HUMANITIES MAGAZINE (April 10, 2025): The latest issue features Eliot Noyes, pictured here on the television show Omnibus, brought a sculptural grace to his work.
Public art and politics
THE NEW YORK TIMES MAGAZINE (03/07/2025): The 3.9.25 Issue features David Enrich on the attack on The New York Times v. Sullivan ruling and its protections for the press; Ruth Margalit on the activist Einav Zangauker, whose son is captive in Gaza; Jonah Weiner on the director Bong Joon Ho; and more.
Bong Joon Ho has turned his funny-sad excavations of life under capitalism into unlikely blockbusters. With “Mickey 17,” he’s bending a whole new genre.
The trope of the embattled auteur exerting their will is too tempting for filmmakers to ignore. By Walker Mimms
THE NEW YORK TIMES MAGAZINE: The 2.23.25 Issue features Jonathan Mahler and Jim Rutenberg on the Murdochs’ succession drama; David Yaffe-Bellany on the cryptocurrency scam that turned a small community on itself; Ismail Muhammad on the comedian Roy Wood Jr….
Here are the main revelations about the battle for control from a secret Nevada trial.
Roy Wood Jr. performs in small clubs from Georgia to Wyoming, finding humor in the moments that leave us humbled and confused.
How did a successful, financially sophisticated banker gamble his community’s money away?
The Brooklyn Rail (December 11, 2024): The latest issue features…
“When you invent the ship, you must also invent the shipwreck; when you invent the plane, you must also invent the plane crash; and when you invent electricity, you invent electrocution… Every technology carries its own negativity, which is invented at the same time as technical progress.”
–Paul Virilio
“The human spirit must prevail over technology.”
–Albert Einstein
Sylvia Plimack Mangold: Tapes, Fields, and Trees, 1975–84 – By Rebecca Allan
David Smith: The Nature of Sculpture – By Phong Bui
Siena: The Rise of Painting, 1300–1350 – By David Carrier
Jaeheon Lee: Ghosts in the Garden – By William Corwin
Edges of Ailey – By Ekin Erkan
Patterns in Abstraction – By Leia Genis
Jordan Nassar: THERE – By Robert Alan Grand
Jay DeFeo: Trees – By Suzanne Hudson
Nour Mobarak: Dafne Phono – By Eana Kim
Yuli Yamagata: Ghosts Don’t Wear Watches – By Alfred Mac Adam
Soledad Sevilla: Ritmos, tramas, variables – By Valerie Mindlin
Mark Bradford: Keep Walking – By Charles Moore
André Griffo: Exploded View – By Rômulo Moraes
Jesse Krimes: Corrections – By Joanna Seifter
Lynne Drexler: Color Notes – By David Whelan
Rosemarie Beck: Earthly Paradise – By Leah Triplett Harrington
Francesco Clemente: Summer Love in the Fall – By Selena Parnon
Sean Scully: Duane Street, 1981–1983 – By Raphy Sarkissian
Henni Alftan: Stop Making Sense – By Ann C. Collins
Hap Tivey: Perception is the Medium – By Benjamin Clifford
William Gropper: Artist of the People – By Margot Yale
Rhian Sasseen swipes right on behalf of a fictional porn addict;
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech;
Ruth Madievsky closes the gate on her college rumor mill;
and Emmeline Clein recounts an “American Icarus story” spelled out in diet pills and rhinestones.
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Aesthetica Magazine (February 2, 2024) – The February/March 2024 issue features ‘Perception is Everything’. This issue recognises agents of change. Throughout history, art has influenced societies, challenged norms, questioned the status quo, raised awareness and prompted new perspectives.
The artists in this issue embody this notion. We speak with Tania Franco Klein about her distinct style, which is realised through cinematic photographs. She surveys present-day anxieties and effects of media overstimulation. Meanwhile, Cristóbal Ascencio’s work and research focuses on the relationship between images and memory. He looks at how experience can be appropriated between generations. Kaya & Blank is a photographic duo that explores the way that humans inhabit the world, pushing the boundaries of how reality is presented. Tara Donovan, featured in When Forms Come Alive, opening at the Hayward Gallery, London, this winter, is one of 21 artists in an exhibition that reclaims space in an increasingly digitised world. It spans 60 years of contemporary sculpture and shows works that trigger a physical response.
In photography we traverse continents with an extraordinary range of practitioners, including Derrick O. Boateng, Ibai Acevedo, Jonathan Knowles, Tom Hegen and Neil Burnell. Our cover duo, Tropico Photo, offers pop colours and urban cool. Finally, the Last Words go to Yannis Davy Guibinga.
The Burlington Magazine – January 3, 2024: The new issue features ‘The Golden Age of Avignon’ – Avignon as ‘New Rome’; Rubens and women; Tiepolo in New York; Gertrude Stein and Picasso, and more….
A vivid photograph of a lotus pond ushers visitors into this ambitious exhibition on the arts and culture of Jiangnan. Lying to the south of the Yangtze – its name literally means ‘south of the river’ – this part of China includes such major cities as Shanghai, Hangzhou and Suzhou. Curated by Clarissa von Spee, Chair of Asian Art and the James and Donna Reid Curator of Chinese Art at the Cleveland Museum of Art (CMA), this is the first exhibition outside China to present an encyclopaedic view of the cultural history of this historically affluent region.
Ever since the Walpole Society was founded in London in 1911 ‘with the object of promoting the study of the history of British art’, The Burlington Magazine has taken a close interest in an organisation with aims and principles so close to our own: this is the sixth Editorial we have devoted to the subject. The first, written by the art historian August F. Jaccaci, who edited the Magazine’s ‘Art in America’ section, appeared in 1913 on the occasion of the publication of the first of the annual volumes that are the society’s raison d’être.
Deeply entwined with its cultural heritage, the mountainous territory carries a historic tradition of craft metalwork – as a center for the production of hand-crafted ornaments, teapots and spiritual artefacts, destined for temples, and held in high regard by India’s king dynasties.
But the craft has entered a point of decline, continued by just a handful of artisanal metalworkers who fight for its preservation.…
Boomers Daily 