The Economist Magazine (March 7, 2024): The latest issue features Three big risks that might tip America’s presidential election – Third parties, the Trump trials and the candidates’ age introduce a high degree of uncertainty; Xi Jinping’s hunger for power is hurting China’s economy; How to fix the Ivy League – Its supremacy is being undermined by bad leadership…
The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.
The New Yorker (February 26, 2024): The new issue‘s cover features ‘Victoria Tentler-Krylov’s “All Clear” ‘ – The artist captures New York’s smallest pedestrians as they make their way through the big city.
Workers sent from the country to Chinese factories describe enduring beatings and sexual abuse, having their wages taken by the state, and being told that if they try to escape they will be “killed without a trace.”
Disturbances on the sun may have the potential to devastate our power grid and communication systems. When the next big storm arrives, will we be prepared for it?
THE NEW YORK TIMES MAGAZINE (February 23, 2024): The new issue features ‘Enemy of the People’ – Tom Sandoval turned last year’s season of ‘Vanderpump Rules’ into the best in reality TV’s history – and ruined his life in the process..
Russian aggression and American wavering reveal just how ill-equipped the continent is
Russia is becoming more dangerous, America is less reliable and Europe remains unprepared. The problem is simply put, but the scale of its solution is hard to comprehend. The security arrangements based on nato that emerged from the second world war—and have prevented a third—are so much part of Europe’s fabric that remaking them will be an immense task. European leaders urgently need to jettison their post-Soviet complacency. That means raising defence spending to a level not seen in decades, restoring Europe’s neglected military traditions, restructuring its arms industries and preparing for a possible war. The work has barely begun.
“Artificial intelligence may indeed affect the way our military operates. But the notion that bright-eyed visionaries from the tech industry are revolutionizing our military machine promotes a myth that this relationship is not only new, but will fundamentally improve our defense system—one notorious for its insatiable appetite for money, poorly performing weapons, and lost wars. In reality, the change flows in the other direction, as new recruits enter the warm embrace of the imperishable military-industrial complex, eager to learn its ways.”
“People would rather be enthusiastic collaborators in a global project than be skeptics of its fundamental integrity. Antinatalism implies or counts on our eventual extinction, and thinking this way is painful.”
The New Yorker (February 19, 2024): The new issue‘s cover featuresMarcellus Hall’s “Winter Wonders” – The artist depicts an array of invigorating, comforting, and delightful cold-weather activities.
Representative Matt Gaetz arrived at the White House in the last days of 2020, amid a gathering national crisis. President Donald Trump had lost his bid for reëlection the previous month, and his allies were exploring strategies to keep him in office. Though only thirty-eight years old, Gaetz, the scion of a political family in Florida’s Panhandle, had become one of the Republican Party’s most prominent and divisive figures. His dark hair styled in a kind of bouffant, his lips often curled in a wry smile, Gaetz bore a resemblance to Elvis Presley, or, in the description of a Florida friend, “either Beavis or Butt-head.” He was quick-witted and sometimes very funny, and he loved to taunt his enemies, who were numerous, especially in his own party. “He’s the most unpopular member of Congress, with the possible exception of Marjorie Taylor Greene, and he doesn’t care,” a fellow-congressman told me.
THE NEW YORK TIMES MAGAZINE (February 17, 2024): The new issue features ‘Actors in the Wild’ – The best performers of the year, when they’re not on film….
The best performers of the year — when they’re not on film.
James Nachtwey, an eminent photojournalist known for his intimate depictions of the front lines in places like Iraq, Afghanistan and Ukraine, had never photographed a movie star before. So for this year’s Great Performers issue, we asked him to capture a dozen of the world’s best actors away from the red carpets and awards ceremonies that often define how we see them. “My work has focused almost exclusively on conflicts and critical social issues, the polar opposite of what might be thought of as celebrity photography,” Nachtwey says. But he was intrigued by the challenge: “Art takes talent, but it’s also hard work, and exploring what actors practice in their daily lives to strengthen their art would be fascinating.”
Tubi Is Reviving a Lost Joy: Watching Really, Really Bad Movies
Their films have gone viral for their awful production values. But their success says fascinating things about what comes after prestige TV.
By Niela Orr
There’s a 2008 movie that offers an odd preview of today’s entertainment. In Michel Gondry’s “Be Kind Rewind,” a bizarre accident demagnetizes the entire inventory of a video rental store, so a clerk and his eccentric friend decide to remake all the films themselves, from “The Lion King” to “Driving Miss Daisy” to “2001: A Space Odyssey.” Their versions are 20 minutes long (at most), shot on an old hand-held video camera and produced in a delightfully quirky, ad hoc way: handcrafted props and sets, buddies working as extras, costumes from the local dry cleaner.
The Economist Magazine (February 10, 2024): The latest issue features ‘The Right Goes GAGA’ – Meet the Global Anti-Globalist Alliance’; Goodbye to the racial jobs gap; San Francisco’s comeback; China’s chipmaking plan; The looming hell in Rafah….