The New Yorker – June 5, 2023 issue: Masha Titova’s “The Music of Art”. The magazine publishes its first synesthetic, collaborative, and interactive cover. By Françoise Mouly.
The pop singer’s trial for copyright infringement of Marvin Gaye and Ed Townsend’s “Let’s Get It On” highlights how hard it is to draw the property lines of pop.
When the critic Joanna Biggs was thirty-two, her mother, still in her fifties, was diagnosed with Alzheimer’s. “Everything wobbled,” she recalls. Biggs was married but not sure she wanted to be, suddenly distrustful of the neat, conventional course—marriage, kids, burbs—plotted out since she met her husband, at nineteen. It was as though the disease’s rending of a maternal bond had severed her contract with the prescribed feminine itinerary. Soon enough, she and her husband were seeing other people; then he moved out, and she began making pilgrimages to visit Mary Wollstonecraft’s grave.
Once a hunting lodge for the Bourbon monarchs, the Museo di Capodimonte in Naples is now home to one of the world’s most significant collections of Italian painting. This exhibition at the Musée Louvre in Paris (7 June–8 January 2024) brings more than 60 masterpieces from the museum to France. Highlights of the paintings on view include Parmigianino’s Portrait of a Young Girl (or Antea) (1524–27) and Guido Reni’s Atalanta and Hippomenes (1620–25).
France-Amérique Magazine – June 2023– The issue explores the art world on both sides of the Atlantic Ocean! First, read how American sculptor Alexander Calder produced a mobile to support Free France during World War II – this is our cover story.
LYNN GUMPERT – “Paris Has Always Attracted American Artists”
By Guy Sorman
A book co-edited by Lynn Gumpert, director of the Grey Art Gallery at NYU, is shaking up preconceptions about the contribution of American artists in France following World War II. We asked her about this little-known period, when Paris was still as much a hub of artistic creativity as New York City.
Also in this issue, discover the little-known contribution of American artists in 1950s France; read our interview with Delphine de Canecaude of Chargeurs Museum Studio, the French company that has outfitted many of America’s largest museums; and enjoy our profiles of Clark Art Institute director Olivier Meslay and French-American graffiti legend John “JonOne” Perello.
DELPHINE DE CANECAUDE
By Guénola Pellen
“Every Museum Is an Incredible Adventure”
The dynamic fortysomething was hired to run Chargeurs Museum Studio in February. As the world leader in cultural engineering and production, the French company has designed the National Museum of the U.S. Army, the National Museum of African American History and Culture, and the new wing of the American Museum of Natural History, which recently opened in New York City.
Welcome to Vienna, where a whopping 80 percent of residents qualify for public housing, and once you have a contract, it never expires, even if you get richer. What can America learn from a city that has largely avoided the housing crisis?
The violence of his era can be found in his serene masterpieces — if you know where to look.
The afternoon I discovered Vermeer, I was passing time by browsing the books and publications piled up on the shelves at home in Lagos. I was 14 or 15. Amid the relics of my parents’ college studies (Nigerian plays, French histories, business-management textbooks), I found something unfamiliar: the annual report for a multinational company. I don’t remember which company it was, but it must have had something to do with food or drink, because on the front cover was a painting of peasants in a rolling field and on the back was a painting of a woman pouring milk.
Science Magazine – May 26, 2023 issue: Tongues are thought to have evolved when vertebrates first moved onto land and could no longer rely on suction to ingest food. Since then, they have helped drive animal diversification by adopting functions as varied as pumping nectar, snagging prey, shaping speech, and, in the case of Australia’s northern blue-tongued skink (Tiliqua scincoides intermedia), startling enemies.
Since first evolving 350 million years ago, the tongue has taken myriad forms, unlocking new niches and boosting the diversity of life
Twice, quarterback Patrick Mahomes has led the Kansas City Chiefs to victory in the Super Bowl, the pinnacle of U.S. football. Although most fans have their eyes on the ball as Mahomes prepares to throw, his tongue does something just as interesting.
The Economist Magazine– May 27, 2023 issue: The race to become the Republican nominee for the presidential election in America next year is properly under way. And Donald Trump has a huge, perhaps insurmountable, lead.
Hopes of depriving the former president of the Republican nomination are fading
Belatedly and nervously, the would-be assassins have been lining up. On May 22nd Tim Scott, a senator from South Carolina, became the latest Republican to announce a run for president. Greater fanfare accompanied the official declaration (on Twitter) on May 24th that Ron DeSantis, the governor of Florida, is joining the race for the Republican nomination. He has been widely heralded as the candidate with the best chance of defeating the favourite, Donald Trump. But even as more plotters step forward, the chances of a successful coup to overthrow Mr Trump are growing slimmer by the day.
In “wall-e”, a film released in 2008, humans live in what could be described as a world of fully automated luxury communism. Artificially intelligent robots, which take wonderfully diverse forms, are responsible for all productive labour. People get fat, hover in armchairs and watch television.
Viktor Orban and Xi Jinping bond over their anti-Americanism
To ears accustomed to a swelling chorus of China-scepticism in the European Union, the language of Hungarian diplomats is striking. Not for them the common talk of European officials about the need to “de-risk” relations with China and to treat it as a “systemic rival”. Co-operation between Hungary and China presents “opportunities rather than risks”, said Hungary’s foreign minister, Peter Szijjarto, in Beijing on May 15th. Wang Yi, China’s foreign-affairs overlord, told him that relations between the countries had entered their “best period in history”.
Times Literary Supplement (May 26, 2023) – Alan Jenkins on Martin Amis, Young Russian fascists, The Rossettis at Tate Britain, Writers at the Hay Festival, Seamus Perry on ‘Byron’s Voice’.
In the Foreword to The War Against Cliché: Essays and reviews 1971-2000, a career-spanning collection of his journalism (literary and other), Martin Amis recalled how, when they started out in the early 1970s, he and his friends and colleagues touchingly assumed that literary criticism was as essential to civilization as literature itself was. Furthermore, “the most fantastic thing about this cultural moment” was that, in the debate between the Two Cultures, Art vs Science, “Art seemed to be winning”.
The Guardian Weekly (May 26, 2023)– Volodymyr Zelenskiy’s surprise turn at last weekend’s G7 meeting in Hiroshima was the climax of a round of shuttle diplomacy in which the Ukrainian president secured yet more funds and equipment from western nations.
Patrick Wintour ponders the complex wider issues at stake for western leaders who realise that more constructive relations with the global south could also be the key to containing an increasingly belligerent China.
E-cigarettes have been seen as useful and less health-damaging devices for weaning smokers off tobacco. But there are growing international fears at the rise of disposable e-cigarettes, which are fuelling a boom in vaping among children. Michael Safi looks at how different countries are responding, from sales curbs to outright bans.
Stephen Satterfield, the host of the Netflix food-history series “High on the Hog,” was bent over the stove in his parents’ kitchen, near Atlanta. It was one o’clock on a February afternoon, and he was preparing Sunday dinner for the family. Most of the meal was canonical Black Southern food: turnip greens simmered for hours, cheese grits, biscuits baked in a cast-iron skillet.
The woods I know best, love best, are made of Northern hardwoods, sugar maple and white ash, timber-tall; black and yellow birch, tiger-skinned; seedlings and saplings of blighted beech and striped maple creeping up, knock-kneed, from a forest floor of princess pine and Christmas fern, shag-rugged. White-tailed deer dart through softwood stands of pine and hemlock, bucks and does, the last leaping fawn, leaving tracks that look like tiny human lungs, trails that people can only ever see in the snow, even though, long after snowmelt, dogs can smell them, tracking, snuffling, shuddering with the thrill of the hunt and noshing on deer scat for dog treats.
A twenty-two-year-old Ukrainian sniper, code-named Student, stuffed candy wrappers into his ears before firing a rifle at the Russians’ tree line. He’d been discharged from the hospital two weeks earlier, after being shot in the thigh.Photographs by Maxim Dondyuk for The New Yorker
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