How the chef at Tatiana brought Afro-Caribbean cooking—and his life story—to the center of New York City’s fine-dining scene.
For more than a hundred years, the Neshoba County Fair has drawn revellers from all over the country. Why do they keep coming back?
Times Literary Supplement (September 29, 2023): The new issue features The First Folio at 400; how disease shaped global history; novels of queer experience; what Britain laughs at; literary thefts and coincidences – and much more…
How disease has shaped global history
Scientists often make poor historians. Their shortcomings in describing and analysing the past include a failure to shed the whiggish stories that academic history moved away from decades ago. Straight lines are still drawn between Great Men and the impact of their brilliant insights on our view of reality. They also sometimes fail to treat the material of history with the seriousness they bring to their own discipline. Simple questions that are drummed into schoolchildren are frequently ignored in analysing documentary evidence: who wrote this, why, and for whom? The result is context-lite narrative that doesn’t stand up to scrutiny.
Works to commemorate the 400th anniversary of the First Folio
Next year, the Folger Shakespeare Library in Washington DC will reopen after a three-year closure for a large-scale renovation of its building, which dates from 1932. The centrepiece of the new Shakespeare Exhibition Hall, will be, as the press release puts it, something “that only the Folger could produce: all 82 copies of the 1623 First Folio of Shakespeare that were collected by Henry and Emily Folger”. The Folger holds slightly more than a third of all extant copies of the book and now eighty of them will be on permanent show in a “20-foot long visible vault”, while two more will be open in cases as part of an “interactive” visitor experience. Peering into the vault says much about the Folgers’ appetite for cornering the market in Folios but, since nearly all copies differ in some respects, it did make some kind of sense to buy many of them.
By Gary Younge
Half American: The Epic Story of African Americans Fighting World War II at Home and Abroad by Matthew F. Delmont
The ambivalence many Black soldiers felt toward the United States during World War II was matched only by the ambivalence the United States demonstrated toward the principles on which the war was fought.
Selby Wynn Schwartz’s novel After Sappho is populated by the notable lesbians who helped modernism blossom.
After Sappho by Selby Wynn Schwartz
One of my favorite novels is by Compton Mackenzie, a Scottish writer known today, if he is known at all, for his whimsically comic Whisky Galore (1947) and his ambitious early novel Sinister Street (1913). The one I love, however, is Extraordinary Women: Theme and Variations (1928), a satirical roman à clef about the sapphic adventures of the unorthodox and eccentric inhabitants of an island modeled after Capri during World War I. After Sappho, a novel by Selby Wynn Schwartz that was longlisted for the Booker Prize in 2022, is many things, none of them satirical, but I kept thinking of the title of Mackenzie’s book as I read it.
By Katie Kadue
THE FUNNY THING about misogyny is it’s structured like a joke. Not a very good joke—a groaner, a dad joke. Why are they called “women”? Because they’re a woe to men. Get it? Woman is a container for man; language engenders gender subordination. As Mike Myers recites on stage in his role as a moody slam poet in the thrillingly zany 1993 Hitchcockian send-up So I Married an Axe Murderer, “Woman! Whoa, man. Whoaaaaaa. Man!”
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Scarcity: A History from the Origins of Capitalism to the Climate Crisis by CARL WENNERLIND
WATER FALLS FROM the sky, literally. It is the most abundant chemical compound on Earth, and yet many people buy it in plastic bottles. Nestlé and other corporations source water cheaply and add labels that depict something other than heavy-industry and fossil-fuel derivatives, as though you’re drinking straight from a pristine spring. By bottling this natural resource and selling it as a commodity, Nestlé creates a form of scarcity.
We may be tempted to throw up our hands and say: fuck it, I’m having a burger. Peter Singer would think this illogical: we should endeavour to do the least harm we can. But we might wonder whether something is wrong with the ethical approach that has led us to this point.
Animal Liberation Now
by Peter Singer.
Justice for Animals
by Martha Nussbaum.
The hyper-carnivory movement conjures a time when men hunted and lunch was literally on the hoof. What does the research say?
Daniel Lopatin talks with Amanda Petrusich about his collaborations with the Weeknd and the Safdie brothers.
Times Literary Supplement (September 22, 2023): The new issue features Playing with Fire – The limitless ambition of Elon Musk; Peter Brown in an antique land; The new New Journalism; A literary critic and murderer; John Gray’s Hobbes for liberals, and more…
ELON MUSK by Walter Isaacson
Walter Isaacson’s intimate account of a tech titan
When Elon Musk was a child, his parents warned him against playing with fire. His response was to take a box of matches behind a tree and start lighting them. Scenes like this are frequent in Walter Isaacson’s new biography of Musk, who has become the world’s richest person thanks to his disdain for authority, instinct for the dramatic and “reality-bending wilfulness” (and because he has applied these traits to good ideas). Isaacson reports that the family’s motto is “Live dangerously – carefully”, but a more apt one might be the maxim quoted by Musk’s cousin Peter: “Risk is a type of fuel”.
The intellectual life of a pioneering historian of Late Antiquity
By Mary Beard
JOURNEYS OF THE MIND – A Life in History by Peter Brown
In the late 1970s, the historian Peter Brown dumped his old dinner jacket on a park bench in Berkeley, California. It was not just a minor act of charity to the local homeless, who may or may not have welcomed a cast-off “tuxedo”. Brown had recently moved from an academic career in Oxford and London to a post in the United States, and he was signalling to himself a new start in what seemed to be a more democratic, less hidebound educational system: more jeans and trainers than black tie. He has been based in America ever since.
The bohemian English circle that included Virginia Woolf, Duncan Grant, and Vanessa Bell revolted against Victorian formality—and their casually ornamental style is inspiring designers today.
By Rebecca Mead
In July, 1918, Virginia Woolf spent a weekend at Garsington—a country home, outside Oxford, owned by Lady Ottoline Morrell, a celebrated hostess of the era, and her husband, Philip Morrell, a Member of Parliament. The house, a ramshackle Jacobean mansion that the Morrells had acquired five years earlier, had been vividly redecorated by Ottoline into what one guest called a “fluttering parrot-house of greens, reds and yellows.” One sitting room was painted with a translucent seafoam wash; another was covered in deep Venetian red, and early visitors were invited to apply thin lines of gold paint to the edges of wooden panels. The entrance hall was laid with Persian carpets and, as Morrell’s biographer Miranda Seymour has written, the pearly gray paint on the walls was streaked with pink, “to create the effect of a winter sunset.” Woolf, in her diary, noted that the Italianate garden fashioned by Morrell—with paved terraces, brilliantly colored flower beds, and a pond surrounded by yew-tree hedges clipped with niches for statuary—was “almost melodramatically perfect.”
Pavels Hedström believes that most architecture separates us from nature. He wants to make nonhuman life inescapable.
By Sam Knight
At the end of his first year at the architecture school of the Royal Danish Academy, Pavels Hedström went on a class trip to Japan. Hedström, a twenty-five-year-old undergraduate, revered Japanese culture and aesthetics, even though he had never visited the country. As a teen-ager growing up in rural Sweden, Hedström had been introduced to Zen meditation by his mother, Daina, and devoured manga and anime. In architecture school, Hedström was drawn to Japanese principles of design and how they applied to a world—and a profession—increasingly troubled by the climate crisis. Hedström was particularly influenced by Metabolism, a postwar Japanese architectural movement that imagined cities of the future as natural organisms: ephemeral, self-regulating, and subject to biological rhythms of growth, death, and decay. In 1977, Kisho Kurokawa, one of Metabolism’s founders, wrote, “Human society must be regarded as one part of a continuous natural entity that includes all animals and plants.”
Times Literary Supplement (September 15, 2023): The new issue features what connects the novelist William Harrison Ainsworth, the Tichborne Trial and life on a sugar plantation in Jamaica? In a New Yorker essay Zadie Smith spelt out the preoccupations of The Fraud, her novel set in the Victorian era, as “fake identities, fake news, fake relationships, fake histories”. Ainsworth, in Smith’s view, was a fraud as a historical novelist.
Ursula Parrott scandalized and titillated Hollywood in the 1930s
Salvador Allende reconsidered, fifty years after the military coup
In Ludmilla Petrushevskaya’s latest novel, Kidnapped, Soviet bureaucracy is made all the messier by maternal desperation.
Kidnapped: A Story in Crimes by Ludmilla Petrushevskaya, translated from the Russian by Marian Schwartz
Some months ago I was having dinner with a writer from Moscow. I told him I was thinking of reviewing a new translation of Ludmilla Petrushevskaya’s Kidnapped, a Bollywood-inspired novella that pays homage to the Soviets’ love of Indian cinema. “Don’t do it,” he—a friend of hers—warned me. “If she doesn’t like what you write, she will turn you into a character in one of her stories—the stupid girl in New York who doesn’t know anything.” Being a longtime admirer of Petrushevskaya, I wasn’t too worried: realism is not her thing.
Away from the front, life appears to be the same, but the country has undergone profound changes.
On August 8 I went to the Jellyfish Museum in Kyiv. During my previous visits to the city, it had been closed because of the war. Now it has reopened. In the gloom the fantastical creatures drifted about in their tanks while couples, friends, and families drifted about happily looking at them. In Kharkiv, in eastern Ukraine close to the Russian border, the Half an Hour café, where I wrote for a couple of days before Russia launched its full-scale invasion on February 24, 2022, has also just reopened.
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