Tag Archives: Exhibitions

Art: Spirit and Invention – Drawings by Giambattista and Domenico Tiepolo

The Morgan Library & Museum (November 27, 2023) – The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.

Spirit and Invention: Drawings by Giambattista and Domenico Tiepolo

October 27, 2023 through January 28, 2024

Combining highlights from the Morgan’s collection with carefully selected loans, this exhibition will provide a comprehensive look at the Tiepolos’ work as draftsmen, focusing on the role of drawing in their creative process and the distinct physical and stylistic properties of their graphic work. At the core of the collection and exhibition are substantial groups of Giambattista’s drawings that relate to major ceiling fresco projects of the 1740s and 1750s.

A fresh look at the style, function, and material properties of these working drawings has yielded new insights into their purposes. Most significantly, the exhibition presents for the first time extremely rare pen studies for Tiepolo’s magnum opus, the ceiling fresco above the staircase of the Würzburg Residenz of 1752, and a group of bold sketches newly connected with his ceiling fresco of 1754 at the Venetian church of Santa Maria della Pietà.

Other sections of the exhibition highlight the introduction of Domenico to the family workshop, the exchanges between father and son, and the great series drawings by both: Giambattista’s fantastic heads and figures seen di sotto in su, and Domenico’s drawings of animals, biblical scenes, and contemporary life.

The exhibition will end with a wall including striking examples from Domenico’s late Punchinello series. October 27, 2023 through January 28, 2024

ART: FIVE ‘MUST-SEE MUSEUM SHOWS’ FOR NOVEMBER 2023

Sotheby’s (November 13, 2023) – This month, we’re taking a tour of the world’s most exciting and innovative museum exhibitions with Tim Marlow, CEO and Director of the Design Museum, London.

Africa & Byzantium
Metropolitan Museum of Art, New York

19 November 2023 – 3 March 2024
Bringing together the art and culture of Byzantium and Africa, this ambitious New York exhibition looks in a new way at their importance to the development of the premodern world.

Africa & Byzantium comprises over 200 objects, from frescoes and mosaics to jewelry and manuscripts borrowed from many of the great collections, spanning over ten centuries of complex cultural exchange and influence.

Modigliani: Modern Gazes
Staatsgalerie Stuttgart
24 November 2023 – 17 March 2024
Modigliani: Modern Gazes focuses on the 20th-century Italian artist’s portraits of modern women From bohemian Paris who stare unapologetically at the viewer, defiant and – as the director of the Staatsgalerie, Christiane Lange puts it – “emancipated”.

Works by German-speaking contemporaries Paula Modersohn-Becker, Jeanne Mammen, Egon Schiele, Gustav Klimt and Wilhelm Lehmbruck also feature, in a show that places Modigliani in the wider cultural context of the young European avant-garde.

Mark Rothko: Paintings on Paper.
National Gallery of Art, Washington DC

19 November 2023 – 31 March 2024
Rothko exhibitions have always focused on his canvases but the artist drew no distinction between them and his paintings on paper – some of which were up to seven feet tall.

Forming the basis of Mark Rothko: Paintings on Paper, a ground-breaking show at the National Gallery of Art in Washington, many of the watercolors, acrylics and oil paintings on paper have never been seen before.

Botticelli Drawings
19 November 2023 – 11 February 2024
Legion of Honor, San Francisco

Although his reputation dwindled until the Pre-Raphaelites rediscovered his work in the 19th century, Sandro Botticelli is now one of the most revered of the Renaissance masters.

There has, however, never been a significant exhibition of his drawings so Botticelli Drawings – an admirable and important project – will give us the chance to trace his artistic journey in a more intimate way than ever before.

An Atlas of Es Devlin
Cooper Hewitt, New York
18 November 2023 – 11 August 2024

Devlin is a polymath and then some, with a wide ranging practice that incorporates stage design from La Scala in Milan to the Super Bowl. She is utterly compelling but hard to classify, which is why it is appropriate that Devlin herself will install her 30 year archive.

An Atlas of Es Devlin – featuring over 300 sketches, paintings, cutouts, and maquettes – will also stage a replica of her London studio along with giant film installations, a library programme including collective readings and the chance to participate in a cumulative artwork.

Profiles: American Artist Ed Ruscha – “NOW THEN” Exhibition At MoMA NYC

CBS Sunday Morning (November 12, 2023) – The largest exhibition ever of works by Ed Ruscha, one of the most celebrated American artists of the postwar era, is now on display at the Museum of Modern Art in New York City.

ED RUSCHA / NOW THEN

Through Jan 13, 2024

Ruscha, now 85, talks with correspondent David Pogue about collecting much of his life’s work into one retrospective; the cryptic nature of many of his paintings; and his use of unusual materials (like chocolate and axle grease).

“I don’t have any Seine River like Monet,” Ed Ruscha once said. “I’ve just got US 66 between Oklahoma and Los Angeles.” ED RUSCHA / NOW THEN will feature over 200 works—in mediums including painting, drawing, prints, photography, artist’s books, film, and installation—that make use of everything from gunpowder to chocolate. Exploring Ruscha’s landmark contributions to postwar American art as well as lesser-known aspects of his more than six-decade career, the exhibition will offer new perspectives on a body of work that has influenced generations of artists, architects, designers, and writers.

In 1956, Ruscha left his hometown of Oklahoma City and drove along interstate highway 66 to study commercial art in Los Angeles, where he drew inspiration from the city’s architecture, colloquial speech, and popular culture. Ruscha has recorded and transformed familiar subjects—whether roadside gasoline stations or the 20th Century Fox logo—often revisiting motifs, sites, or words years later. Tracing shifts in the artist’s means and methods over time, ED RUSCHA / NOW THEN  underscores the continuous reinvention that has defined his work.

Literature: Shakespeare’s First Folio At 400 Years

Royal Collection Trust (November 8, 2023) – Today, November 8, 2023, marks the 400th anniversary of the publication of Shakespeare’s First Folio. Around 235 copies of the First Folio survive today, including a copy in the Royal Library.

Watch our film to learn more about it. The First Folio is the first printed collection of William Shakespeare’s plays. It was produced in 1623, seven years after Shakespeare’s death, and contains 36 of Shakespeare’s works. Without this book we may not have had texts of 18 of Shakespeare’s plays, including Macbeth, Twelfth Night and The Tempest.

Find out more about the First, Second and Third Folios in the Royal Library and which kings owed them. Find out what Charles I wrote in the Second Folio shortly before his execution…

Exhibitions: Hans Holbein At The Court Of Henry VIII

Royal Collection Trust (October 30, 2023) – Explore the art of the image-maker of the Tudor court in the Royal Collection. Watch the film to discover the importance of the drawings, paintings and miniatures in the Royal Collection.

Discover how Holbein rose to become Henry VIII’s court painter and find out more about the techniques he used. See a rare moment where Holbein’s preparatory drawing and finished painting were reunited. Hans Holbein was one of the most talented artists of the 16th century. 

From his arrival in England in search of work he rose to royal favor, chosen to paint the portraits of Henry VIII, his family and leading figures, among them Anne Boleyn and Sir Thomas More. By his death, Holbein’s work was as admired by his contemporaries as it is today. His portraits inspired the next generation of artists in their depictions of Edward VI, Mary I and Elizabeth I.

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.

We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.

We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.

The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org

Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk

Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?

We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.

And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.

Paris +, 20-22 October.

Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.

Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January.

Exhibitions: Vertigo Of Color – Matisse, Derain, & The Origins Of Fauvism

Study for "Luxe, calme et volupté" (Etude pour “Luxe, calme et volupté”), Henri Matisse  French, Oil on canvas
Study for “Luxe, calme et volupté” – Henri Matisse – 1904

Vertigo of Color: Matisse, Derain, and the Origins of Fauvism

October 13, 2023–January 21, 2024

The Metropolitan Museum of Art (October 18, 2023) – Over an intense nine weeks in the summer of 1905 in the modest fishing village of Collioure on the French Mediterranean, Henri Matisse and Andre Derain embarked on a partnership that led to a wholly new, radical artistic language later known as Fauvism.

The Port of Collioure (Le port de Collioure), André Derain  French, Oil on canvas
The Port of Collioure – André Derain – 1905

Their daring, energetic experiments with color, form, structure, and perspective changed the course of French painting; it marked an introduction to early modernism and introduced Matisse’s first important body of work in his long career.

View of Collioure (Vue de Collioure), Henri Matisse  French, Oil on paper mounted on board
View of Collioure – Henri Matisse – 1905

This exhibition, which is co-organized by The Metropolitan Museum of Art and the Museum of Fine Arts, Houston, emphasizes as never before the legacy of that summer and examines the paintings, drawings, and watercolors of Matisse and Derain through sixty-five works on loan from national and international museums, including Musée National d’Art Moderne, Centre Pompidou; National Galleries of Scotland; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; and the Museum of Modern Art, New York; as well as private collections.

Fishing Boats, Collioure (Bateaux, pêcheurs, Collioure), André Derain  French, Oil on canvas
Fishing Boats – André Derain – 1905

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 13, 2023): The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago.

So what should we make of Frieze’s continuing expansion and what’s the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper’s acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene.

And this episode’s Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse’s career.

Frieze London and Frieze Masters, Regent’s Park, London, until 15 October.

The Sequences Biennial, entitled Can’t See, begins on 13 October and continues until 22 October 2023.

Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024.

Chicago Exhibitions: ‘Caravaggio In Rome’

The Cardsharps - Wikipedia
The Cardsharps, about 1595
Michelangelo Merisi da Caravaggio.

The Art Institute of Chicago (October 8, 2023) – Whether for his large dramatic canvases or his larger-than-life persona, the name Caravaggio evokes images of turmoil and violence, both sacred and profane. Born in Milan in 1571, Michelangelo Merisi da Caravaggio entered the robust Roman art scene around 1592 and, over the next 14 years, developed an original and captivating painting style that attracted eminent patrons and passionate followers, thrusting him into the public eye. 

Among Friends and Rivals: Caravaggio in Rome

Sep 8–Dec 31, 2023

Martha and Mary Magdalene (Caravaggio) - Wikipedia
Martha and Mary Magdalene, about 1598
Michelangelo Merisi da Caravaggio. 

Caravaggio’s followers, known as the Caravaggisti, embraced the stylis­tic hallmarks of the painter’s intensely naturalistic work. Like their trailblazing idol, they used models from real life, boldly depicting their quirks and flaws in dynamic compositions whose turbulent movement was revealed in dramatic extremes of light and dark. The themes and individual artistic approaches of Caravaggisti often depended on their direct or indirect relationships to Caravaggio—some knew the artist personally, while others knew him only through his work.

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