• An interview with Charles Ray
• The style wars of Ricardo Bofill
• Gamers and galleries don’t quite come to blows
• What has changed at the Burrell?
Plus: the lost palaces of London, Yves Saint Laurent takes over Paris, and how do you commemorate Covid?
Art Capital Paris is a current art fair bringing together more than 2,000 artists from around the world in the capital and allowing encounters between the public, the artists and the works. Each edition welcomes more than 40,000 visitors from all over France. Canceled in 2021 due to the health situation, the Art Capital de Paris fair returns from February 16 to 20, 2022!
For more than 100 years, this fair has taken place in the Grand Palais des Champs-Elysées, although this year, due to works, it will take place in the Grand Palais Éphémère – located on the Champ de Mars, facing the Eiffel Tower. .
This major exhibition, of works drawn from the Ashmolean’s collections as well as international loans, will span Pissarro’s entire career.
Camille Pissarro (1830–1903) is one of the most celebrated artists of nineteenth-century France and a central figure in Impressionism. Considered a father-figure to many in the movement, his work was enormously influential for many artists, including Claude Monet and Paul Cézanne. It opens in spring 2022.
The department of European and American Art Before 1900 oversees a collection that includes more than 3,000 artworks and is composed of painting, sculpture, and works on paper, with significant strengths in early Italian Renaissance, 19th century French painting, and British art from 1400 to 1900.
The Denver Art Museum began acquiring notable examples of European art as early as the 1930s, with donations from Samuel H. Kress, Mr. and Mrs. Simon Guggenheim, and the Havemeyers, to name a few. Their generosity helped initiate a collection that grew in time through gifts and purchases.
Philip C. Curtis saw the desert through a lens of magic realism.
Landscape remains one of the most popular subjects for artists visiting and residing in Arizona. Philip C. Curtis, while not known as a landscape painter, draws extensively on that subject. Curtis came to the state in 1937 to establish the Phoenix Federal Art Center under the Federal Art Project, a New Deal program. He left two years later to head a similar facility in Des Moines, Iowa, but returned to Arizona in 1947.
Settling in Scottsdale, he painted surreal compositions, with figures in Victorian costumes set in the desert. Arizona’s landscapes were a rich source of inspiration for him, and while his canvases do not portray any recognizable geological features, his work may be contextualized within the work of a broad spectrum of artists who came to the state. Curtis saw the desert through a lens of magic realism. This differed from Maxfield Parrish, Eugene Berman, and other artists who preferred more representational modes.
Albrecht Dürer’s drawings, paintings and prints make up some of the most iconic images in the history of art and have influenced generations of artists. Through paintings, drawings, prints, and letters, our exhibition ‘Dürer’s Journeys: Travels of a Renaissance Artist’ brings to life this art history megastar and the people and places he visited. ‘The Credit Suisse Exhibition: Dürer’s Journeys: Travels of a Renaissance Artist’ Until 27 February 2022
American contemporary artist Jeff Koons brings some of his most celebrated works of art to Palazzo Strozzi in Florence for a major exhibition entitled Jeff Koons.Shine. His work will be exhibited alongside loan objects from galleries and museums around the world, exploring the concept of “shine” in his work–an ambiguous idea that oscillates between the dualities of being and seeming, or truth and sensation… Continue reading on https://www.nowness.com/series/meet-t…
Watch a video preview of the exhibition, “Surrealism Beyond Borders,” on view at The Met from October 11, 2021–January 30, 2022. Nearly from its inception, Surrealism has had an international scope, but knowledge of the movement has been formed primarily through a Western European focus. This exhibition reconsiders the true “movement” of Surrealism across boundaries of geography and chronology—and within networks that span Eastern Europe to the Caribbean, Asia to North Africa, and Australia to Latin America. Including almost eight decades of work produced by artists from over 45 countries, “Surrealism Beyond Borders” offers a fresh appraisal of these collective concerns and exchanges—as well as historical, national, and local distinctions—that recasts appreciation of this most revolutionary and globe-spanning movement. Learn more about the exhibition: https://www.metmuseum.org/exhibitions…
The Musée de l’Orangerie presents an exhibition bringing together the works of Chaïm Soutine (1893–1943), painter of the Paris School of Russian origin (now Belarus) and Willem de Kooning (1904-1997), abstract expressionist American of Dutch origin.
This exhibition will focus more specifically on exploring the impact of Soutine’s painting on the pictorial vision of the great American painter.
Soutine indeed marked the generation of post-war painters by the expressive force of his painting and his figure of “accursed artist”, grappling with the vicissitudes and excesses of Parisian bohemia. His work was particularly visible in the United States between the 1930s and 1950s, when the figurative artist of European tradition was re-read in the light of new artistic theories. The gestural painting and the pronounced impasto of Soutine’s canvases lead critics and curators to proclaim him a “prophet”, herald of American abstract expressionism.
It was precisely at the turn of the 1950s that Willem de Kooning began the pictorial work of Women, canvases in which a singular expressionism was built, between figuration and abstraction. The development of this new language corresponds to the moment when the painter summons the artistic universe of Chaïm Soutine and confronts it. De Kooning discovered his predecessor’s paintings in the 1930s, then at the retrospective which devoted the painter to the Museum of Modern Art in New York in 1950. He was then particularly marked by the presentation of Soutine’s paintings in the Foundation’s collections. Barnes of Philadelphia, where he visited with his wife Elaine in June 1952.
Musée Marmottan Monet features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. Marmottan Museum’s fame is the result of a donation in 1966 by Michel Monet, Claude’s second son and only heir.
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