From a New Scientist online review:
The prevailing narrative of “battling cancer” in Western society has its own issues, with its discourse of personal triumph that values individual responsibility and determination. But the alternative – to lie outright – might seem inconceivable, particularly to those accustomed to the norms of Western culture. It is, however, a common practice in China, rooted in the belief that telling a person about their diagnosis can make their condition deteriorate quicker.
The plot line of The Farewell is familiar to me. Like Billi’s Nai Nai, my aunt was diagnosed with metatastic lung cancer. Nobody in the family told her – nor did the doctors when she later underwent surgery to remove a tumour. The last time I saw her was in north-eastern China a few years ago. Her once-plump figure had shrunk to a wiry frame. She was in her early 70s, in good spirits, but a far cry from the feisty matriarch who used to dominate conversations.
The Farewell is a heartfelt film, punctuated by moments of unexpected – and unexpectedly uplifting – humour. In a darkly comical scene in a printing shop, Nai Nai’s younger sister demands that the results of a medical report be doctored to edit out references to cancerous nodules and replaced with the nebulous term “benign shadows”.
Since I work as a fine artist now, there are fewer commercial entities to please, so I’ve discovered something that should have been very obvious. If you want to engage the viewer, don’t tell them everything, encourage them to ask their own questions. An artist should not describe—he or she should interpret. If you design into your work a bit of mystery—areas where the viewer must “fill in the blanks”—you set up an unspoken dialog with your viewers and an emotional weight will begin to develop organically. This is just one example of course, but an important one.
Making the Special Edition Photographs is an assignment I continue to this day, with Ansel’s vision and standards always in mind as I work. The prints are still made directly from Ansel’s negatives and in the “traditional” way: in a wet darkroom with amber safelights, chemicals and running water. The prints are still silver-gelatin prints, meaning that the image-forming element is literally metallic silver. Precious.
The tool is simply called Preventive Health, and is now available to Facebook users in the United States. It takes a user’s age and sex from their Facebook profile and provides them with a list of recommended screenings based on those two data points.
This exhibition traces the first sixty years of the etched print (circa 1490 to circa 1560), from its emergence in the workshop of the German printmaker and armor decorator Daniel Hopfer to the years when a range of artists from Germany, Flanders, Italy, and France began experimenting with etching. Approximately 125 etchings, produced by both renowned and lesser-known artists, are displayed alongside a number of drawings, printing plates, illustrated books, and armor.
A new 
Legendary entertainer Julie Andrews will receive the American Film Institute’s lifetime achievement award in 2020. In addition to her theatrical career, Andrews has published more than 30 children’s books with one of her daughters, writer and arts educator Emma Walton Hamilton. John Yang sits down with Andrews and Hamilton to discuss how the star focused on family even during her Hollywood heyday.
The so-called winning of the West is one of the fundamental dramas in American history, and Mr. Brands makes the most of his subject by quoting extensively from the participants’ own accounts. In his chapters on Lewis and Clark, he cites the explorers’ descriptions of the daunting cataracts on the Missouri and Columbia rivers and their reaction on reaching their goal. 
James McElhinney: Discover the Hudson Anew presents the painter’s sketch books and prints related to the River in a comprehensive showing for the first time. A video program, animating turning pages, will allow visitors to see additional sketchbook paintings. McElhinney says he wants his art to demonstrate “that constructive dialogue between humanity and nature is alive and well, while underscoring how art provides durable and dynamic modes of engagement.”
Boomers Daily 