Leave it to Zadie Smith to include a political Rorschach test in her latest novel. In one of The Fraud’s pivotal encounters, set in 1875, […]
Technology was the wonder of our age. It seemed to promise us power, and we took this power for our own
Times Literary Supplement (September 15, 2023): The new issue features what connects the novelist William Harrison Ainsworth, the Tichborne Trial and life on a sugar plantation in Jamaica? In a New Yorker essay Zadie Smith spelt out the preoccupations of The Fraud, her novel set in the Victorian era, as “fake identities, fake news, fake relationships, fake histories”. Ainsworth, in Smith’s view, was a fraud as a historical novelist.
Ursula Parrott scandalized and titillated Hollywood in the 1930s
Salvador Allende reconsidered, fifty years after the military coup
THE NEW YORK TIMES BOOK REVIEW (September 10, 2023): The new issue features Zadie Smith’s very Dickensian new novel, “The Fraud,” In nonfiction, the extremely different romantic lives of George Orwell and George Eliot are reviewed, and a biography of the con man who paved the way for all those “Nigerian prince” email scams.
Her new novel, “The Fraud,” is based on a celebrated 19th-century criminal trial, but it keeps one eye focused clearly on today’s political populism.
By Karan Mahajan
All over the dorm in California glinted pale-orange and tabasco-red and steel-blue copies of Zadie Smith’s “White Teeth,” with their hard white bright lettering. The year was 2001, and “White Teeth” had been assigned as incoming reading for my freshman dorm. I remember loving the sprawling, rude, funny, slapdash narration, the magical way in which Smith brought it all together in the figure of a genetically engineered mouse.
“The Vaster Wilds” follows a girl’s escape from a nameless colonial settlement into the unforgiving terrain of America.
By Fiona Mozley
Jamestown, Va., the first permanent English settlement in the Americas, very nearly didn’t survive. A few years into its existence, in the early 1600s, the majority of the population had succumbed to famine and disease. The period known as the Starving Time has taken on allegorical status. Jamestown is the colony that tried too much too soon; that underestimated the harsh climate, the foreign land, its existing, Indigenous population. Pilgrims went in search of heaven and found hell.
The Guardian Weekly (September 1, 2023) – The issue features Prigozhin’s downfall – What next for Putin, Russia and Wagner?; Zadie Smith returns to the streets of London; Protecting the Arctic Sea, and more…
Andrew Roth explores what the legacy of the Wagner warlord might be for Russia – which may well hinge on Putin himself and how the war in Ukraine turns out.
Pjotr Sauer looks at the array of methods used to dispose of Putin’s political enemies in the past, while Dino Mahtani asks what will happen to Wagner group’s clandestine operations in Africa now its enigmatic boss is no longer in the picture.
In Spotlight, a beautiful photo-essay by Ossie Michelin and Eldred Allen transports us to the Canadian Arctic where, amid alarming signs of warmer winters and receding ice, Inuit people are planning to turn 15,000 sq km of the Labrador Sea into a unique conservation zone.
I did everything I could to avoid writing my historical novel. When I finally started “The Fraud,” one principle was clear: no Dickens.
By Zadie Smith
For the first thirty years of my life, I lived within a one-mile radius of Willesden Green Tube Station. It’s true I went to college—I even moved to East London for a bit—but such interludes were brief. I soon returned to my little corner of North West London. Then suddenly, quite abruptly, I left not just the city but England itself. First for Rome, then Boston, and then my beloved New York, where I stayed ten years. When friends asked why I’d left the country, I’d sometimes answer with a joke: Because I don’t want to write a historical novel. Perhaps it was an in-joke: only other English novelists really understood what I meant by it. And there were other, more obvious reasons.
We’re told that story will set us free. But what if a narrative frame is also a cage?
By Parul Sehgal
After a millennium, she remains the hardest-working woman in literature. It was not enough to be saddled with a husband who had the nasty habit of marrying and murdering a new virgin every day to assure himself of spousal fidelity. Nor was it enough to produce a series of nested stories under such deadlines (truly, I complain too much), stories so prickly and tantalizing that the king postponed her murder every night to wait for the next installment. That’s to say nothing of the entirely forgotten three children she bore over those thousand and one nights. Who recalls that there was always a new baby in Scheherazade’s arms?
What prompted the development of systems of writing?
The Greatest Invention: A History of the World in Nine Mysterious Scripts by Silvia Ferrara, translated from the Italian by Todd Portnowitz
Inventing the Alphabet: The Origins of Letters from Antiquity to the Present by Johanna Drucker
At the heart of Todd Field’s new film is a conductor who cannot see beyond her generation’s field of vision.
Tár a film written and directed by Todd Field
Trump’s attempt almost two years ago to undermine the 2020 election reads today like a blueprint drawn for a future autocrat.
The thesis of an exhibition on the inspiration a subset of Cubism took from trompe l’oeil is convincingly built with objects made across four centuries.
Cubism and the Trompe l’Oeil Tradition – an exhibition at the Metropolitan Museum of Art, New York City, October 20, 2022–January 22, 2023
Even more impressive than Ukraine’s will to fight is the vast network of citizens who are supporting the armed forces and helping those in need of food and supplies.
Boomers Daily 