This week, now that the pro-European centrist Emmanuel Macron has defeated the far-right candidate Marine Le Pen in the French presidential election, we speak to Anaël Pigeat, editor-at-large at The Art Newspaper France, about the Macron government’s cultural record so far and what we can expect from his second term.
Tate Britain has opened an exhibition of work by the late 19th- and early 20th-century British painter Walter Sickert; we take a tour of the show with one of its curators, Thomas Kennedy. And in this episode’s Work of the Week, The Art Newspaper’s associate editor, Tom Seymour, talks to Dan Leers of the Carnegie Museum of Art in Pittsburgh, US, about A workman lifts a drum from a boiling lye solution, March 1944, a photograph in the museum’s new exhibition, Gordon Parks in Pittsburgh, 1944/1946.
Walter Sickert, Tate Britain, London, until 18 September; Petit Palais, Paris, 14 October-29 January 2023.
Gordon Parks in Pittsburgh, 1944/1946, Carnegie Museum of Art, Pittsburgh, 30 April-7 August.
The cover shows an artist’s impression of the pterosaur Tupandactylus imperator. Although feathered pterosaurs have been reported, these claims have been controversial and it has not been clear whether these leathery-winged flying reptiles had feathers of different colours like modern-day birds.
In this week’s issue, Aude Cincotta and her colleagues present evidence that not only did pterosaurs have feathers but that the feathers probably had varied coloration. The researchers analysed a partial skull of Tupandactylus, found in Brazil and dated to around 113 million years ago. They identified two types of feather along the base of the crest, one of which featured branched structures very similar to modern feathers. They also found pigment-producing organelles in both types of feather and the skin on the head crest. The team suggests that these coloured feathers would have been used in visual communication and that their presence in Tupandactylus indicates the ability to manipulate feather colour stretches back farther than was previously realized.
Winners of the 2022 Design Educates Awards. Each year, the Design Educates Awards highlight international design projects that tackle context-specific concerns and educate users about sustainability.
Andrew Robinson reviews five of the week’s best science picks.
Spark
Timothy J. Jorgensen Princeton Univ. Press (2022)
The use of electricity in medicine has long been controversial, notes health physicist Timothy Jorgensen. Eighteenth-century polymath Benjamin Franklin applied shocks to paralysed muscles with temporary success. In the 1930s, neurologist Ugo Cerletti pioneered painful but effective electroconvulsive therapy for schizophrenia and depression. Yet even today, “no one is sure exactly how ECT works”, says Jorgensen in his brilliant book. Now, business magnate Elon Musk plans to implant computer chips to treat brain disorders.
The New Fire
Ben Buchanan & Andrew Imbrie MIT Press (2022)
Artificial intelligence (AI) is not like electricity, but like fire, say Ben Buchanan and Andrew Imbrie — academic specialists in emerging technology — in their authoritative, coruscating analysis of its current and future significance. Its potential impact ranges from illuminating to catastrophic, according to three rival and sometimes overlapping views from observers whom they label “evangelists, warriors and Cassandras”. “Three sparks ignite the new fire,” say the authors: data, algorithms and computing power.
Tomorrow’s People
Paul Morland Picador (2022)
“To most of us, the influence of demography on our future is far from obvious,” writes demographer Paul Morland. City dwellers tend to have low fertility, thereby creating an older population and eventually population decline, which could prompt migration and ethnic change, as in today’s United Kingdom — or might not, as in Japan. Morland’s careful book discusses ten indicators, one per chapter: infant mortality, population growth, urbanization, fertility, ageing, old age, population decline, ethnic change, education and food.
Restarting the Future
Jonathan Haskel & Stian Westlake Princeton Univ. Press (2022)
In the past few decades, growth has stagnated in advanced economies. This is odd, given low interest rates, high business profits and a wide belief that we live with “dizzying technological progress”, write economists Jonathan Haskel and Stian Westlake. They argue that the old economic model based on material production fails when it comes to intangible assets — such as software, data, design and business processes — that hinge on ideas, knowledge and relationships. Financial and state institutions must update to cope.
Inequality
Carles Lalueza-Fox MIT Press (2022)
Inequality and its origins will always preoccupy humans. In 2014, biologist Carles Lalueza-Fox led the retrieval of a genome from a European forager’s skeleton more than 7,000 years old; his later studies revealed genetic evidence of “inequality and discrimination in different times and periods”, as he describes in this significant book, written during the pandemic. He concludes by observing that COVID‑19 has had an enhanced impact on poor people, which he anticipates will feature in future genetic studies.
A Venice Biennale special: we give you a flavour of the 59th edition of the Biennale which, as ever, brings a deluge of contemporary art to the historic Italian city.
We talk to four artists in the national pavilions – Francis Alÿs in the Belgian Pavilion, Sonia Boyce in the British pavilion, Shubigi Rao in the Singapore pavilion and Na Chainkua Reindorf in the Ghana pavilion – about their presentations and how, if at all, they relate to the idea of nationhood. Louisa Buck and Jane Morris join host Ben Luke to review the main exhibition, The Milk of Dreams, curated by Cecilia Alemani, and pick their highlights of the Biennale so far. And while most visitors to Venice this week are immersed in contemporary art, for this episode’s Work of the Week, we take a look at a masterpiece that remains exactly where it was intended to hang. The art historian Ben Street joins Ben Luke in San Giovanni Crisostomo, a church near Venice’s Rialto bridge, to look at Saints Christopher, Jerome and Louis of Toulouse, a late painting by the Venetian Renaissance artist Giovanni Bellini.
A whole-genome analysis of more than 12,000 cancers, investigating the impacts of traffic safety messages, and revealing new insights into how tumor cells escape death.
Our May 12 issue—the Art Issue—is online now, featuring articles from Ruth Bernard Yeazell, Julian Barnes, Martin Filler, Carolina A. Miranda, David Salle, Gary Saul Morson, Ingrid D. Rowland, Adam Hochschild, and much more. https://t.co/rmufOVCOcMpic.twitter.com/Ai0fhY9zMh
— The New York Review of Books (@nybooks) April 21, 2022
From the beginning, female self-portraitists have chosen to show themselves at work, as if to demonstrate that they could handle a brush as well as male artists.
The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women’s Self Portraits
Boomers Daily 