguese interior design.
The space is dominated by light and bright wood. This Pombaline room recovered by the ForStudio architecture studio highlights a decorative element, a central area in brushed brass. This element ties in perfectly with the other colors present in the menu and in other remarks: gold over blue.
The kitchen has been going through the life of João Sá since forever. At 12 he was already creating gastronomic events at school and at age 14, his interest in everything that was practical and manual took him to the Estoril Turism and Hospitality School. It was an early entry into the demanding kitchen world and the path was intense and pulse-free.
Boomers Daily 