Don’t put all your cards in the Magnificent Seven. These stock funds offer investors true diversification—and that will pay off in more growth opportunities and better protection.
The London-based mining company produces copper ore, diamonds, and platinum, but its shares are treated more like lead. It offers shareholders two ways to win.
The once-highflying payments company now trades at a valuation more suitable for a midsize bank. The good news: The path to a comeback is simpler than the Street expects.
Our annual ranking of the country’s Top 1,200 Financial Advisors finds a broader embrace of digital tools among advisors and clients alike. The result: more flexibility, potentially lower fees, and greater access to specialists.
Our annual ranking, now in its 16th year, finds an industry that has changed with the times. Here’s what investors need to know about the selection process.
France-Amérique Magazine – December 1, 2023 – The new issue features the foundations that are keeping the French-American friendship alive, from New Orleans to Washington D.C. to Paris, and pay a visit to the newly renovated Cartier Mansion – the Fifth Avenue palace where Pierre Cartier mingled with celebrities, titans of industry, and U.S. presidents. Also in this issue, read about the success of Rémy Martin in America as the iconic Cognac house is turning 300, and discover why, since the pandemic, so many Americans are putting up the “For Sale” sign and hopping on a plane to Paris, Lyon, or Marseille!
AU REVOIR, AMERICA
Is the Grass Greener on the Other Side of the Atlantic?
For ideological, financial, or health care reasons, more and more Americans are moving to France (12,200 first-time residence granted in 2022, up 9,214 on 2021). But la vie is not always en rose.
By Anthony Bulger
RÉMY MARTIN
A French-American Heritage
Three hundred years after it was founded, the Cognac house renowned for its flagship Louis XIII sells half its bottles in America while continuing to uphold its tradition of excellence.
By Benoît Georges
THE FOUNDATIONS – of French-American Friendship
From Washington D.C. to New York City and from New Orleans to Paris, many philanthropic organizations continue to nurture the bonds connecting France and the United States through history, politics, economics, language, and culture.
By Roland Flamini
PIERRE CARTIER – The Man Who Made Jewelry for American Presidents
In the early 20th century, the three grandsons of the founder of Cartier were busy building their family name. Louis was in Paris, Jacques in London, and Pierre in New York City. To sell his jewelry in the United States, the latter sibling mingled with celebrities, titans of industry, and presidents, and created a network of alliances.
A resilient labor market and healthy household finances should keep a recession at bay, even if the postpandemic spending boom loses a bit of its vigor.
CBS Sunday Morning (November 12, 2023) – The largest exhibition ever of works by Ed Ruscha, one of the most celebrated American artists of the postwar era, is now on display at the Museum of Modern Art in New York City.
Ruscha, now 85, talks with correspondent David Pogue about collecting much of his life’s work into one retrospective; the cryptic nature of many of his paintings; and his use of unusual materials (like chocolate and axle grease).
“I don’t have any Seine River like Monet,” Ed Ruscha once said. “I’ve just got US 66 between Oklahoma and Los Angeles.” ED RUSCHA / NOW THEN will feature over 200 works—in mediums including painting, drawing, prints, photography, artist’s books, film, and installation—that make use of everything from gunpowder to chocolate. Exploring Ruscha’s landmark contributions to postwar American art as well as lesser-known aspects of his more than six-decade career, the exhibition will offer new perspectives on a body of work that has influenced generations of artists, architects, designers, and writers.
In 1956, Ruscha left his hometown of Oklahoma City and drove along interstate highway 66 to study commercial art in Los Angeles, where he drew inspiration from the city’s architecture, colloquial speech, and popular culture. Ruscha has recorded and transformed familiar subjects—whether roadside gasoline stations or the 20th Century Fox logo—often revisiting motifs, sites, or words years later. Tracing shifts in the artist’s means and methods over time, ED RUSCHA / NOW THEN underscores the continuous reinvention that has defined his work.