A film commissioned by Goldsmith’s Compay for Goldsmith’s Fair 2019. This year’s theme was about collecting and collectors.
Goldsmiths’ Fair is recognised internationally as the premier UK showcase for contemporary jewellery and silver.
Each year, this unique event draws collectors, design lovers and luxury shoppers to the magnificent Goldsmiths’ Hall where they can browse the latest collections from this handpicked selection of craftsmen and women.
The new MoMA opens. Cherished works return to the walls of the galleries in brand new frames, while curators and artists watch the completion of the reinstallation. After being closed for four months, MoMA reopens its doors to the public.
TABLE OF CONTENTS
0:13 – Associate sculpture conservator Roger Griffith and sculpture conservation fellow Joy Bloser clean Arthur Young’s Bell-47D1 Helicopter.
0:52 – Senior curator of Painting and Sculpture Anne Umland and chief curator of Painting and Sculpture Ann Temkin oversee the hanging of Pablo Picasso’s “Les Demoiselles d’Avignon.”
1:20 – Peter Perez, frame shop foreman, discusses “The Starry Night’s” new, black frame.
2:53 – Artist Amy Sillman explains how she curated and arranged “The Shape of Shape,” part of the long-running Artist’s Choice exhibition series in which artists selects works to show from the Museum’s collection
4:17 – Photography curator Sarah Meister and conservator Lee Ann Daffner adjust the lighting on Joseph-Philibert Girault de Prangey’s “Rome. Arch of Septimus Severus and Capitoline Lion.”
5:02 – Senior deputy director of exhibitions and collections Ramona Bronkar Bannayan and director of exhibition design and production Lana Hum make a final checklist of things to accomplish before the opening.
5:32 – Artist Betye Saar sees her exhibition for the first time.
7:11 – Manager of enterprise applications Rik Vanmechelen and developer Ryan Sprott check the new ticket machines.
8:04 – Chief facilities and safety officer Tunji Adeniji welcomes the public to the new MoMA on opening day.
8:30 – Silent film accompanist Ben Model improvises a live piano soundtrack for Frank Powell’s 1915 film “A Fool There Was.”
9:12 – Security supervisor Chet Gold greets volunteer Fred Liberman. Gold returns to his favorite room in the new MoMA.
This is kind of what I felt during my holidays in Madagascar. This is certainely one of the most exciting thing I saw and I try to resume it in 2 minutes.
I decided to edit in an optimistc way despite what you can hear about this island. I choosed this point of view cause Malagasy people transmitted to me their strenght and their way of life.
Some sounds were recorded directly. For example what you can hear at 1:12 is the yell of the biggest lemur, the Indri Indri. Their yell can be heard from 5 km !
I spent a couple of days compiling clips of Chicago and put it all together into one minute. This is a combination of Time Lapse, Hyperlapse and Video created using Nikon, Timelapse Plus, Syrp Genies and Osmo Pocket. Locations are The Chicago Cultural Center, The Flamingo at the Federal Building, The Bean, the Chicago Skyline from the Planetarium, the Chicago “L” train, and sunrise from the Sheraton Grand Hotel.
Dubbed Galaxy of Horrors, the fun but informative series resulted from a collaboration of scientists and artists and was produced by NASA’s Exoplanet Exploration Program Office, located at NASA’s Jet Propulsion Laboratory in Pasadena, California. The same program is behind the popular Exoplanet Travel Bureau poster series, which imagines humans visiting some of the thousands of known worlds outside our solar system.
Sound Design: Brennan Mercer
Music: 1900, Daniel Norgen, The Acid
Ten years ago I uploaded my first video to Vimeo titled WAVE CLOUD SAND. The idea was loosely based on finding beauty in the in-between moments that surrounded my projects at the time. Ten years later that same sentiment holds true and these are those moments from more recent travel throughout Australia, Chile, Mexico, Norway, and Hawaii. The moments when no one is around, views are unobstructed, nature is in its natural state, and perfect waves are left untouched.
The home’s adaptation is not only about automatically adjusting lights to match the circadian rhythms of the occupants or unlocking a door based on facial recognition. It’s also adapting over time to occupants’ needs. For instance, Bridleman describes walls that move to create new spaces or beds that fold into the wall creating an office space—all based on voice commands.
KB Home’s (KBH) SVP Dan Bridleman discusses the smart home of tomorrow and the work the company is doing to make the home the center of a smart ecosystem. Instead of traditional bespoke construction techniques, modularity and the off-site construction of building blocks or subsystems are the trends for new construction seen in the KB Home ProjeKt.
In the end of September 2019 the leaves had fallen from most of the trees in Enontekiö, Finland, but the colours were still visible in the ground. I captured the remains of the fall foliage with my DJI Mavic 2 Pro with some help from ground-level timelapse cameras.
Boomers Daily 