The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.
We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.
We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.
The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org
Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk
Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.
Apollo Magazine– November 2023: The new issue features Modern art at the Imperial War Museum; Around the world in thousands of textiles; Tashkent bets big on cultural tourism, and more…
3 p.m. Wander through woodlands to a world-class museum
Start your weekend at the Burrell Collection, a glass-roofed art museum that rises out of a meadow in the city’s southern Pollok Country Park like a vast, gleaming greenhouse. The 9,000-piece collection was donated to the city at the close of World War II by William Burrell, a Glasgow shipping merchant, and opened in this specially commissioned building in 1983. The free-entry museum reopened in 2022 after a six-year refurbishment of its red sandstone, glass and wood interiors. Though it is busy, the Burrell offers a peaceful immersion in an unmistakably personal collection, drifting from Degas and Rembrandt to tabernacles, tulip-motif textiles and ancient Chinese roof tiles. The tapestries are especially wonderful, including the palatially sized “Wagner Garden Carpet” made by master weavers in 17th-century Iran.
Saturday
Papercup
10 a.m. Grab a brekkie roll, then discover a Glaswegian jungle
If it’s not raining, take advantage of clear skies with a botanic stroll in Glasgow’s affluent West End. Grab breakfast at Papercup, a small and friendly cafe that has original period details, like egg-and-dart molding and an ornate ceiling rose. Try the brekkie roll with a sausage patty (£5), or eggs on toast with a side of vegan haggis (£8.50). From the cafe, wander to the Glasgow Botanic Gardens, either directly, along Great Western Road, or take the more meandering Kelvin Walkway down by the River Kelvin, crossing the blue, steel Botanic Gardens Footbridge to emerge into the scented gardens on the other bank. Enter the domed Kibble Palace, a spectacular glasshouse in which to explore a jungle of orchids, begonias and ferns, among other leafy treasures.
Hoos
12 p.m. Browse Scandi home goods and woolly Scottish knitwear
Glaswegians have an appetite for sustainable shopping and for secondhand goods of all stripes. Hoos, next to the Botanic Gardens, stocks chic Scandi home goods, while the Glasgow Vintage Co., farther along Great Western Road from Papercup, has a thoughtful selection of second-hand Scottish knitwear alongside show-stopping coats and dresses from the 1970s. Up the hill on Otago Street, above Perch & Rest Coffee, Kelvin Apothecary sells a nice range of gifts including handmade Scottish soaps and wooden laundry and cleaning tools. In the cobbled Otago Lane is the chaotic Voltaire and Rousseau secondhand bookshop, with teetering, vertical book piles. Unlike many Glasgow shops, this store isn’t the most dog-friendly, because of the resident cat, BB, who supervises from his perch at the till.
The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?
We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.
And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.
Paris +, 20-22 October.
Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.
The Museum of Modern Art (October 17, 2023) – What makes a 500-year-old printing process new? Master printer and publisher Jacob Samuel has brought etchings—prints created by transferring ink from a metal plate to paper—into the 21st century through collaborations with more than 60 contemporary artists. In this video, we filmed Samuel making his last print.
As he inks, hand wipes, and rolls his final print through the press, he reflects on his philosophy. “My goal is to leave no fingerprints,” he says. All you see is the artist’s work. I’m just another pencil. I’m just another brush. But I want the pencil to be sharpened really well. I want the brush to be sable. And to do that and be completely spontaneous, I trust the materials.”
The Week In Art Podcast (October 13, 2023): The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago.
So what should we make of Frieze’s continuing expansion and what’s the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper’s acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene.
And this episode’s Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse’s career.
Frieze London and Frieze Masters, Regent’s Park, London, until 15 October.
The Sequences Biennial, entitled Can’t See, begins on 13 October and continues until 22 October 2023.
Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024.
The Cardsharps, about 1595 Michelangelo Merisi da Caravaggio.
The Art Institute of Chicago (October 8, 2023) – Whether for his large dramatic canvases or his larger-than-life persona, the name Caravaggio evokes images of turmoil and violence, both sacred and profane. Born in Milan in 1571, Michelangelo Merisi da Caravaggio entered the robust Roman art scene around 1592 and, over the next 14 years, developed an original and captivating painting style that attracted eminent patrons and passionate followers, thrusting him into the public eye.
Martha and Mary Magdalene, about 1598 Michelangelo Merisi da Caravaggio.
Caravaggio’s followers, known as the Caravaggisti, embraced the stylistic hallmarks of the painter’s intensely naturalistic work. Like their trailblazing idol, they used models from real life, boldly depicting their quirks and flaws in dynamic compositions whose turbulent movement was revealed in dramatic extremes of light and dark. The themes and individual artistic approaches of Caravaggisti often depended on their direct or indirect relationships to Caravaggio—some knew the artist personally, while others knew him only through his work.
The Week In Art Podcast (October 6, 2023): The looted Ethiopian icon, AI copyright debate in US, and the end of China’s museum boom.
The Art Newspaper’s London correspondent Martin Bailey tells us about the Kwer’ata Re’esu, a European painting of Christ that became a revered icon in Ethiopia before being looted by an agent for the British Museum in the 19th century. Martin’s colour photographs of the work—which has been stored in a vault in Portugal—might help us to identify its maker and prompt new calls for the icon’s return to Ethiopia. On Monday this week, campaigners in the US staged an AI Day of Action, amid mounting concerns over the exploitation of artists’ work by corporations behind powerful artificial intelligence tools.
We talk to our reporter Daniel Grant about renewed calls for the US Congress to enact a law that would ban corporations from copyrighting art made by AI. And as China’s economy struggles, some museums in the country are closing or scaling down their ambitions. We talk to our correspondent in China, Lisa Movius, about how the end of the Chinese economic miracle has hastened the end of its museum boom.
Apollo Magazine– October 2023: The new issue features Getting ruff and ready with Frans Hals; Sophie Calle takes on Picasso; Can museums cope without dodgy donors?, and more…
The Week In Art Podcast (September 28, 2023): This week: three big London shows, in depth. As Marina Abramović draws huge crowds to the Royal Academy of Arts in London, we interview her about the exhibition—the first ever dedicated to a woman artist in the Royal Academy’s main galleries.
At the National Gallery, meanwhile, is a remarkable survey of the paintings of the 17th-century Dutch master Frans Hals, which will tour next year to Amsterdam and Berlin. We take a tour with Bart Cornelis, curator of the National’s incarnation of the show. And this episode’s Work of the Week is Peter Paul Rubens’s Three Nymphs with a Cornucopia of around 1625 to 1628 (painted with Frans Snyders). In the collection of the Prado in Madrid, it is one of a number of major loans to the exhibition Rubens and Women at the Dulwich Picture Gallery in London. Amy Orrock, one of the curators of the exhibition, tells us more.
Marina Abramović, Royal Academy of Arts, London, until 1 January 2024. You can hear our interview with Marina during the Covid lockdown in our episode from 8 May 2020, and a conversation with Tate Modern’s Catherine Wood about Ulay, following his death in 2020, in the episode from 6 March that year.
News, Views and Reviews For The Intellectually Curious
The New York Times (October 19, 2023) – Glasgow, Scotland’s largest city, crackles with character. It’s a hub of grass-roots energy where 
The Museum of Modern Art
Boomers Daily 