House 101 by Atelier tho.A. Photograph: Anh Chuong
The Architectural Review – The 15 shortlisted projects include houses from all over the world, from the UK, Ireland and Spain, to Mexico, Vietnam, New Zealand and The Bahamas.
Casa Ter by Mesura. Photograph: Salva-López
The private house occupies a unique position in both the history of architecture and human imagination. Beyond its core function of shelter, it is an object of fantasy, a source of delight, a talisman and a testing ground.
Bass Coast Farmhouse by John Wardle Architects. Photograph: Trevor Mein
Blockmakers Arms by Erbar Mattes. Photograph: Ståle Eriksen
Brillhut by Brillhart Architecture. Photograph: Bill Abranowicz
Casa Eva by Fernanda Canales Arquitectura. Photograph: Rafael Gamo
The Local Project – An interior designer’s own holiday home, Pavilion House reflects a studious approach to the relationship between architecture, landscaping and the internal environment. Crafted by Nina Maya Interiors and Maya Sternberg Architects, the home captures an escapist experience using an array of sculptural forms.
Video timeline: 00:00 – Introduction to the Interior Designer’s Family Holiday Home 00:35 – Introduction to Nina Maya Interiors 00:55 – The Location of the Home 01:11 – A Brief Based Around That Holiday Feeling 01:47 – Pavillion Style Architecture 02:06 – A Walkthrough of the Home 02:23 – Evoking a Ubiquitous Feeling 02:43 – The Connection Between Indoor and Outdoor 03:15 – The Landscape Architecture 04:05 – A Light-filled Home 04:27 – The Hand Carved Coffee Table 05:14 – Organic, Round Soft Forms 05:34 – Nina’s Favourite Features
Situated in Avalon, a coastal suburb of Sydney, Pavilion House stands as an interior designer’s own holiday home, settled in close proximity to the beach. As the beach house sits far back on a 1000 square-metre block, a house tour of the residence begins with a sense of land, space and privacy reminiscent of a luxury hotel. Architecturally, the building champions a pavilion style with an orderly spatial layout and front façade comprised of glass.
Entering Pavilion House, occupants find the kitchen and dining room, followed by the living quarters and, further back, all bedrooms and bathrooms. As an interior designer’s own holiday home, the residence effortlessly proposes a luxury living experience influenced by hotel designs from around the world. A seamless connection between indoor and outdoor space is maintained using doors which stack to their sides – opening the home to the external environment – and a sophisticated treatment of landscape.
Balancing aesthetics and functionality, Pavilion House is a prime example of an interior designer’s own holiday home. Having excavated a large portion of the front of the property, Nina Maya Interiors builds a refined outdoor dining area surrounded by palm trees, white pebbles and a custom marble table. In addition, the landscape features a firepit area and outdoor spa space, complete with a bar, vanity, free-standing bathtub and rain shower. The lighting of Pavilion House also nods towards its status as an interior designer’s own holiday home. In the lounge, a continuous skylight runs seven metres across the length of the room, inviting natural light to play across the plaster wall.
Raw finishes combine with a restrained colour palette to enhance the calming quality of the sunlight and sculptural furniture within the interior design. Exuding a sense of relaxation, Pavilion House is an uplifting iteration of an interior designer’s own holiday home. Nina Maya Interiors forges a strong connection between both the internal and external aspects of the home, establishing a coherent place of retreat.
The Local Project = Located in Sydney’s east, Grove House is a garden home that possesses a sense of community through its connection to the shared grove between the surrounding heritage houses. Supplying architecture and interior design, Clayton Orszaczky delivers a family home that wraps around its occupants like a cocoon.
Video timeline:00:00 – Introduction to the Inner-City Garden Home 00:27 – The Architects 00:47 – Preservation of the Heritage Aspects of the Home 01:02 – A Walkthrough of Grove House 01:44 – The Clients 02:09 – Connecting to the Garden 02:27 – The Grove, A Community Garden 02:54 – The Landscape Designers 03:06 – A Contrast Between Old and New 03:34 – The Use of Concrete 04:06 – The Key Relationship Between Form and Lighting 04:30 – The Architects Favourite Moments
As the house tour begins, the desire to keep the original fabric of the house – while sensitively connecting to the new additions – can be seen through each design choice of the garden home. Inside, a careful consideration of materials and space has been infused from the original formal rooms to the dining and family living room and into the extensions.
However, it is the original timber staircase greeting guests from the entrance that establishes a graceful connection between the original home and new additions. Directly responding to the clients’ desire to connect to the gardens and grove beyond, Clayton Orszaczky encourages the new additions of the garden home to directly respond with the original fabric. A core aspect of the home, the kitchen and dining space connects to the gardens through large glass doors and windows which directly draw in both northern and eastern light.
A further dialogue between the existing home and the new was addressed by specifically choosing to emphasise the contrast of eras through the use of off-form concrete, steel windows, timber veneer, black porcelain and modern furniture. Collaborating with Tanya Wood Landscape Architect on the ground level and roof garden design, Grove House establishes a renewed connection between home and garden. Looking at the garden home from the grove, it can be seen that the soft form of the exterior contributes to the grove and the shared community space.
Continuing the house tour from the back fence to the shared grove, an immediate connection with the landscape, surrounding greenery and neighbours can be experienced. Throughout the house tour, the transition between the existing and new areas of the garden home are seen through the proportional ratios. Specifically choosing to speak to this dialogue between old and new additions, Clayton Orszaczky has used concrete for mass – similarly to how masonry was used in the original home.
Additionally, continued references to the terrace house form is seen within the new additions and the renewed relationship between light and form further contributes to the connection within the home and to the garden and grove.
A gem of late-nineteenth-century architecture, designed by architect Guido Sartirana, is currently for sale in Moltrasio, by the wonderful waters of Lake Como. This is a place that certainly needs no introduction, the undisputed pearl of the most beloved lake in Italy, one that has always been an elegant and exclusive destination thanks to its breathtaking views and its ancient noble homes surrounded by centuries-old gardens. In this dream setting, this villa for sale is in a unique position, directly overlooking the lake and surrounded by a private park measuring over 5,000 sqm. Directly by the lake, the property’s dockyard offers the exclusivity of reaching it by water in total privacy, aboard private boats. Built at the end of the 19th century on a project by a well-known Milanese architect, this villa is characterized by its richly decorated facade with Renaissance-style motifs, enriched by sloping wings and an extraordinarily panoramic corner tower. A huge terrace right in front of the lake, ideal for enjoying romantic drinks at sunset, leads us to the entrance on the ground floor, which is home to a spacious living area, made extraordinarily bright by big French windows. The terrace also leads to the lower level and to the beautiful pool area, to an outdoor kitchen and to the caretaker’s apartment. The main villa is flanked by two other buildings, a small castle and another independent house, located in the property’s grounds, which are an authentic haven of rest in which to enjoy the magical atmosphere of this place in the privacy of your own home.
Country Life Magazine – The November 2022 issue looks at what London would look like if the wrecking ball hadn’t held sway in the 20th century, the pros and cons of an open fire versus a wood-burning stove, and follows in the footsteps of Phileas Fogg — plus, it includes our annual Gentleman’s Life supplement.
The Local Project – In crafting Lower Shotover House, the architect designs a hidden home that offers a dramatic interior landscape to complement the impressive external context, ensuring it was built for residing in place. Crafted by Bureaux, the home embraces a natural materiality as the means to connecting to the outdoors.
Video timeline: 00:00 – Introduction to the Hidden Home 00:26 – Bunkering Into the Side of the Hill 01:00 – The Materials Used 01:40 – The Importance of Creating A Robust Home 02:10 – The Soft Pools of Light Throughout the Home 02:30 – Creating a Warm and Dramatic Feel 02:58 – The Building Aspect 03:29 – The Views from the Upstairs Bunk Room 03:51 – The Green Roof 04:17 – A Dramatic Kitchen 04:29 – Finding Joy in the Movement Between the Tight Spaces 04:51 – Creating A Timeless Masterpiece
Based in Queenstown, Lower Shotover House faces north, overlooking the Shotover River and Coronet Peak. The architect designs a hidden home that takes inspiration from the old musterer’s huts settled on the mountainside. Capitalising on the protective quality of the hill, the structures look out upon the landscape with a feeling of safety. Importantly, the architect designs a hidden home that utilises a stone composition and a house tour reveals the resulting echo of the rugged surrounds, as well as the proposition of permanence.
In materiality, Lower Shotover House reflects a playful interpretation of the natural context. The architect designs a hidden home that sees stone, black travertine and charcoal timber interior linings combine to establish a cosy interior design. Crafted in recognition of the clients’ lifestyle, Bureaux enforces a robust material palette that can withstand the markings of an active family in a timeless fashion. A dramatic home, Lower Shotover House features rich timber walls, carefully framed windows and pools of soft lighting.
The architect designs a hidden home in which residents are led through the interior with ease; a project where nothing is over-lit and the architecture captures both the compression and expansion of space. Residents must ascend a step in order to enter the kitchen, suggesting an element of theatricality within the experience of the home. As the architect designs a hidden home, they consider the relevance of orientation to the outcome. Lower Shotover House faces north and, as such, measures are put into place to retain heat and maximise the impact of the sweeping views.
While stone walls and a green roof influence the thermal quality of the building, doors measuring three metres high can be pushed back in order to control the thermal climate of the interior. The green roof also engages the surrounding hillside mass, blurring the boundary between landscape and home. Immersing occupants in the mountainside experience, Lower Shotover House forms the ideal place of retreat. Through a process of consideration, the architect designs a hidden home that, though contemporary, is ultimately defined by a prevailing sense of timelessness.
Afforded the freedom of an open design concept, interior design practice Folk Studio crafts Curl Curl House. Showcasing the collaborative work of architectural practice TRIAS, the magical home captures the spirit of the Australian coast.
Video timeline: 00:00 – An Introduction to the Magical Home 00:38 – The Collaboration of Folk Studio and TRIAS 01:51 – Adding Intentional Gestures to the L-Shaped Floor Plan 02:32 – A Beach, Bush and Coastal Palette 02:51 – Watching Visions Come to Life 03:22 – Having the Garden as an Integral Piece of the Design 03:46 – Seeing Green from all Areas 04:11 – The Hit and Miss Brickwork Screens 04:38 – Creating a Sanctuary and an Oasis for the Clients 04:58 – Finding Joy in the Client’s Comfort
Settled into Curl Curl, the coastal suburb of Sydney located just north of the Central Business District, the same-named house reflects its immersive environment. The natural character of the local context sees bush meet coast and a beachside lifestyle cohere with suburban influence. Upon accepting the design project, Folk Studio promptly met with architectural firm TRIAS in order to solidify the creative vision – a residential sanctuary – and ensure that the architecture and interior design of the home work together to form the ideal domestic experience.
Featuring an L-shaped spatial plan, Curl Curl House encloses a collection of communal zones on its ground floor, including a living room on each end. The position of each living room marks a change from the spatial arrangement of a typical house, which sees kitchen, living and dining spaces continue on from one another. Purposefully located, the living rooms function as calming areas within the magical home, removed from the bustle of the communal zones.
Inspired by the Australian beach, bush and coast, the aesthetic palette of Curl Curl House reflects a sense of natural serenity, enhanced by contrasting injections of brickwork that pay homage to the suburban context. Integral to the design of the magical home is the garden space growing along its perimeter. As a result of TRIAS condensing the architecture of the home, the garden space is maximised and enables a natural vista to be accessed from every room of the house.
Hit-or-miss brickwork screens adorn the upper levels of the façade, intercepting the incoming natural light to create shifting visual patterns within the magical home. Achieving a residential oasis, Folk Studio and Trias craft a magical home that serves as an escape from the hectic nature of everyday life. Curl Curl House stands as a residence in which its owners can take pride, rewarded by the sense of careful curation permeating the dwelling.
Today on Architectural Digest, contractor Nick Schiffer from NS Builders returns to break down the renovation potential of an abandoned 1800’s-era chapel and museum in New York. Nick takes us through the gutted interior room by room, offering his renovation advice while pointing out the marvelous architectural details worth restoring.
Sitting above the dunes on a plateau, Light Mine is an extraordinary home by Crosson Architects that embraces expansive views of the Coromandel Peninsula. Entering from the southern end of the house, the Light Mine house tour unfolds like a book, seeing Crosson Architects offer a carefully planned story from beginning to end.
Video timeline: 00:00 – Introduction to the Extraordinary New Zealand Home 00:43 – An Extraordinary Site 01:12 – A Choreographed Journey 01:30 – The History Behind the Gold Mining 02:10 – The Light Shafts 02:48 – Tying the Material Palette into Context 03:02 – Cladding Built From the Land 03:32 – Moulding and Blending into the Location Overtime 03:48 – The Extraordinary Craftsmanship 04:33 – A Reference to the Interior of a Gold Mine 05:08 – The Variations of Light Quality
Separated into interconnecting pods, Light Mine is a single level family home that takes inspiration from the dunes and headlands behind and becomes a unique structural form for future generations to enjoy. In designing the home, Crosson Architects looked to the gold mining history of the area, finding inspiration from a historical drawing of a gold mine shaft. As such, the architects have designed a series of geometric pods. Serving as unique structural elements, these inserts work together to break up the horizontal design of the extraordinary home.
Embraced by the clients after many conversations with Crosson Architects, the diagonal inserts offer a sense of scale and character to the home that relates to the surrounding landscape. From within, the diagonal shafts bring a playful and unique movement of light that instils changing characteristics; placed strategically over the living and dining areas, they offer variations of light as the sun shuffles through the extraordinary home.
Notably, the light shaft in the main bedroom offers glimpses of the night sky, capturing the Milky Way and stars above. Understanding that the extraordinary home needed to meld and blend into its surroundings over time, Crosson Architects has used reclaimed local native tōtara timber for the exterior cladding, enhancing the home’s horizontality and settling it into its surrounds. Overall, a cohesive approach to colour and materiality ensures the home reflects the surrounding landscape. Dark timber has been employed on the exterior, referencing the rock of the headland behind; inside, the use of light timber speaks to the sand dunes beyond.
The band sawn timber used extensively throughout the interior design creates a warm reprieve from the outside. In contrast, the kitchen and bathrooms feature dark timber veneer, which also nods to the gold mines while creating visual interest in each internal space. Challenged to design something that was both memorable and laid back, Crosson Architects has delivered an extraordinary home, which references Light Mine’s historical context and incorporates the changing colours of the day to emphasise its unique character.
Saitama Prefecture is part of the Greater Tokyo area. In Saitama City, the Railway Museum traces rail history from the steam engines to bullet trains. Kawagoe city is known for well-preserved Edo-era buildings. West, the 3 Kuroyama Santaki falls cascade down mountains. Chichibu city is home to the 34 Buddhist temples of the Kannon Pilgrimage. Near Kinsho Temple, the Iwadatami rock formations line the Arakawa River.
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