The Globalist, April 28, 2023: China’s defence minister, Li Shangfu, attends a security summit in India. Also, the latest on the situation in Sudan with Yassmin Abdel-Magied, Ukraine’s looming counteroffensive and Italy’s prime minister, Giorgia Meloni, visits London.
Plus: Jessie Ware comes to Midori House to talk about her latest album.
The country needs a new political settlement that diminishes the power of extremists
As israel marks its 75th anniversary, take a moment to admire how it has triumphed against the odds. Before it declared independence in 1948 its own generals warned that it had only a fifty-fifty chance of survival. Today Israel is hugely rich, safer than it has been for most of its history, and democratic—if, that is, you are prepared to exclude the territories it occupies. It has overcome wars, droughts and poverty with few natural endowments other than human grit. It is an outlier in the Middle East, a hub of innovation and a winner from globalisation.
Or Russian fighter jets may win control of Ukrainian skies
As Ukraine prepares its forces for a crucial counter-offensive, the argument among its Western allies about what equipment to provide chunters on. Having finally received the tanks it had been pleading for since last year, Ukraine has increased the intensity of its demands for fighter jets. Yet its pleas are falling on largely deaf ears.
The Globalist, April 21, 2023: The European Commission prepares new sanctions against Russia, with special requests from Moldova. Plus: a new report on North Korea’s biological weapons programme, Air Serbia introduces 20 new routes and a check-in from the International Journalism Festival in Perugia.
The Globalist, April 20, 2023: The latest in Sudan, where thousands are fleeing intense fighting in Khartoum, Europe frets about the Brazilian president’s stance on Russia, and why trust in religion is floundering in Japan.
Plus: Ukraine’s finance minister on the country’s path to recovery, and the latest film news.
Video timeline: 00:00 – Civil wars are getting longer 00:58 – Complexity 02:14 – Criminality 03:12 – Climate change 04:52 – The road to peace?
The Globalist, April 18, 2023: The Fox News-Dominion defamation trial begins. Plus: the effect of Russian mercenaries on the conflict in Sudan, a flick through the day’s papers and a dispatch from the Salone del Mobile.
The Globalist, April 17, 2023: Ukraine after the leaks – an update on the mood and movements in the country over the weekend. Plus: a lookahead to the Thai elections, more unrest in France and our first coverage from this year’s Salone del Mobile.
The New York Times Book Review – April 16, 2023:
The author’s new book, “Saving Time: Discovering a Life Beyond the Clock,” urges readers to revise their conceptions of time and the world to nurture hope and action for a better future.
A book of photographs taken before February 2022 reveals formerly breathtaking landscapes that may never be the same.
In Jinwoo Chong’s debut novel, “Flux,” a time-warping discovery impacts the lives of three people coping with personal and systemic traumas.
“The pictures are a documentation of the brutality within the conflict itself. It’s about civilians and civilian casualties because they are the ones hit the hardest. “
Grarup is convinced that the ongoing war in Ukraine will mark the beginning of a new area that will isolate Russia from the Western World for generations to come: “I have been covering wars and conflicts for the last 35 years – just about every conflict you can imagine. In many ways, the brutality of the genocide in Rwanda in 1994 is second to none. But the war in Ukraine comes really, really close. It’s basically a country which is desiring democracy and freedom and independence – and because of that, its people are killed.”
Grarups also reflects upon his feelings covering the war, such as his general discomfort with silence as “you can be sure that something is about to happen.” On the other hand, he sees the necessity to document the war for future generations and the possible prosecution of war crimes. “What I like about black-and-white photography is its timelessness. We think in our part of the world that the world has changed, developed, and moved far away from what we have seen historically.
But the fact is: It hasn’t. It’s still the same atrocities. It’s still the same victims.” Jan Grarup was born in Denmark in 1968 and is today regarded as one of the leading and most experienced war photographers globally. Already in 1991, the year of his graduation, he won the prestigious Danish Press Photographer of the Year Award, a prize he would receive on several further occasions. In 1993, he moved to Berlin for a year, working as a freelance photographer for Danish newspapers and magazines. Afterwards, Grarup covered many wars and conflicts worldwide, including the Gulf War, the Rwandan genocide, the siege of Sarajevo and the Palestinian uprising against Israel in 2000.
His coverage of the conflict between Palestine and Israel led to two series: The Boys of Ramallah, which earned him the Pictures of the Year International World Understanding Award in 2002, followed by The Boys from Hebron. His book, Shadowland (2006), presents his work during the 12 years he spent in Kashmir, Sierra Leone, Chechnya, Rwanda, Kosovo, Slovakia, Ramallah, Hebron, Iraq, Iran, and Darfur. In the words of Foto8’s review, it is “intensely personal, deeply felt, and immaculately composed.”
His second book, Darfur: A Silent Genocide, was published in 2009. In 2017 he released the prizewinning bestseller And Then There Was Silence. He is currently working on a follow-up called While We Bleed with Danish author Adam Holm about the war in Ukraine. Jan Grarup has won numerous prizes for his dedicated work, for example eight World Press Awards, the Pictures of the Year International World Understanding Award, the UNICEF Children Photo of the Year Award, Visa d’Or, Leica Oskar Barnack Award, to mention a few of the more prestigious ones. Jan Grarup was interviewed by Marc-Christoph Wagner in Copenhagen, Denmark.
The interview took place at the Danish War Museum in March 2023 on the occasion of Grarup’s exhibition One Year With War. Camera: Jakob Solbakken Edited by: Helle Pagter Produced by: Marc-Christoph Wagner
The New York Times Magazine – March 19, 2023:
Inside a psychiatric hospital in Kyiv, the growing mental trauma of the war is written on every soldier’s face.
Behind our institutions are ordinary people. Emily Kohrs is their new face.
A century ago, Thomas Midgley Jr. was responsible for two phenomenally destructive innovations. What can we learn from them today?
Boomers Daily 