Times Literary Supplement @TheTLS (April 7, 2023) – This week’s @TheTLS, featuring the late Jane Maas on Philip Roth’s great love; David Throsby on consulting firms; an extract from The God Desire by @Baddiel; @LamornaAsh on Max Porter; @funesdamemorius on Mike Nelson; a new poem by Carl Dennis – and more.
Kenyon Review – Spring 2023 issue includes a folio of literature in translation guest edited by award-winning translators Jennifer Croft, Anton Hur, and Jeremy Tiang. The issue also includes poetry by Kwame Dawes, Timothy Donnelly, K. Iver, and Danusha Lameris; fiction by Sam J. Miller, Michael Tod Powers, J. T. Sutlive, and Lindsay Turner; nonfiction by A. J. Bermudez; and the winner of the 2022 Short Fiction Contest, judged by Karen Russell. The cover art is by Pamela Phatsimo Sunstrum.
“A Field Guide to the Bear-Men of Leningrad” : a rare non-speculative thing from me, about boyhood & masculinity & human monstrosity in 1930s Russi… https://instagr.am/p/CqDkW1jsCI5/
Poetry a special section T. S. Eliot’s still point by James Matthew Wilson Singing the “Frauenliebe” by Ian Bostridge The foundational “Kokinshu” by Torquil Duthie A White Russian on the rocks by Boris Dralyuk
Darkness visible: Auden collected by William Logan
Caesar & the republic by Adrian Goldsworthy Otto von Habsburg’s legacy by Edwin J. Feulner Garshin: a genius at suffering by Gary Saul Morson Saarinen & starchitecture by Michael J. Lewis
New poems by Rachel Hadas, Ryan Wilson & Duncan Wu
For Matisse art was a perpetual emergency, a matter of testing boundaries, breaking through.
Matisse: The Red Studio – an exhibition at the Museum of Modern Art, New York City, May 1–September 10, 2022; and SMK–National Gallery of Denmark, Copenhagen, October 13, 2022–February 26, 2023
Matisse in the 1930s – an exhibition at the Philadelphia Museum of Art, October 20, 2022–January 29, 2023; the Musée de l’Orangerie, Paris, March 1–May 29, 2023; and the Musée Matisse Nice, June 23–September 24, 2023
Colm Tóibín on the Art of Fiction: “No matter what you do in a novel there’s a secret DNA of whatever it is that you’ve suffered.” N. Scott Momaday on the Art of Poetry: “I was writing lines that looked like lines of poetry, recollecting my early days on the reservation, but I didn’t know the difference between a spondee and a dactyl.”