
Apollo Magazine (March 26, 2024): The new April 2024 issue features ‘Why Everyone Loves Keith Haring’; Who’s afraid of immersive art?; Counting the cost of the Venice Biennale…



Apollo Magazine (March 26, 2024): The new April 2024 issue features ‘Why Everyone Loves Keith Haring’; Who’s afraid of immersive art?; Counting the cost of the Venice Biennale…


The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.
Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.
We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.
Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.
Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.
The Met (March 8, 2024): Join Dr. Denise M. Murrell, Merryl H. and James S. Tisch Curator at Large in The Met’s Director’s Office, for a virtual tour of the groundbreaking exhibition The Harlem Renaissance and Transatlantic Modernism.
Through some 160 works of painting, sculpture, photography, film, and ephemera, it will explore the comprehensive and far-reaching ways in which Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s–40s in New York City’s Harlem and nationwide in the early decades of the Great Migration when millions of African Americans began to move away from the segregated rural South.
The first art museum survey of the subject in New York City since 1987, the exhibition will establish the Harlem Renaissance and its radically new development of the modern Black subject as central to the development of international modern art.
On view February 25 – July 28, 2024.
Van Gogh Museum (March 4, 2024): The work of the Chinese-Canadian artist Matthew Wong (1984-2019) is dynamic, colourful, and expressive. Of the many artists who inspired him, Vincent van Gogh was the most significant.
The exhibition ‘Matthew Wong l Vincent van Gogh: Painting as a Last Resort’ invites you to discover more about Wong’s work and his artistic connection with Van Gogh. On view at the Van Gogh Museum from 1 March until 1 September 2024.
CBS Sunday Morning (March 3, 2024): His abstract expressionist canvases are among the most recognizable of all 20th century artists’ works. But Mark Rothko (1903-1970) also produced nearly 3,000 pieces on paper – smaller in scale but just as innovative.
CBS News chief election & campaign correspondent Robert Costa visits an exhibition at the National Gallery of Art in Washington, D.C., that explores the trail of paper works the artist left behind, and talks with curator Adam Greenhalgh, and with the artist’s children, Kate Rothko Prizel and Christopher Rothko, about Rothko’s remarkable vision.

Apollo Magazine (February 25, 2024): The new March 2024 issue features ‘How Italy remade Willem de Kooning’; Does the art world need gatekeepers?; Angelica Kauffman’s sentimental side…
The Haitian-Canadian artist surrounds himself with unlikely objects to spark his imagination, books about drawing, and about 25 different types of tea
These timepieces are fluttering, chiming embodiments of how Britain and China traded with each other in the 18th and 19th centuries
At the Whitechapel Gallery, the French-Algerian unspools personal and political histories through imitation sets and empty stages
Apollo Magazine (January 29, 2024): The new February 2024 issue features ‘Giants of Indian Miniature Painting’; The Crisis in Italian Paintings and more…
Plus: Slim pickings for foodies on Valentine’s Day, Parma’s monumental museum complex, and – and reviews of Impressionists on paper, experimental art in the Eastern bloc, and Africa and Byzantium at the Met
The Met (January 19, 2024): Join curators Stephan Wolohojian, Adam Eaker, David Pullins, and Anna-Claire Stinebring along with their special guests as they guide you through the newly reopened galleries dedicated to European Paintings from 1300 to 1800.
The reconfigured galleries highlight fresh narratives and dialogues among more than 700 works of art from the Museum’s world-famous holdings, which include recently acquired paintings and prestigious loans, as well as select sculptures and decorative art, showcase the interconnectedness of cultures, materials, and moments across The Met collection.
Apollo Magazine (December 23, 2023): The new January 2024 issue features ‘The Last Days of Vincent Van Gogh’; What’s in store for the art market?; Paris pays tribute to Agnès Varda, and more…
Three exhibitions in the Engadin Valley explore how the Swiss mountains have inspired some of the painter’s most playful work
The festive bird has often been served up by artists and writers including J.M.W. Turner and Charles Dickens
The Morgan Library & Museum (December 18, 2023) – Diane Wolfthal, David and Caroline Minter Chair Emerita in the Humanities and Professor Emerita of Art History, Rice University, and Dei Jackson, Assistant Curator of Medieval and Renaissance Manuscripts here at the Morgan, discuss their current exhibition “Medieval Money, Merchants, and Morality,” which charts the economic revolution that took place at the end of the Middle Ages and the early Renaissance.
Trade was conducted on an unprecedented scale, banks were established, and coinage proliferated like never before. The widespread use of money in everyday life transformed every aspect of European society, including its values and culture. Bringing together some of the most acclaimed manuscripts in the Morgan’s collection and other exceptional objects including a renaissance purse, a brass alms box, and a hoard of coins, this exhibition will explore the fate of the avaricious, attitudes towards the poor, contentious lending practices, and money management.
The famous Hours of Catherine of Cleves, the Hours of Henry VIII, and the Prayer Book of Queen Claude de France will be presented from a decidedly new angle, combining economic and art history to consider the early history of capitalism and the crisis in values that it sparked. These will feature alongside lesser known treasures, including an Italian account book in its original binding and a stunning leaf from a register of creditors made in Bologna, Italy, in 1394–95. As people today reflect on fluctuating markets, disparities in wealth, personal values, and morality, the themes addressed in this exhibition are as relevant as ever.