An incredible 12 reception rooms, 12 bedrooms, 14 bathrooms, and grounds inspired by Versailles, make this stately home palatial–and with past residents including the Bonaparte Imperial family, it is a house truly fit for royalty.
The house was constructed in 1688–1701 for Sir Roger Hill, and the architect was probably William Stanton.
Country Life Magazine – July 5, 2023 issue: The seashore as artistic inspiration, from Constable’s wild skies to Gormley’s lonely figures; Puffins -the parrots of the sea; A history of mermaids, and more…
A shore thing – Michael Prodger examines the seashore as artistic inspiration, from Constable’s wild skies to Gormley’s lonely figures
Meet the parrots of the sea – The colourful puffin inspires amused adoration in everyone, but the big-beaked birds have a tough side, finds Ian Morton
Tripping the light fintastic – Sinister sirens who lure sailors to their deaths or beautiful beings who drag men from watery graves? Carla Passino combs history for mention of mermaids
Video timeline: 00:00 – Intro to the Unique Clifftop Home 00:58 – The Location 01:37 – The Site and its Aspect 02:00 – The Architecture Brief 02:39 – The Interiors Brief 03:15 – Working with the Materiality 03:41 – Crafting the Textures and the Touch 04:18 – Drawing Light Deep Into the house 05:01 – The Element of Surprise
Bossley Architects has built a visually striking and welcoming home defined by strong geometric architecture on the exterior and a soft, sinuous feel on the inside. Built on the picturesque clifftops overlooking Waitemata Harbour in Auckland, the home is comfortable yet capable of accommodating a growing family.
The site posed two main challenges – exposure to the elements of the nearby ocean and a long, narrow allotment. The house takes advantage of this shape with a series of walls and fins built angled towards the sea. Walls located at the east and west ends of the site also create a partially enclosed courtyard that both welcomes sun and provides shelter from the weather.
A modest palette features in-situ concrete as the main material, which is durable and allows the concrete to resemble fluid, free forms, resulting in a number of sculptural walls and curves in the interior of the home. This is offset against panels of marble cladding, glass-reinforced concrete fascias, walnut flooring, cedar ceilings and aluminium joinery. There are also a number of windows and openings built into the architecture of the home, which serve an important role in scoping and drawing light deep inside.
Additionally, a ‘slow stair’ has been incorporated to provide a sense of circulation into the linear structure. The staircase has a very long tread, so as one moves from the ground floor to the bedrooms and bathrooms upstairs they experience vertical movement in a more rounded way. The home holds most of its spirit in the interior design. Sonya Cotter Design crafted an interior experience that layers furniture and finishes in a way that works to create personality and warmth. However, most of the selections, whilst varied, all are designed to patina, invoking a constant sense of movement across surfaces throughout the home.
Video timeline: 00:00 – Introduction to the Sustainable Modern Farm house 00:48 – The Brief 01:00 – Retaining the Existing Elements 01:20 – Consideration of the Carbon Footprint 01:43 – A Walkthrough of the Home 02:55 – Providing Natural Light 03:44 – Drawing Inspiration from the Site and the Landscape 04:39 – A Result of Combined Efforts and Proud Moments
Nestled in the western foothills of the Blue Mountains, Stonelea by Matthew Woodward Architecture tenderly responds to context. Continuing a long-standing interest in connecting people with landscape, Stonelea gently frames the human experience within its striking rural surrounds.
An existing cluster of workers’ cottages, each with a wondrous view across the vast valley and connection to the Coxs River below, informed the planning and articulation of the home. The home’s linear and low-lying form draws on the Australian shed vernacular. A minimalist approach to form is articulated in the generous floor plan, whilst the earthy materials reflect an affinity with the landscape.
Stonelea’s barn-like form skilfully combines hardwood timber shiplap and metal roof sheeting set on a weighty podium of local stone, embedding the house atop the slope of the river and valley panorama. The architect dexterously planned around established trees, conveying a seamlessness with the landscape that belies the age of the architecture. A simple, elongated spatial arrangement gives hierarchy and order between public and private spaces.
Ensuite guest bedrooms and a kids’ room are lined along a timber-screened walkway, flanked by a large master bedroom to the north and expansive living spaces to the south, affording acoustic separation and privacy.
Video timeline: 00:00 – Intro to the Light Filled House 00:42 – The Project Brief 01:11 – A Walkthrough of the Home 02:17 – Creating A Cosy Home 02:50 – The Cathedral Glass Wall 03:20 – A Focus on the Landscaping 03:56 – The Colour and Material Palette 04:41 – Experiencing the Freshness of the Home
Set within a heritage-rich area of inner south-east Adelaide, Parkside Residence is imagined as a house of considered proportions. In acknowledging its adjacent neighbours and the traditional forms in place, the proposal aims to also celebrate the silhouettes of the existing streetscape through the formation of two main gabled pavilion arrangements. Aligned perpendicularly to one another, the pair sit separated with a connective corridor space to bind them.
Whilst the home is a modern insertion within its traditional setting, by respectfully honouring the formal language of the established rooflines, the structure adds to the rhythm of the streetscape. Ashley Halliday Architects focuses on balancing both the privacy and experience of the house from within with a series of spaces that nestle comfortably. Ikon Projects crafts Parkside Residence to transition from a privately veiled home at the front to a more open collective of spaces to the rear.
Video timeline: 00:00 – Intro to Frank Sinatra’s Iconic House 00:39 – A Completely Blank Canvas 01:14 – E. Stewart William’s First Architecture Project 01:53 – The Original Floor Plan 02:19 – A Typical Palm Springs Type Home 03:02 – Indoor and Outdoor Fusion 03:23 – The Many Moods of Modernism 03:40 – Enveloping and Warm 03:59 – The Unity of Nature and Architecture 04:38 – Balanced Light 05:15 – Frank Sinatra’s Love of the Desert
First built when there was nothing but mountains and desert, Twin Palms helped establish the architectural shape of Palm Springs. As Twin Palms was the first home designed by E. Stewart Williams, the iconic house offers a softness and comfortability that its original owner, Frank Sinatra, desired. Throughout this iconic house, E. Stewart Williams has provided fun, pleasure, privacy and respite, for the home’s first owner to its current occupants.
Though the midcentury home was built in 1947 for Frank Sinatra, E. Stewart Williams’s complex yet soft design has remained mostly intact, with the only change to the floor plan being the entrance, which was moved to the opposite side of the street to provide a dramatic arrival. Additionally, the original furniture and kitchen appliances remain, adding to the home’s interesting history.
For the rest of the exterior and interior design, the softness and expression of pleasure and place are articulated with the interior columns that are rounded instead of straight – an idea that helps to soften the environment and avoid the harshness of geometric design. With the architecture of homes in Palm Springs being designed with respect to the mountains, there is a sense of unity between nature and structure that exists in the iconic house. Further deepening this, E. Stewart Williams provides an overarching sense of indoor and outdoor living through the colour choices, materials and form of the iconic house.
The boundary dividing these vistas from the interior is figuratively broken by floor-to-ceiling windows throughout–creating a sense of openness and fluidity between nature and the home. Join architect Steven Harris for an in-depth look at his design philosophy behind this unique family residence.
Simon’s words echoed our feelings exactly: we were blown away not only by the brilliance of architect David Shelley’s original design, but also by how Monica and Simon lived in it so sympathetically and stylishly, for that matter – a true one-of-a-kind. And now we’re back.
Country Life Magazine – June 21, 2023 issue:
Feeding friends with food grown in your own garden is a delight, finds Natasha Goodfellow.
London’s new Treasure House Fair deserves to be a triumph, believes Huon Mallalieu.
The culinary director chooses a graphic work full of energy.
Jamie Blackett swelters on the farm, where greenfinches fly and the meadow shimmers.
Kate Green falls for the teddy-bear Greyface Dartmoor sheep.
Does cave art hold the answer, asks Robin Hanbury-Tenison.
Video timeline: 00:00 – Introduction to the Magical Restored House 00:30 – The Clients Simple Goals 00:43 – The History of Mid-Century Tropical Modernism 01:05 – The Restoration Process 01:46 – Designing Inline with Craig Ellwood’s Style 02:34 – Playing on High Contrast and Linking Spaces 03:32 – Background Architecture 03:53 – The Advantage of Hillside Properties 04:22 – Interesting Features of the Home 04:44 – Respecting the History 05:00 – Preservation and Timeless Design
However, once owned by a local band that left it in disrepair, the home needed a complete renovation of both exterior and interior design. Tasked with this challenge, Woods + Dangaran has infused contemporary design methods that restore the midcentury home’s character in a modern light. As the architect and interior designer, Woods + Dangaran were able to save the home through a thoughtful and delicate renovation.
From the street, the finished design of the restored house appears above the carport and unfolds in a rectangular form, where the majority of the original structural and interior elements have been kept. Throughout the restored house, two of the main kept character elements are seen in the two bookends of the original home. The first bookend holds the new fireplace, which is maintained in both its original proportion and location and modernised with a patinaed brass that wraps around it.
Boomers Daily 