The US capture of Venezuelan president Nicolás Maduro reinforces the Trump administration’s capacity to invent any pretext to justify the use of armed force.
A new life of Gertrude Stein treats her as a philosopher of language to trust, not explain—and gathers force from archival discoveries and intriguing plots of her reception and reputation.
In the contemporary Chinese context, the idea that crucial parts of the central government could simply cease to operate for more than a month, as part of a procedural standoff between rival governing factions, would beggar belief. And in turn, to an American observer, the thought that miles of new high-speed rail lines could simply materialize by bureaucratic fiat, unencumbered by years of legislative horse-trading, environmental review, suburban backlash, and budgetary overshoot, is no less astonishing.
Adams will be remembered for his petty corruption, his self-mythologizing, and his ignominious dealmaking with the Trump White House; but he should also be remembered as the mayor who got New Yorkers to stop tossing giant bags of trash onto city sidewalks as if there were no alternative. You can laugh at a New York mayor who walks into a press conference wheeling out a trash can, beaming as if he invented the contraption, while “Empire State of Mind” blares triumphantly in the background. But truly, Adams’s proclaimed “trash revolution” represented a tremendous advance over abysmal past practice.
“Men make their own history,” Marx wrote, “but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past.” That may be broadly true, but Dick Cheney got to make history under the exact circumstances he would have chosen.
He once defied the G.O.P. by blasting military interventions. But what looked like anti-interventionism is really a preference for power freed from the pretense of principle. By Daniel Immerwahr
Denmark Is Sick of Being Bullied by Trump
The U.S., once Denmark’s closest ally, is threatening to steal Greenland and attacking the country’s wind-power industry. Is this a permanent breakup? By Margaret Talbot
How Marco Rubio Went from “Little Marco” to Trump’s Foreign-Policy Enabler
As Secretary of State, the President’s onetime foe now offers him lavish displays of public praise—and will execute his agenda in Venezuela and around the globe. By Dexter Filkins
Turner is on our banknotes, Constable in our hearts By Ferdinand Mount
Coming out of Tate Britain just before noon on Budget Day, you are blinded by a blistering white sun behind Vauxhall Cross. The steepling glass towers south of the river are washed in an opal mist, the ziggurats of the MI6 HQ eclipsed to a ruined beige. Vauxhall Bridge gleams in the scarlet and yellow of a Turner sunset. J. M. W. would have rushed to the Embankment, whipped out his sketchbook, then worked up the whole shimmering scene into a six-footer and called it something like “The End of England”. John Constable would probably have turned away to catch the next coach to Hampstead Heath to paint Branch Hill Pond again.
‘One day, they’ll find me out’
How the young Dylan Thomas repeatedly stole from others By Alessandro Gallenzi
Mother was always right
A love-hate relationship recalled by France’s ‘greatest living writer’ By Marie Darrieussecq
The notebook fallacy
Why stylish stationery won’t change your life By Ian Sansom
Voters voted for it, even if they weren’t sure what it was. But maps are the ideal metaphor for our models of what the world might be. By Adam Gopnik
Marjorie Taylor Greene’s Big Breakup
The congresswoman split with the President over the Epstein files, then she quit. Where will she go from here? By Charles Bethea
The Making of the First American Pope
Will Pope Leo XIV follow the progressive example of his predecessor or chart a more moderate course? His work in Chicago and Peru may shed light on his approach. By Paul Elie
While the architect’s approach to restoring France’s medieval buildings remains controversial, his many and varied talents are still utterly awe-inspiring
Finishing the Sagrada Família
Antonio Gaudi’s masterpiece is nearing completion a century after the architect’s death
When it comes to views of Venice, Canaletto is still master of all he surveys
Demand for the best paintings of the city shows no sign of sinking, but some artists have a more buoyant market than others
Should museums be making spectacles of themselves?
If galleries and institutions want to grow their visitor numbers, they need to add style to their substance
News, Views and Reviews For The Intellectually Curious
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