London Review of Books (LRB) – January 17, 2024: The latest issue features ‘Living With Keats’ – A Brief Life in Nine Poems and One Epitaph; Congress vs Harvard; The West’s Fight to Reverse the Russian Revolution, and more…
Looking back to September 1820, when things had gone badly wrong but not yet so grotesquely as to be visibly beyond repair, we can see how few and how poor Keats’s options were. Surely it was better that (in the absence of other volunteers) the young artist Joseph Severn agreed to travel with the dying poet to Rome that autumn than that he had refused.
Times Literary Supplement (January 17, 2024): The latest issue features ‘Power Failure’ – The retreat from net zero; Canon wars; The end of literary criticism; Empires imprint on the Middle East; Harvard and plagarism….
THE NEW YORK TIMES BOOK REVIEW (January 12, 2024): The latest issue features ‘What Happens When Writers Embrace Artificial Intelligence as Their Muse? by A.O. Scott…
The robots of literature and movies usually present either an existential danger or an erotic frisson. Those who don’t follow in the melancholy footsteps of Frankenstein’s misunderstood monster march in line with the murderous HAL 9000 from “2001: A Space Odyssey,” unless they echo the siren songs of sexualized androids like the ones played by Sean Young in “Blade Runner” and Alicia Vikander in “Ex Machina.”
We fantasize that A.I. programs will seduce us or wipe us out, enslave us or make us feel unsure of our own humanity. Trained by such narratives, whether we find them in “Terminator” movies or in novels by Nobel laureates, we brace ourselves for a future populated by all kinds of smart, possibly sentient machines that will disrupt our most cherished notions of what it means to be human.
For Álvaro Enrigue, a novelist fascinated with historical detail, the first meeting of the Aztecs and Spanish conquistadors is the obsession of a lifetime. He brings it to life in “You Dreamed of Empires.”
By Benjamin P. Russell
The Aug. 13, 2021 edition of The New York Times failed to mention the 500th anniversary of the fall of Tenochtitlan, the erstwhile Aztec capital out of which Mexico City was born. Álvaro Enrigue noticed. Of course.
The 54-year-old Enrigue, who grew up in Mexico City, believes that early meeting between Europe and the Americas changed the trajectory of global commerce, urbanism, industry and much else besides. Modernity itself, he argues, was born in the moment the Aztec emperor Moctezuma and Hernan Cortés, the Spanish conquistador, first looked each other in the eye in 1519, a clash of empires that set in motion the city’s capture two years later.
Times Literary Supplement (January 10, 2024): The latest issue features ‘Have a good trip’ – On the uses of psychedelic drugs; Hisham Matar’s novel of London exile; A West Bank tragedy; Puzzled by crosswords; French Band Aid, and more…
I rode west with a childhood friend who was driving to a job in California. We passed through Tennessee, Arkansas, Oklahoma, and still there was no sign of the Commander. My friend placed a bag of chocolate-covered espresso beans on the console between us, jumble of rich dark gems, glittering like they were wet. I crunched them in my teeth without thinking. Sometimes I drove and let her sleep. When clouds clotted the sun her hair still glowed, some mix of orange and yellow and pink. Toast, or the honey for it, or the cinnamon.
After we spent a day and a night in a certain desert town, I told my friend to go on without me. I’d stay. The town was bordered by empty hills and endless sky: room to disappear. I found an unopened pack of Juicy Fruit gum on the sidewalk, which I took for a sign.
THE NEW YORK TIMES BOOK REVIEW (January 5): The latest issue features ‘Read This And Learn’ – For decades, Juan Rulfo’s novel, “Pedro Páramo,” has cast an uncanny spell on writers. A new translation may bring it broader appeal.
For decades, Juan Rulfo’s novel, “Pedro Páramo,” has cast an uncanny spell on writers. A new translation may bring it broader appeal.
By Valeria Luiselli
Readers of Latin American literature may have heard one of the many versions of this story:
It is 1961 and Gabriel García Márquez has just arrived in Mexico City, penniless but full of literary ambition, trying desperately to work on a new novel. One day, he is sitting in the legendary Café La Habana, where Fidel Castro and Che Guevara were said to have plotted the Cuban Revolution. Julio Cortázar walks in, carrying a copy of Juan Rulfo’s novel “Pedro Páramo.” With a swift gesture, as if he’s dealing cards, Cortázar throws the book on García Márquez’s table. “Tenga, pa que aprenda,” he says. “Read this and learn.”
Early in 1935, a blizzard blew through New York City. The storm was so fierce, it virtually emptied Central Park. But Willa Cather spent her morning there, sledding with the violin prodigy Yehudi Menuhin and his sisters.
Louisiana Channel (January 4, 2024) – When writing, Joyce Carol Oates writes about people, often about a family, because “the family unit to me is like the nexus of all emotion, and people derive their meaning from the position in families,” she says.
Video timeline:0:00 On preferred subjects for writing 3:20 On Karen Blixen /Isak Dinesen 4:24 On families 6:54 On the mother figure 9:00 On the novel ‘Babysitter’ 17:27 On the novel ‘Night. Sleep. Death. And the Stars’ 22:48 How traveling resembles writing 28:47 On Donald Trump
“What is so exciting about the novel is that it mimics life and that you end up doing something you never thought you would do,” says Joyce Carol Oates, one of America’s greatest living novelists, when looking back on a life of writing.
It might be a violent event or something politically relevant, or it could be a racist experience that sets off a novel. In her storytelling, Oates finds it interesting to focus on girls at the beginning of puberty: “There’s a kind of wonderful neutrality of childhood that gets conditioned out when girls get to be 12 – 14 years old. And then, from that point on, when they’re so shaped by what we call the male gaze and the expectations of others that they grow into being someone who is this female image.”
But today, the family is very different and there are all kinds of families: “There are families of same-sex couples who got married and they may adopt a child or they may have a child of their own, but then there may be families that are like communes where people are living, sharing a house, but they are a family and they may have dogs and cats who know who they are. […] The so-called nuclear family – which is just a father, mother, and children – still exists, of course, but it’s not the only example of any longer, which is wonderful. It all begins with the emancipation of women”, Joyce Carol Oates concludes.
Oates feels attracted to writing because writing is storytelling and “what’s interesting about storytelling is that you have to have revelations. That you start off with a situation, and a little bit of a mystery evolves, and then you have to follow the tendrils and the roots of that mystery, like an investigator. And then there has to be a revelation.” This means that Oates focuses a lot in her writing on the pacing and the suspense and the movement, like “how long is a paragraph, how short is the dialogue, and how much dialogue is there in proportion to the exposition, and the craftsman side of writing is actually where many people write.“
Times Literary Supplement (January 3, 2024): The latest issue features ‘The Lady Vanishes’ – Muireann Maguire on a revival of classic crime fiction; What next for Julian Assange; David Hockney’s drawings; Dreaming up 007; The science of belonging and more…
THE NEW YORK TIMES BOOK REVIEW (December 31, 2023): The latest issue features Francis Ford Coppola Is Ready For His Close-Up – Sam Wasson’s supremely entertaining new book, “The Path to Paradise”, tracks the ups and downs, ins and outs, of a remarkable career.
When the billionaire entrepreneur Elon Musk sat down for his profanity-laced interview at The New York Times’s DealBook Summit in late November, his petulant dropping of F-bombs received a lot of attention. Less noticed but far more revealing was his evident disdain for a humble word beginning with the letter T. “You could not trust me,” Musk said, affecting an air of tough-guy indifference in his shearling-collared flight jacket and shiny black boots. “It is irrelevant. The rocket track record speaks for itself.”
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