Category Archives: Arts & Literature

THE NEW YORK REVIEW OF BOOKS – APRIL 9, 2026

THE NEW YORK REVIEW OF BOOKS: The latest issue features geopolitical analyses of the Iran conflict by Fintan O’Toole and Pankaj Mishra, alongside cultural explorations of literature and art. Key contributions include discussions on the economic dualities of Shenzhen, China, and critiques of historical narratives regarding the Allied firebombing of Japan. 

A Bitter Education

In its quiescence to the West’s war on Iran, India is squandering a precious legacy.

Shenzhen Express

In Shenzhen, the successes and failures of China’s remarkable new economy are on full display.

Breakneck: China’s Quest to Engineer the Future by Dan Wang

House of Huawei: The Secret History of China’s Most Powerful Company by Eva Dou

Who Built France?

A new history explores France’s empire from the perspective of the indigenous and enslaved people who participated, willingly or not, in its creation.

By Flesh and Toil: How Sex, Race, and Labor Shaped the Early French Empire by Mélanie Lamotte

A Man-Made Disaster

There has never been a moral and historical reckoning with the horrors inflicted by the Allied firebombing of Japan during World War II.

Black Snow: Curtis LeMay, the Firebombing of Tokyo, and the Road to the Atomic Bomb by James M. Scott

The Bomber Mafia: A Dream, a Temptation, and the Longest Night of the Second World War by Malcolm Gladwell

LONDON REVIEW OF BOOKS – APRIL 2, 2026 PREVIEW

Contents · Vol. 48 No. 6 · 02 April 2026

LONDON REVIEW OF BOOKS: The latest issue features ‘Patricia Lockwood on Willa Cather, Tom Johnson on early modern work, various political analyses, reviews, poetry, and a diary entry on Serbian student movements. 

The Bright Edges of the World: Willa Cather and Her Archbishop by Garrett Peck

Death Comes for the Archbishop by Willa Cather


The Experience of Work in Early Modern England 
by Jane Whittle, Mark Hailwood, Hannah Robb and Taylor Aucoin


Caillebotte: 
Painting Is a Serious Game by Amaury ChardeauGustave Caillebotte: Painting Men edited by Scott Allan, Gloria Groom and Paul Perrin

THE NEW YORKER MAGAZINE – MARCH 30, 2026 PREVIEW

A portrait of New York City as a pattern of subway cars firehydrants water towers rats alligators a few people and one...

THE NEW YORKER MAGAZINE: The latest issue cover features ‘Roz Chast’s “City Beasts” – Where the wild things are. Also, Jon Lee Anderson on Cuba’s crumbling regime, Jia Tolentino on Robyn, Jill Lepore on entrusting A.I. with moral judgment, and more.

The First Casualty of Trump’s War in Iran Was the Truth

The cruellest irony is that of a President who addresses the Iranian people in the language of liberation and then threatens freedom of the press back home. By David Remnick

Does A.I. Need a Constitution?

A new set of precepts is meant to make the chatbot Claude wise, decent, and safe. It also marks a striking transfer of public responsibility from constitutional government to private tech firms. By Jill Lepore

Is Cuba Next?

Trump’s campaign to topple foreign adversaries encounters a battered but defiant regime. By Jon Lee Anderson

TIMES LITERARY SUPPLEMENT – MARCH 20, 2026 PREVIEW

The TLS - Current Issue Cover

TIMES LITERARY SUPPLEMENT: The latest issue features William Golding’s beast within; the many lives of W. H. Auden; Palantir spreads; the spirit of the Risorgimento; Ishiguro on film; experiencing consciousness – and much more.

Darkness visible

The struggle between good and evil in William Golding’s fiction By Alan Jenkins

Clock stopper

The many lives of W. H. Auden By Ian Sansom

All-seeing eye

Alex Karp, CEO of Palantir, the controversial US tech company By Emily Jones

The feeling of being alive

Why do we experience consciousness?

Guernica Magazine – March 2026 Preview

GUERNICA MAGAZINE: The latest issue features….

Wartime Beirut, Between Ruin and Routine: A Photo Essay

“Let Lebanon Live Before I Die.” — Graffiti in Beirut

By Alex Milan Durie March 15, 2026

My cousin Sami is still bulking

“His gym is Gaza, and every piece carries weight.”

By L.F. Khouri March 15, 2026

A Month Inside the World’s Largest Refugee Camp

“There are no easy takeaways. No tidy solutions. But I still think it matters to pay attention.”

By Jidi Guo March 15, 2026

THE NEW YORKER MAGAZINE – MARCH 23, 2026 PREVIEW

An explosive bouquet of colorful flowers.

THE NEW YORKER MAGAZINE: The latest issue features ‘Maira Kalman’s “Amid It All” – The blooms burst forth.

Trump’s Mass-Detention Campaign

Even with Kristi Noem gone, the Administration’s immigration agenda shows no signs of flagging—in fact, it is leading toward a new humanitarian and legal crisis. By Jonathan Blitzer

What’s Behind Trump’s New World Disorder?

A foreign policy freed of liberal pretenses and imperial ambitions could lead to restraint—or, as the Iran attack shows, simply license hit-and-run belligerence. By Daniel Immerwahr

Who Bankrolled the American Revolution?

Our history too often sidesteps the question of finances. But sonorous ideals don’t keep an army supplied with uniforms, guns, and grub. By Adam Gopnik

GAGOSIAN QUARTERLY – SPRING 2026 PREVIEW

Gagosian Quarterly Spring 2026 | Gagosian Quarterly

Gagosian Quarterly: The Spring 2026 issue features Jeff Koons pays homage to Duchamp’s tremendous generosity. On the occasion of an exhibition of historic works by Jasper Johns, Larry Gagosian reflects on the artist’s crosshatching technique and its impact on audiences past and present. We also trace the evolution of Michael Heizer’s complex negative sculptures and celebrate the fortieth anniversary of Nan Goldin’s The Ballad of Sexual Dependency.

The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson

The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson is an exhibition conceived by curator Jasper Sharp and the acclaimed American filmmaker. The show brings Cornell’s New York studio to the heart of Paris, transforming Gagosian’s storefront gallery into a meticulously staged tableau—part time capsule, part life-size shadow box—for the first solo presentation of the artist’s work in Paris in more than four decades. In this video, Anderson discusses the genesis of the exhibition and the process by which it came together.

Michael Heizer: Negative Sculpture

Michael Heizer: Negative Sculpture

Across his nearly six-decade career, Michael Heizer has continued to probe the possibilities of sculptural form defined by its absence. His exhibition Negative Sculpture features Convoluted Line A and Convoluted Line B, among the artist’s most complex negative sculptures. Here, we consider a selection of works that have preceded the new sculptures.

Over the Guardrails, Into the Water

Over the Guardrails, Into the Water

Mike Stinavage meets with actor—and now director—Kristen Stewart to talk about her debut feature-length film, The Chronology of Water.

Berthe Weill

Berthe Weill

Valentina Castellani is the author of Trading Beauty: Art Market Histories from the Altar to the Gallery (2026), an expansive history of the art market and of the dealers who charted its course. Here—inspired by the recent exhibition Make Way for Berthe Weill: Art Dealer of the Parisian Avant-garde at the Musée de l’Orangerie, Paris—Castellani considers the impact of the French gallerist.

Titus Kaphar: The Fire This Time

Titus Kaphar: The Fire This Time

On the occasion of his exhibition The Fire This Time at Gagosian, Paris, Titus Kaphar explores themes of history, representation, and collective memory in his recent paintings and hand-carved wood sculptures.

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

Jonas Wood: The Rules of the Game

Jonas Wood: The Rules of the Game

Following a recent visit to Jonas Wood’s Los Angeles studio, Justin Beal thinks through the artist’s paintings of tennis courts—the subject of an exhibition at Gagosian, Beverly Hills—examining their relation to the game, color theory, and the rewards of practice.

Game Changer
Beatrice Wood

Beatrice Wood

Salomé Gómez-Upegui honors Beatrice Wood, the “Mama of Dada,” an underappreciated trailblazer within the movement who went on to become a brilliant ceramist.

Jasper Johns: Between the Clock and the Bed

Jasper Johns: Between the Clock and the Bed

On January 22, Gagosian, in partnership with Castelli Gallery, opened an exhibition of historic works by Jasper Johns at the 980 Madison Avenue gallery in New York. A survey of the crosshatch paintings and drawings that dominated his practice from 1973 to 1983, the presentation united works that have rarely been seen with loans from sources including distinguished American museums. The exhibition commemorates the fiftieth anniversary of this body of work’s debut at Castelli Gallery in 1976. Here, Larry Gagosian speaks with the Quarterly’s Alison McDonald about the impetus for this project, his memories of seeing the exhibition in 1976, and the enduring impact of these paintings on artists and collectors.

Nan Goldin: Another Word for Love

Nan Goldin: Another Word for Love

For the fortieth anniversary of Nan Goldin’s genre-defining photobook The Ballad of Sexual Dependency (Aperture, 1986), Gagosian, London, will be exhibiting all of its 126 photographs, the first time the entire body of work will be shown in the United Kingdom. To celebrate the occasion, David Velasco looks back to the series’ creation and evolution, considering the radical exploration of seeing and love at the core of The Ballad.

Frank Gehry: Every Building, a Self-Portrait

Frank Gehry: Every Building, a Self-Portrait

Deborah McLeod, senior director at Gagosian, Beverly Hills, reflects on the generous and innovative vision of Frank Gehry. Having worked with the architect and artist for more than a decade, McLeod addresses his outsize impact on the city of Los Angeles and the world beyond.

Fashion and Art: Thomas Gainsborough

Fashion and Art: Thomas Gainsborough

The Frick Collection, New York, opened Gainsborough: The Fashion of Portraiture on February 12. The first exhibition devoted to the English artist’s portraiture ever held in New York, the show comprises more than two dozen paintings and explores the role of fashion in Gainsborough’s depictions, in terms both of the sitters’ clothes and of the larger context of class, labor, craft, and time. Aimee Ng, the Frick’s Peter Jay Sharp Chief Curator, has been working on the show for a decade; last fall she met with the Quarterly’s Derek C. Blasberg to talk about this historic project.

THE PARIS REVIEW-SPRING ’26

THE PARIS REVIEW : The Spring 2026 issue features Interviews, Prose, Poetry and Art….

  • Sarah Schulman on the Art of Nonfiction: “I like to have my say, obviously. And if people would have just let me talk, some of these books wouldn’t have had to be written.”
  • Darryl Pinckney on the Art of Nonfiction:  “There are moments when you run up against a white wall—there’s a white man, white man, white man, white man—and the story somehow has to be uncovered.”
  • Prose by Ingeborg Bachmann, Dan Bevacqua, Patrick Cottrell, Zans Brady Krohn, Tao Lin, David Szalay, and Yu Hua.
  • Poetry by Inger Christensen, Rachel Lapides, Enrique Lihn, Joyelle McSweeney, Nakahara Chuya, and Asiya Wadud.
  • Art by Cecily Brown, Tom Fairs, and Cauleen Smith; cover by Cecily Brown.

LONDON REVIEW OF BOOKS – MARCH 19, 2026 PREVIEW

LONDON REVIEW OF BOOKS: The latest issue features Nicholas Spice – Schubert’s Imagination; Daniella Shreir on Chantal Akerman; Tom Stevenson – Death of an Ayatollah; Joanna Biggs – Solvej Balle’s Time Loop….

Iran, Week One

The attack launched on Iran by the US and Israel on 28 February was a textbook case of international aggression, justified in only the most cursory fashion by fictional Iranian threats and undertaken with no clear aims and no clear demands or terms. In announcing the war Donald Trump described it as a wholesale attack on both government and state. The US and Israel would ‘raze their missile industry to the ground’ and ‘annihilate their navy’. Benjamin Netanyahu called on Iranians to ‘come out to the streets and finish the job’. By Tom Stevenson

Mummy’s Favourite

 The late queen can be held responsible for much, but nobody could accuse her of seeming to enjoy her role. For the Yorks, however, enjoyment was everything, and the notion of royal sacrifice, argu­ably a red herring in the House of Saxe-Coburg and Gotha, was finally obliterated by their act­ions. By Andrew O’Hagan

Marlowe’s Betrayals

As Stephen Greenblatt’s Dark Renaissance shows despite itself, it is not Marlowe’s life story that we still need, but his plays and poems: we might well want to avert our eyes from the bathetically dismal life of the man who wrote them. By Michael Dobson

Entitled: The Rise and Fall of the House of York by Andrew Lownie

Nobody’s Girl: A Memoir of Surviving Abuse and Fighting for Justice by Virginia Roberts Giuffre

Andrew O’Hagan

THE NEW YORKER MAGAZINE – MARCH 16, 2026 PREVIEW

Trump is standing in his golf card dressed in military clothes.

THE NEW YORKER MAGAZINE: The latest issue features ‘Barry Blitt’s “War-a-Lago” – No Nobel Peace Prize in sight.

Where Is the Iran War Headed?

President Trump has both called for Iranians to rise up and oust the ruthless theocracy and then said that he’s fully prepared to deal with a new religious leader. By Robin Wright

The Zombie Regulator

As the cost of living continues to spiral upward, the Trump Administration is gutting the government agency built to protect Americans from financial ruin. By E. Tammy Kim

The Unmaking of the American University

For decades, research universities have relied on federal funding, with no guarantee that it will last. Now their survival may depend on compliance with the government. By Nicholas Lemann